Jeph Loeb and Marvel???

whether or not he SHOULD have been EIC, based on his personality, is not really the issue. the issue at hand is experience beforehand, and he had been a major editor at marvel for several years prior to being EIC
 
whether or not he SHOULD have been EIC, based on his personality, is not really the issue. the issue at hand is experience beforehand, and he had been a major editor at marvel for several years prior to being EIC

Exactly my point. Experience alone does not automatically make a good anything.
 
Exactly my point. Experience alone does not automatically make a good anything.

but the argument against loeb was that he doesn't even have editing experience. i'm not necessarily disagreeing with your assessment btw - really just arguing semantics, and isn't that what the internet is for?
 
but the argument against loeb was that he doesn't even have editing experience. i'm not necessarily disagreeing with your assessment btw - really just arguing semantics, and isn't that what the internet is for?

The argument against Loeb because of his lack of any editorial experience is, in my opinion, ridiculous. Joe Quesada's experience before becoming EiC, was overseeing four books. Four books. And some would question his ability to do even that. And yet look what's accomplished. Has it all been great? Hell, no. But he's brought Marvel back from it's creative and sales slumps and it's the number one publisher in the world. And on top of everything else, the creators like him. They like working for him. He's a very personable guy and one of the factors palying in to his initial hire as editor of the Marvel Knights line was his personality, and his connections throughout the industry.

Another thing that people overlook is how differently Marvel is run these days. Editors ain't what they used to be. Now, there are creative summits where it's a group of writers and editors who hammer out the stories for upcoming issues. Guys like JMS, Bendis, Slott, Fraction, PAD, Carey, Millar, Brubaker and Loeb have just as much say over things as the editors do. Being in an evironment like that is sure to rope you in pretty quickly and give you pretty damn good idea of how things are run, considering that you're part of the process.

The point is, people can spout all they want about actual editorial experience on paper, but the role it plays is a much smaller one than you might think.
 
You're kidding right? Jim Shooter was (and probably still is) an egomaniacal homophobe. Because of this guy's *****ebaggery, other guys like Frank Miller, Gene Colan, Doug Moench, John Byrne, Marv Wolfman and Roy Thomas (among others) left Marvel. They couldn't work under Shooter's oppressing regime.

He also strongly enforced the use of the Comis Code Authority on every single issue of every single comic book...unless it's one that he wrote. He knew his script for a Rampaging Hulk issue would've gotten rejected, so he passed on the Comics Code, thus turning him into Marvel's biggest hypocrite at the time. Oh, and the script? He wanted to show what gay people were all about, and wrote a gay character who attempts to rape Bruce Banner. All this, but John Byrne wasn't allowed to have Northstar come out of the closet.

He also successfully kept any sort of creative rights away from Jack Kirby for a pretty considerable amount of time. One could say that that's just Marvel being stingy, but Jim Shooter came out and publicly defended himself that it was his decision and his decision alone.

He also created the New Universe which was a failure. It was attempt to create comics for adults, like what DC was doing with Swamp Thing and Watchmen.

And the one thing he actually is fondly remembered for is the Secret Wars. But even then it's bittersweet. Shooter created it for the sole purpose of selling a new line of action figures, of which he worked out a deal to get a cut out from. The man just time and time again showed that he really had no respect for the industry or the company he was running.

So yeah...Jim Shooter? No business being in charge.

Jim shooter: Giant *****ebag? Yes. Successful Editor who kept Marvel's sales numbers high and stewarded an era in which more books were produced at any other time in the companies history, nearly all of which were shipped on time? Also yes.
 
He may be a *****e...but he got the job done.
 
But he's brought Marvel back from it's creative and sales slumps and it's the number one publisher in the world.

I don't have any numbers in front of me, but doesn't the Japanese manga market DWARF the US market?
 
Jim shooter: Giant *****ebag? Yes. Successful Editor who kept Marvel's sales numbers high and stewarded an era in which more books were produced at any other time in the companies history, nearly all of which were shipped on time? Also yes.

He may be a *****e...but he got the job done.

Success as determined by what? Number of books in circulation? Number of awards won? Overall sales? If it's the latter, then everyone who disliked Civil War ought to eat their collective hats. Because if that's how we're judging success, then Civil War was one of the greatest minis of all time.

If we're judging success in terms of the number books in circulation, well...you're just flat wrong to state that Shooter's years were the best ever. Tom Defalco was the EiC who, when in office expanded Marvel's output by 500%. And no, that's not a typo. During his tenure, more books were put into both the Direct Market and on Newsstands then any other period during Marvel's history. Single issue sales also hit their highest points ever, and have yet to meet or exceed those marks to this day.

I don't have any numbers in front of me, but doesn't the Japanese manga market DWARF the US market?

I was refering to monthly superhero comics, and probably should've clarified that. I highly doubt the Japanese market outsells the American one in that respect, but in terms of all genres and all forms of books (digests, trades, adaptations, translations, OGN's, etc), then it might shift the other direction.
 
