Maybe, LOL, but IMO, whether it was for Betty or not, he showed remorse and sadness at the apparent death's. Maybe he says all of those stuff he does earlier in the movie because he doesnt quite realise what he is doing at that point, who knows, but its there.
Well, that's what I'm debating - whether the "remorse and sadness" was due to his causing their apparent deaths or whether it's angst/grief in general. I suppose you can sit there and say it's from their deaths, but I find that to be a less-than-all-encompassing view of the character of Ross, as is shown throughout the movie. Again, I think Betty is the only thing/person he cares about, but to say he's "sad" over David and Bruce's death? You can make that judgment call; I'm not.
As for the phonecall at the end, IMO it was partly just an excuse to call Betty, as it seemed due to her surprise at him calling, they hadnt spoke in a while (also it was a year after). But i also think part of him still thought Bruce was alive. Afterall, he saw the Hulk take some heavy hits throughout the movie and keep getting up from them.
Yeah, I would agree. And I suspect it's more driven by fear than hope.
antsiou and Sava, I finally read all of the "Hulk: The End" over my lunch hour... I now have a little bit of indigestion (the cockroaches eating the Hulk) lol... and I must say, some really interesting stuff. The things that come to mind first are the things that made me laugh. The picture of the 200-year-old Banner trying to outrun the cockroaches is hysterical... "How ludicrous I must appear running faster and faster across the scorched plain, my skinny arms pumping, my feet 'thwap-thwapping' across the parched ground." Also love the shot of him plunging over the cliff. I'm laughing as I type... just too funny.
But the story is just plain cool. No glaring deficiencies as far as I could tell, and the scenery/art is breathtaking. I would be hard pressed to say what my favorite shot is... it's just the perspective all-around... but the "vidbot" definitely seems to add something to it all. It's as if WE are the vidbot, and we're placed right there with Banner and the Hulk. No shortage of substance for the imagination. The differentiation between the text (who is speaking) also helped I thought, but maybe that's standard protocol with comics (something I haven't noticed before).
But about the story... the whole Prometheus angle on things is intriguing. Is that - the Hulk as "the living symbol of nuclear fire" - true to the rest of the comics? For the purposes of this issue, it fit the story perfectly. Just curious as to whether it was invented only for this issue or not. The "giants" during the "Atomic Age" (other superheroes) only added legitimacy to it all - to the Hulk as "the living symbol of the Atomic Age," the "heir to Prometheus" and "the strongest one there is" - and it causes me to wonder if the TIH makers are taking such mythology and, specifically, this issue into consideration. The holographic images of the superheroes, btw, are cool... I wonder how the artist did that (layering?). Oh, and who is the big red dude with the two antennae? I was wondering about him when I was reading "Marvel Zombies" last weekend, but was too lazy to look him up (I think his name is Hank?).
Sava, you seem to be right on with your assessment about the ending. With the final line "Hulk feels ... cold," we're left to assume the Hulk does comprehend the depth of his loneliness, despite all of his musings up to that point about not needing Banner or anyone else... but while still hating Banner and vice versa, which you pointed out in post #98. Still not sure if there's enough material for a feature-length movie based on it, but if they ever make one, I would go to see that Recorder dude alone. lol
Perhaps one small inconsistency... Peter David explains what happens to the cockcoaches after eating the Hulk - they basically get their fill of the Hulk and leave, which is what I'd suspected after reading the issue's synopsis - but a question that precedes this is: Why does the Hulk simply allow them to take over him? He seems to offer minimal resistance. Wouldn't he have been able to jump away from them? Assuming he jumps away and they catch up with him, wouldn't he then be able to tap his limitless strength to overpower them? The subtle implication that this issue leave us with is cockroaches - not the Hulk - are the strongest ones there are. Or, at the very least, they are
even in terms of strength, since both are able to outlast each other in different ways (flying away/regenerating). To answer my own question, I think Peter David allows the scene to take place just for curiosity's sake, but does anyone have a different idea?
Crossovers with other movies... the near-death scene at the end, with Banner experiencing a "fire" or "pain" in his chest and hallucinating that he sees his family and friends, is reminiscent of Gladiator (which I absolutely loved). And the mutant cockroaches are similar to the bats in King Kong. Does anyone know whether one stole/borrowed the idea from the other?