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Infinity Ammo
- Joined
- Feb 21, 2005
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A new showrunner has already been announced. Buck is running the Inhumans now.
A new showrunner has already been announced. Buck is ruining the Inhumans now.
Finn having more time to learn the fight choreography, iron fist getting a costume and better writing will certainly help improve the next season of iron fist.
Really don't understand why he hasn't been given a mask from the start. Even if he doesn't view himself as a superhero, so he doesn't have a costume, at the very least the Monks of K'un-Lun should have given him the mask. Just something ceremonial, passed down to each new Iron Fist.
I haven't seen The Magicians, but I'm guessing the dragons are they just in a dark corner or do the live action actors interact with it in an action sequence? A shot like that could easily be a shark jumping moment if not done right. In a show like The Magicians you have a lot more leeway with fantastical elements because it's consistent with the rest of the show. The netflix shows are focused on fighting crime in New York, tonally it would feel out of place if it was anything more than a quick shot in shadows. I think the fight with the dragon should be vague, give the audience a sense that only other Iron Fist could truly relate to, give it that air of mystery.Watching the Magicians, which is produced on a tiny Syfy budget, IF's general lack of vfx becomes even more disappointing. If a Syfy channel can afford a decent dragon, why can't Netflix?
Filming in NYC is incredibly expensive and they take full advantage of it, not like a lot of shows where they film in LA and use green screens or fly out for two weeks of quick shots. The city is a character itself and well worth the sacrifice. It's easy to assume about budgets but I guarantee that if you sat down with a tv producer and go through line by line what you need to spend money on for a show you'll wonder how anything can get made. Also keep in mind tons of shows have gone big on effects and scope, have good ratings, but get canceled because they ratings weren't spectacular enough to justify the budget. Bigger budget, bigger effects, bigger scope doesn't always equal success.Doesn't really seem like any of the marvel shows on Netflix have very high budgets to be honest. I'm just happy it was really a dragon and not some guy everyone called a dragon.
Yeah, Iron Fist played it straight, which I appreciated (although Zhou Cheng was absolutely not played straight and that bothered me, even if his scenes were a highlight).
The Netflix shows don't seem to want CG constructions. Whether that's a product of world building or a desire for a certain look of the show, I don't know, but they've been consistent in spite of Iron Fist needing it a little more than the rest.
Oh they could have definitely done something like that on a reasonable budget, so their reason not to is a creative one. Also have to remember that these decisions has to be made early in development and can something like that can easily pull people out of the story which focuses is on vigilantes in NYC.http://www.ign.com/videos/2017/04/03/the-magicians-dealing-with-a-dragon-isnt-easy
Here's footage of the dragon in The Magicians. It's kept obscured most of the scene. But you do see it's face and head.
Personally I would keep the battle with the dragon off screen and would keep flashbacks brief but meaningful, like the scene of Davos finding Danny after the trial. I enjoy how the series opening and would have flashbacks. Like a scene of him training as an adult, a scene where he's walking with a monk discussing the Iron Fist tournament and trial(set it in a Kun Lun market place allowing us to see the city as a living breathing place), A scene of him winning the tournament, and a scene of him entering Shou-Lao's cave with a quick shot of the dragon attacking from the shadows. I'd want these sprinkled throughout the season, so that when we finally see the dragon we're more willing to believe it given the rest of the series more grounded story.While budget is undoubtedly a factor, I think Netflix is honestly a factor too. I think Marvel and Netflix discussed a specific vision for these shows that feel like they're genuinely set in the New York you could walk around in. Iron Fist, however, needs to push back at that a little. I hope everyone sees that after the first season, but I don't think it's entirely a money issue.
Honestly, if I were showrunner for Iron Fist, I'd probably have constructed a K'un Lun set (it doesn't have to be overly expensive because they can be austere monks as portrayed in the show) and have made the first two episodes relative bottle episodes as Danny fights with everyone else for the privilege of being the Iron Fist (cutting back to flashbacks as his father and mother are explicitly killed at the hands of Harold Meechum and wolves respectively). The second episode would have a ten minute fight with a dragon (maybe some cat and mouse stuff where the dragon is obscured and you only get fire, but undeniably a dragon). Then he would go to New York for revenge against Harold and the rest of the story. The hope would be that filming in a studio for two episodes would save some money they could spend on a real live dragon.
*cough* I still think they missed an easy opportunity, by not making the credits scene a stylized portrayal of the dragon fight. It would let them have their cake and eat it too.
any expected budget increase for the second season?
I really doubt they actually *need* more budget. The problems with Iron Fist were not "too little money", they were "incompetent leadership". Daredevil didn't have any more money, and both seasons were far better.
I really doubt they actually *need* more budget. The problems with Iron Fist were not "too little money", they were "incompetent leadership". Daredevil didn't have any more money, and both seasons were far better.