Jim shooter: Giant *****ebag? Yes. Successful Editor who kept Marvel's sales numbers high and stewarded an era in which more books were produced at any other time in the companies history, nearly all of which were shipped on time? Also yes.
Exactly. Looking at his job as Editor-in-Chief, he was one of the best. As a creative director, not so much, but he had an eye for the market and definitely had the business running on all cylinders. Not to mention the innovation he brought into comics with stuff like the Micronauts, Rom the Space Knight, Secret Wars and yes... Dazzler.

And although not entirely responsible for it, Chris Claremont's Uncanny X-Men and Miller's Daredevil were cultivated during that time. Sure, Shooter may not have been the nicest guy on the block, but even his detractors usually agree that he did end up getting the job done. The environment may have been creatively stifling, but Marvel still reached some of its greatest successes under Shooter.
 
Success as determined by what? Number of books in circulation? Number of awards won? Overall sales? If it's the latter, then everyone who disliked Civil War ought to eat their collective hats. Because if that's how we're judging success, then Civil War was one of the greatest minis of all time.

Then what should success be determined by? Quality? Sure, but Quality is subjective, and, let's face it, doesn't always sell. The people in chagre of Marvel , the people who decide who's going to be EIC, are concerned only with numbers, with sales. And in that regard, and in their eyes, Shooter was incredibly successful.

If success is determined by quality, then Dark Horse or Top Shelf could be considered a far more successful company than Marvel according to many people's determination of quality.
 
Then what should success be determined by? Quality? Sure, but Quality is subjective, and, let's face it, doesn't always sell. The people in chagre of Marvel , the people who decide who's going to be EIC, are concerned only with numbers, with sales. And in that regard, and in their eyes, Shooter was incredibly successful.

If success is determined by quality, then Dark Horse or Top Shelf could be considered a far more successful company than Marvel according to many people's determination of quality.

Alright. So success as defined by you is based on what the Executive Board defines as success; which as all of us know are numbers. Numbers equal dollars and dollars equal success. So when are you going to start championing Rob Liefeld? He's extremely "successful". As is the majority of Image Comics' 90's output. Are they to be praised as well?

But that's beside the point....So, monetarily, Shooter was successful. Was he as successful as you're trying to make him out to be, by your own definitions? No. Not even close. Like I mentioned before, Tom Defalco takes that prize. He saw Shooter's success and raised it 500% (still not a typo).

So yeah, Jim Shooter sold some books and under his regime there were some really good runs and stories. Just like any EiC at any comic book publishing company. To portray him as this guy who stands out among the others, though, is ridiculous.
 
Then what should success be determined by? Quality? Sure, but Quality is subjective, and, let's face it, doesn't always sell. The people in chagre of Marvel , the people who decide who's going to be EIC, are concerned only with numbers, with sales. And in that regard, and in their eyes, Shooter was incredibly successful.

If success is determined by quality, then Dark Horse or Top Shelf could be considered a far more successful company than Marvel according to many people's determination of quality.

Alright. So success as defined by you is based on what the Executive Board defines as success; which as all of us know are numbers. Numbers equal dollars and dollars equal success. So when are you going to start championing Rob Liefeld? He's extremely "successful". As is the majority of Image Comics' 90's output. Are they to be praised as well?

But that's beside the point....So, monetarily, Shooter was successful. Was he as successful as you're trying to make him out to be, by your own definitions? No. Not even close. Like I mentioned before, Tom Defalco takes that prize. He saw Shooter's success and raised it 500% (still not a typo).

So yeah, Jim Shooter sold some books and under his regime there were some really good runs and stories. Just like any EiC at any comic book publishing company. To portray him as this guy who stands out among the others, though, is ridiculous.
 
Alright. So success as defined by you

Funny how you twisted that. I asked you what you would define success as if not my financial gain, you didn't offer any alternatives.

I by no means said anyone should be PRAISED. but a movie that makes $500 million dollars at the box office is considered successful no matter how much every review and movie goer might despise it as low brow. No one's praising it, but it's unquestionably successful financially.

When people want to make a successful movie, they make a big action packed special effects blockbuster that brings in hundreds of millions of dollars. When people want a film to win awards and praise, they usually make a film with a much lower budget with a much more thoughtful script that won't make a fraction of the gross of a box office smash (with occasional exceptions, of course, for films like Titanic, Shakespeare in Love, Thunderbirds, A Sound of Thunder, etc.)

Likewise, Marvel makes the big splash books that sell hundreds of thousands of copies but at the end of the day are about men in tights, whereas the truly thought provoking books that don't have people wearing yellow spandex are usually produced by Top Shelf, Dark Horse, DC's Vertigo division, etc. (again, notable exceptions for the work of Alan Moore, MAUS, etc.)

Success by no means equals praise, or vice versa. It's nice when they go hand in hand, but this is rare.


Do you have a source for this 500% thing anyway?
 
Funny how you twisted that. I asked you what you would define success as if not my financial gain, you didn't offer any alternatives.

I by no means said anyone should be PRAISED. but a movie that makes $500 million dollars at the box office is considered successful no matter how much every review and movie goer might despise it as low brow. No one's praising it, but it's unquestionably successful financially.

