Wolverine11222
Civilian
- Joined
- Dec 10, 2007
- Messages
- 56
- Reaction score
- 0
- Points
- 1
http://www.maxim.com/RayStevensonBringsthePain/articles/21031.aspx?src=news:feature2
Rome's Titus Pullo, and all-around tough guy, talks about holding off zombies in The Outpost and stepping into Frank Castle's boots in Punisher: War Zone.
You seem pretty comfortable playing tough guys.
I think what I do with the tough-guy role is not play them as tough guys. You know what I mean? Hopefully you bring more than just a door bouncer to the plate. One thing I hated in the early stages of Rome was the misconception that Pullo was this big bouncer type. I said no, he's not a dick swinger. In my experience, the real hard men I've come acrossif you aren't perceived as a threatare the gentlest, nicest people you will ever hope to meet.
HBO gave you a lot of freedom to indulge in Pullo's occasional violence. Would it be tough to do regular TV after that?
I tried a show called Babylon Fields, before [the writers' strike], and I was very pleased to do it. I like to work with like-minded spirits. Like Outpost. It had next to no money to shoot this zombie film, yet infinite enthusiasm and knowledge in what they were doing and wanted to capture.
You're about to step into another classic tough-guy role in the third attempt at a Punisher movie. How did that happen?
In a roundabout way. I was actually seen by Marvel for the nemesis [in the upcoming The Incredible Hulk]. Tim Roth got the role, but when Marvel got together a landscape for The Punisher, [director] Lexi Alexander's name came up. Kevin Feige from Marvel said that she needed to see me. She wasn't a TV watcher, so Kevin told her to watch Rome. She said, "I watched one episode. That's it. From then on you were my Punisher." But the first drafts weren't up to scratch and my agent said, "We may pass on it." Lexi is going, "No, no, no, he is not going to pass on this. This isn't going to be the script." So the journey was almost predestined.
So this Punisher movie takes place in New York?
Yeah. We were shooting in Montreal for New York, which worked exceptionally well. I think 90 percent of the movie was night shots with the weather getting down to minus 18. We had a couple of snowstorms, and were in derelict buildings, which you could imagine were just like working inside a fridge. The length of the night determined the schedule; basically two months of night shoots. We lit entire city blocks in neon color; I mean it just looks amazing.
What was the vibe like on set?
It's just different disciplines you learn to work with. Sometimes it's the heat, sometimes it's the cold, sometimes it's the people, and sometimes it's the nighttime. But by God, I don't think I can do any more night shoots. It started to have an effect. It wasn't just being sun-deprived or jet-lagged, it does something to your psyche.
So this movie doesn't pick up where the last one left off?
No, not at all. That one suffered for the fact that the mise-en-scène was wrong and what have you; so I think they decided to give it another shot. We've gone straight for the Garth EnnisTim Bradstreet look from the Max series [Marvel Comics' mature-content imprint], and basically rolled the dice again. It's like doing Batman Begins, not Batman 5. So what we have done is Punisher: War Zone, not Punisher Two or Three. It's Punisher: War Zone.
So this one's more for the comic book fans?
Absolutely. It's such a complex character. I love the fact that he's not a superherobullets don't bounce off. He's just a dark soul on a mission. One of my main concerns was that it was an incredibly violent piece of work. In meeting with [the producers] I said, "I do not want people walking out of the theater wanting to be the Punisher." I saw this quizzical look across their faces. I explained, "We don't want some sort of Columbine [incident]. What we want to do is create a character who operates on such a dark level that you don't want to be him. There is no light at the end of the tunnel for him." You're glad he's there and you can't wait to see what he does next, but it comes at a price. If we get it right, there won't be people wanting to be the Punisher, or to be a vigilante in any way.
We're still getting some big action scenes in this, though, right?
Oh God, yes. It's called Punisher: War Zone. A lot of effort was put into that. The "war zone" is both external and internal.
One last thing: Are we going to see the Punisher's war wagon in the movie?
