hellblazer103
Nasty Piece of Work
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you know, i don't care what anyone says. i dug that lovers and madmen story. the whole " joker hallucinating bunnies " thing was kinda weird though.
If we're taking the comment super-literally instead of taking it at face value (a hyperbolic remark meant to express my love of Morrison), then sure.
Besides, I was more referring to his characterizations and understanding of these characters in general. In other words, the Joker being "super sane" and constantly reinvented himself in order to compensate and adapt to the ever-changing world around him. So again, you can chalk that up to poor wording on my part if you'd like.![]()
t: If I'm honest the only one I didn't like was Nicholson's because it added nothing to the character, and wasn't even creepy. But yeah I love the general characterization of Joker by Morrison. If Leto has taken any of his advice on board then that will be the second movie Joker he's influenced. Because he also influenced Heath's as well;Heath Ledger’s Joker -- no question it was an amazing performance. And if he were still with us, we could ask him about his various inspirations: what did he watch, what did he read, what did he observe, how did he inhabit his character? Well, one of the clues he left us was his Joker diary, which he kept four months before shooting.
In it, there’s a list of what would make the Joker laugh – including AIDS, landmines, geniuses suffering irreversible brain damage, brunch, and sombreros. “It gave me this chill,” Grant Morrison said, because it was word-for-word what Morrison had written in one of his Batman stories.
“There’s a Batman [Batman #663, “The Clown at Midnight”] that I did last year that hardly anyone read,” Morrison said.
As a response to his own "Arkham Asylum: A Serious House on Serious Earth,” Morrison had continued his themes of the duality of Joker and the Batman in “The Clown at Midnight.” Having established with “Arkham” that the Joker had a sort of “super-sanity” and that he shifted between personalities,” Morrison explored the idea further in “The Clown at Midnight,” by showing that each time the Joker escaped, one of those new personalities would emerge.
“It’s a really good story,” Morrison said, “but because it was prose, people didn’t want to read it.”
Except, apparently, Heath, who saw Morrison’s list and put it in his Joker diary. “He actually had a whole list -- blind babies, doctors, accidents -- really horrible stuff,” Morrison said. “Heath wrote it all down. So yeah, I can see there’s a lot of [‘Arkham’ and ‘Midnight’] in his Joker.”
I'm well aware of the history. Bermejo was the one which spearheaded the conversation 2 years prior in this BOF interview, in which his concepts were introduced.
BOF: Do you have any thoughts about the Burton/Schumacher films
At the time the first one came out, I was in fifth grade and absolutely loved it. It was so completely new and fresh at the time and obviously made a huge impact on how superhero movies would be done for the next ten years. Visually, they were impressive. Honestly, I can't watch it now because all I concentrate on is how loose the story is, and how little they made you care about the character the movie is named after. In my opinion, all the previous movies failed to be true Batman films because most of the important elements of the Batman mythos where missing. There was no relationship with Gordon, Alfred was never a real presence, and Batman never really did those cool Batman things. The guy could barely move in that suit and he always seemed a little weak to me. It seemed like the attitude was, 'Let's just get to Batman doing his thing so we can spend more time introducing the Joker". The second one was barely a Batman movie at all. It just featured Batman characters. That was clearly a case of Tim Burton doing his own thing with no real care about a story or what these characters represented. The last two were just unbearable and I couldn't get through more than 20 minutes of the fourth. I walked out of the theater it was so bad.
you know, i don't care what anyone says. i dug that lovers and madmen story. the whole " joker hallucinating bunnies " thing was kinda weird though.
I haven't read that yet. I've been planning to for a while, but was put off by some of the reactions. What's the general gist of the story?you know, i don't care what anyone says. i dug that lovers and madmen story. the whole " joker hallucinating bunnies " thing was kinda weird though.
Joker's transition into a rebirth of a new personality. It's very, very wordy and unconventional for a comic book, but well worth it.I haven't read that yet. I've been planning to for a while, but was put off by some of the reactions. What's the general gist of the story?
But see, those still perpetuate an illusion. Angry, sad, stoic, he always has a smiling face.
I just don't think this:
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Is as striking of an image with a permanent smile.
Arkham Asylum: A Serious House on Serious Earth remains one of my favorite depictions of the character. Hell, it could be my favorite.
Is it me or does it seem like Ayer (or the DP) intentional decided to cut Leto's damaged tattoo off as much as possible?
We've only seen a small bit of the Joker (on film). But in every shot it seems like an effort to avoid it.
I wonder if that forehead tat was more Leto's idea.
Is it me or does it seem like Ayer (or the DP) intentional decided to cut Leto's damaged tattoo off as much as possible?
We've only seen a small bit of the Joker (on film). But in every shot it seems like an effort to avoid it.
I wonder if that forehead tat was more Leto's idea.
Joker's transition into a rebirth of a new personality. It's very, very wordy and unconventional for a comic book, but well worth it.
Arkham Asylum: A Serious House on Serious Earth remains one of my favorite depictions of the character. Hell, it could be my favorite.
Clown at Midnight is also brilliant, though I admit the goofy CG art threw my the first time I read it. Didn't mind the prose, though. I majored in literature so it was up my alley.