TheVileOne
Eternal
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I recall Fleming saying in the books that Bond had a visible scar on his face.
Mistook your mean, because I always thought "pretty boy" was derogative phrase. And it seems you're using it against him in some way. Disagree with him not being able to play dark.
CR is not as over-the-top as DAD, but there were entire sequences in the first act that barely served the plot and were mostly there to beef up the spectacle (Bond's long, but amazing chase scene in Madgascar, the entire airport car chase and I don't recall the book CR ending with a Venician building sinking into the canals). And yes, you can say CR is closer to Dr. No and FRWL. But Connery was also in Goldfinger and Thunderball (closer to GoldenEye), as well as YOLT and DAF which is on the same goofy scale as DAD.

I find The Man With The Golden Gun worse. At least DAF didn't put me to sleep.
I feel that if we're going to compare DAD to any film it should be Moonraker.
That was just...ugh
Casino Royale may be more serious than DAD or Moonraker, but it is still a big budget action movie designed more for entertainment than art. There are plenty of big set pieces and stunts in Casino Royale. I love the Bond franchise, but all of them are at their heart popcorn films, as are franchises like Star Wars and Indiana Jones. The only one that doesn't really quite fit the same mold is From Russia with Love, but even it I would ultimately consider a popcorn flick.
I recall Fleming saying in the books that Bond had a visible scar on his face.
So does Brosnan.
With Brosnan's Bond, I've always got the sense that he his hiding some dark past and his normal demeanor is just a facade. He can very cold and bitter at times. This is shown a few times throughout his films, such as when Alec betrays him, his conversation on the beach with Natalya, getting drunk in his hotel in TND, his execution of Dr. Kaufmann, and the aforementioned shooting of Elektra.
Its in a different spot (not nearly as cool as Bonds cheek scar) and he got if AFTER he took the role (on the set of TND).
With Brosnan's Bond, I've always got the sense that he his hiding some dark past and his normal demeanor is just a facade. He can very cold and bitter at times. This is shown a few times throughout his films, such as when Alec betrays him, his conversation on the beach with Natalya, getting drunk in his hotel in TND, his execution of Dr. Kaufmann, and the aforementioned shooting of Elektra.
theGuard said:This is always how I saw Brosnan's Bond...and he was excellent.
I recall Fleming saying in the books that Bond had a visible scar on his face.
Well, isn't that even more appropriate, that he got the scar during one of his Bond adventures?
Uh he got the scar on his lip doing a stunt. he certainly wasn't cast with it the way Bonds always had one. If we're counting injuries we may as well acknowledge ALL the injuries all of them had doing stunts. It happens. Craig has gotten pretty banged up. He's got a scar on his hand...just like Bond. Not in the same place though.
Complex people, especially those who have an abundance of different qualities that see them through such high stakes jobs as Bond has, are not as simple as to carry *one* defining characteristic.
His 'normal demeanor', which you say is a facade, is as truly a part of him as any sadness he may carry from a troubled past.
What he does, is not allow that troubled past to drag him down into the doldrums, and manages to keep alive the care-free personage he would carry *all the time*, if he had not encountered such a troubled past. He does not carry that pain inside him all the time, his anger only surfaces sometimes when he encounters exceptionally serious trouble from his enemies in his current life.
I just thought it was cooler that he got the scar during a Bond adventure, rather than having one from some other escapade, before he got cast, like you were thinking would have been cooler.
Yeah, it's an almost white line extending from cheek to chin on his left side. I always interpreted one of the lines on Dalton's and now on DC's cheek as the scar.
Yeah, I agree. Although he is cold and cruel the times we see inside his personality are not usually on mission. It's usually doing office work
('Those whom the Gods wish to destroy, they first make bored.') or through other people's eyes ( Russian files in FRWL is a great example) or in very rare moments of contemplation. Though one could say his personallity is left open and raw for the whole world to see in OHMSS/YOLT/TMWTGG with the dead of Tracy, his loosing his mind, falling from grace, revenge and his reemergence.
One of the great tragedies of the movies is them never really doing full character arcs for Bond so you never really see much of a growth.
I always wished we'd see some sort of proper period adaptations of the Bond novels/short stories in the correct order. As movies, a tv series, a mini series...anything. But with Eon in control that may never happen.
The Moonraker book for example sounds FAR more interesting that the almost totally different movie.
Yeah, EON didn't think Grant would commit himself to a franchise, so they didn't offer him the role.
I always felt like the first two Bond movies, especially FRWL, had the feeling of a Hitchcock movie. They were both very Hitchcock inspired.
I always thought the best way to do it was with a TV mini-series each covering one book. Consistent cast, look, tone, proper development. It would be great, do the Fleming books (with referenced and flashbacks to Higson's Young Bond here and there to fill stuff in), then Amis' Colonel Sun, Faulk's Devil May Care, and even continue into john Gardner's run. Though I would end the run on Gardner's License Renewed since it's the first book of the 80's and was the first to present a middle aged Bond.
Why not do all the Gardner books? Well, most of them have been cannibalized for material so it's hard to do one without someone thinking it's been done. Plus in MR Bond mused how 00 agents didn't last long and their retirement date, so doing License Renewed and jumping ahead kinda bookends it well, showing he survived long enough to get old. Or you could just do the whole Gardner run too and end it with Captain Bond.
Hitchcock was suppose to direct a Bond film?