[Laughs] The Punisher's war wagon?
It was his van.
You know what? This Punisher moves by foot.
Rome's Titus Pullo, and all-around tough guy, talks about holding off zombies in The Outpost and stepping into Frank Castle's boots in Punisher: War Zone.
You seem pretty comfortable playing tough guys.
I think what I do with the tough-guy role is not play them as tough guys. You know what I mean? Hopefully you bring more than just a door bouncer to the plate. One thing I hated in the early stages of Rome was the misconception that Pullo was this big bouncer type. I said no, he's not a dick swinger. In my experience, the real hard men I've come acrossif you aren't perceived as a threatare the gentlest, nicest people you will ever hope to meet.
HBO gave you a lot of freedom to indulge in Pullo's occasional violence. Would it be tough to do regular TV after that?
I tried a show called Babylon Fields, before [the writers' strike], and I was very pleased to do it. I like to work with like-minded spirits. Like Outpost. It had next to no money to shoot this zombie film, yet infinite enthusiasm and knowledge in what they were doing and wanted to capture.
You're about to step into another classic tough-guy role in the third attempt at a Punisher movie. How did that happen?
In a roundabout way. I was actually seen by Marvel for the nemesis [in the upcoming The Incredible Hulk]. Tim Roth got the role, but when Marvel got together a landscape for The Punisher, [director] Lexi Alexander's name came up. Kevin Feige from Marvel said that she needed to see me. She wasn't a TV watcher, so Kevin told her to watch Rome. She said, "I watched one episode. That's it. From then on you were my Punisher." But the first drafts weren't up to scratch and my agent said, "We may pass on it." Lexi is going, "No, no, no, he is not going to pass on this. This isn't going to be the script." So the journey was almost predestined.
So this Punisher movie takes place in New York?
Yeah. We were shooting in Montreal for New York, which worked exceptionally well. I think 90 percent of the movie was night shots with the weather getting down to minus 18. We had a couple of snowstorms, and were in derelict buildings, which you could imagine were just like working inside a fridge. The length of the night determined the schedule; basically two months of night shoots. We lit entire city blocks in neon color; I mean it just looks amazing.
What was the vibe like on set?
It's just different disciplines you learn to work with. Sometimes it's the heat, sometimes it's the cold, sometimes it's the people, and sometimes it's the nighttime. But by God, I don't think I can do any more night shoots. It started to have an effect. It wasn't just being sun-deprived or jet-lagged, it does something to your psyche.
So this movie doesn't pick up where the last one left off?
No, not at all. That one suffered for the fact that the mise-en-scène was wrong and what have you; so I think they decided to give it another shot. We've gone straight for the Garth EnnisTim Bradstreet look from the Max series [Marvel Comics' mature-content imprint], and basically rolled the dice again. It's like doing Batman Begins, not Batman 5. So what we have done is Punisher: War Zone, not Punisher Two or Three. It's Punisher: War Zone.
So this one's more for the comic book fans?
Absolutely. It's such a complex character. I love the fact that he's not a superherobullets don't bounce off. He's just a dark soul on a mission. One of my main concerns was that it was an incredibly violent piece of work. In meeting with [the producers] I said, "I do not want people walking out of the theater wanting to be the Punisher." I saw this quizzical look across their faces. I explained, "We don't want some sort of Columbine [incident]. What we want to do is create a character who operates on such a dark level that you don't want to be him. There is no light at the end of the tunnel for him." You're glad he's there and you can't wait to see what he does next, but it comes at a price. If we get it right, there won't be people wanting to be the Punisher, or to be a vigilante in any way.
We're still getting some big action scenes in this, though, right?
Oh God, yes. It's called Punisher: War Zone. A lot of effort was put into that. The "war zone" is both external and internal.
One last thing: Are we going to see the Punisher's war wagon in the movie?
[Laughs] The Punisher's war wagon?
It was his van.
You know what? This Punisher moves by foot.