When people want to make a successful movie, they make a big action packed special effects blockbuster that brings in hundreds of millions of dollars. When people want a film to win awards and prise, they usually make a film with a much lower budget with a mcuh more thoughtful script that won't make a fraction of the gross of a box office smash (with occasional exceptions, of course, for films like Titanic, Shakespeare in Love, Thunderbirds, A Sound of Thunder, etc.)

Likewise, Marvel makes the big splash books that sell hundreds of thousands of copies but at the end of the day are about men in tights, whereas the truly thought provoking books that don't have people wearing yellow spandex are usually produced by Top Shelf, Dark Horse, DC's Vertigo division, etc. (again, notable exceptions for the work of Alan Moore, MAUS, etc.)

Success by no means equals praise, or vice versa. It's nice when they go hand in hand, but this is rare.


Do you have a source for this 500% thing anyway?

I didn't twist anything. I was clarifying for the sake of debate. Now, you mention that when a movie grosses $500,000,000 it's considered a success. That's true, and I'm not arguing that. The same goes for comic books. When a book sells 100,000 copies these days, it's considered a success. Civil War, New Avengers, Astonishing X-Men, Amazing Spider-Man, World War Hulk, Mighty Avengers...they are all wild successes. They are considered successes because they sell copies and make money. Okay.

Now take what you said about Jim Shooter and apply it. You're saying that Jim Shooter was "incredibly successful" and that more books were produced in his tenure then "any other time in the company's history". Based on that, you're completely wrong. I'm not talking about the guy's personality or the quality of books that were produced in that era. I'm talking about what you're talking about: sales. And you're incorrect.

It is a fact that the number one selling comic book of all time remains to be X-Men #1, at over 8,000,000 printed and sold. This was under Defalco's tenure, not Shooter's, by the way. It is a fact that Marvel's output of titles increased by 500%* (even know, this is not a typo) when Defalco took office. That means Defalco's tenure was a more lucritave one than Shooter's. Meaning he was more successful.

But let's take a look at the EiC who came before Shooter, Archie Goodwin. Aside from creating the Epic imprint, the Marvel Graphic Novel and being the first to publish the English translation of Akira as well as one of the first in bringing Moebius to North America (all well and good, but we're talking cold hard sales figures, right?) Goodwin also single handedly saved Marvel from going under by getting the rights to publish Star Wars comics. Remember those? HUGE success. So big in fact, that Jim Shooter, himself, credited Goodwin for bringing Marvel Comics back from the brink of death. And we all know by now that quality doesn't do that. Sales figures do.

So was Jim Shooter the success that you'd like to think (for some reason) that he is? No, he's not. Like I mentioned before, he had a lot of good comics and a lot of good runs under his tenure but you have to look at the greater picture if you're going to make the kinds of claims you're trying to make. He didn't have the highest sales and he didn't have the largest number of titles. Therefore, by the terms of success, when stacked against his peers, he does not measure up.


*Comic Wars: Marvel's Battle for Survival by Dan Raviv
 
What about Mark Waid? He seems like a good canidate for the position if, and when it opens up. Or does he have too much of a negative past with Marvel?
 
What about Mark Waid? He seems like a good canidate for the position if, and when it opens up. Or does he have too much of a negative past with Marvel?

Waid got a pretty raw deal regarding his leaving Fantastic Four. I doubt he'd be interested in working for Marvel.
 
Why must it be racist? It's ok for the Black Panther or Black Lightning to go around putting "Black" at the front of their name, but Cap can't have a miniseries entitled "White"?

Black Lightning I'll give you, but Black Panther is strictly the animals name that he uses to represent himself. Thats like criticising White Tiger for his name even though its just that of the animal he uses to represent himself. But I agree with your point. Nothing racist with Cap and white.
 
Waid got a pretty raw deal regarding his leaving Fantastic Four. I doubt he'd be interested in working for Marvel.


He also got screwed a bit on his first Captain America run. But it is the top spot at Marvel, never say never....
 
Maybe he'll come back now that JMS and Joe Q are getting rid of Mary Jane. Wasn't he one of the people who hated the marriage?
 
I doubt Waid'll come back for any reason. Just when he starts to gain some real momentum and critical acclaim on a Marvel run, they rush in to muck it all up.
 
Well, it was Jemas who screwed Waid on FF, and now he's gone. Given that the company now has a new publisher and tends to treat its big-name creators like royalty, I could see him potentially coming back. Plus, he wrote the HoM: Spider-Man tie-in after FF anyway, so technically he's already come back to Marvel after they burned him.
 
Well, it was Jemas who screwed Waid on FF, and now he's gone. Given that the company now has a new publisher and tends to treat its big-name creators like royalty, I could see him potentially coming back. Plus, he wrote the HoM: Spider-Man tie-in after FF anyway, so technically he's already come back to Marvel after they burned him.

There's a difference between doing some work for hire minis and a full on eipc run on a book. Also, Jemas didn't have anything to with Marvel taking Cap from him.
 
Neither did the current regime at Marvel, did it?

No, the current regime only screwed him over on FF. I supposde you could place the blame on Jemas (it's easy enough), but I wouldn't forget the Quesada was in fact the EiC.
 

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