The Guard
Avenger
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Or, allow me to rearrange tht sentence of yours.... do you believe that Robin hasn't ever worked in live-action form... just because?
Oh not, it's just a coincidence.
The concept of Robin HAS worked in live-action film. The portions with Dick Grayson/Robin and his evolution were some of the few good parts of BATMAN FOREVER. They may have been all that made the film bearable. And the drama brought by the "family" aspect in BATMAN & ROBIN and their strained relationship was the ONLY good part of that film.
You're confusing content and tone.
I don't believe it's a coincidence. I think he's quite harder to do. He can be done right, but that doesn't necessarily means exactly translating what has happened in the comics, something that contains many inconsistencies and dynamics that can't be synthetised in two hours of screen time. Maybe what Crook was saying about changing the origin. Maybe something good could come from it. But it wouldn't be the same thing... and I'd be glad it wouldn't.
The unchanged origin works just fine. There are no inconsistencies inherent. You just want there to be. Some of you just lack imagination.
Those are only two. Another two could be...
ARKHAM ASYLUM &...
THE KILLING JOKE.
Which don't take place before Robin existed.
ARKHAM ASYLUM isn't about Batman's family and friends, Melkay. It's a personal psychological tale about Batman and the crazy people he opposes, and his similarities and differences with them. It's about a man being alone with himself. There's no reason for Robin to be present in the story.
Likewise, THE KILLING JOKE is also a very personal and private story between Batman, The Joker, and James Gordon. It's about men being alone with their demons and the impact that this has on them. There's no real story reason for Robin to show up.
Allow me to mention a few more "key Batman stories" that you've just decided to omit in your list.
A DEATH IN THE FAMILY
A LONELY PLACE OF DYING
These are indeed fantastic Robin-centric stories. I'm glad you've finally recognized these as key Batman stories.
While we're at it, let's add ROBIN: YEAR ONE to the list, for it's fantastic take on a young Dick Grayson and Batman's relationship with Dick, Alfred, Gordon and Two-Face.
You're right there, I made a rookie's mistake. What I meant was "Detective Comics #37". I'll be careful next time, since people really got a hold of that you win the entire argument. Bottom line, from DC Comics 27 to DC Comics 27... ten months of no Robin. (*sigh*)
Ten months of no Robin, yes, VS...wait for it...816 months of Robin and other allies in multiple titles, movies, TV shows, and other media.
Your "ten months" is also ten months with no relevant Alfred
characterization, no Batcave, no Batmobile, no Joker, no Catwoman, no Bat-Signal, or other classic villains sans Hugo Strange. Ten months of a Batman who killed criminals and was a shadow of the character we've come to know.
Hardly the definitive period of Batman comics.
You going "But Robin wasn't there at the beginning" is a hollow argument against the character because hardly ANYTHING other than Batman himself was there at the beginning.
We agree here, but that's something I also think it applies to The Long Halloween. Sometimes gets it right, sometime it's just an excuse for Tim Sale to draw as many characters as he wants, a "whudunnit" story filled with pastiches from great movies like the Godfather and Silence of the Lambs, and tainted with a huge amount of corny one-liners. And you keep bringing it up.
TLH is entertaining, but overrated. You brought it up first.
I never denied that. But it is important for Loeb to get as much characters as he wants there... Croc and Poison Ivy were an important part of the story too, as large as Tim Drake. Even Harold was there too. Do you believe they're all cornerstones to Batman mythology? Of course not.
No, I don't believe they're all cornerstones to the Batman mythology.
Neither do I believe that HUSH is a cornerstone of anything mythological. Sure, it repeats a lot of it, and features almost every major element, but you brought up HUSH, not me. I'm simply pointing out that, yet again, in a project you bring up, is the concept of Robin largely present.
That's what amazes of Loeb, how much he wants to do at the same time, even giving internal monologues that makes the audience catch up with the background of each character. But I digress.
Loeb's only strength is repeating what some other writer did before him, and doing so no more cleverly, while making up his own farfetched story with forced dramatic twists. He "honors" the mythology, but he does not improve on it.
Almost nothing he did in HUSH was a new or interesting idea, save Thomas Elliot and the Jason Todd element, and what happened with The Riddler and Batman's identity.
Which were.... protecting the boys life?
No. The mistakes Batman is trying to avoid have to do with dictating what Robin can or can't do, and not allowing Robin to influence his emotional state. That was his mistake with Dick, who personally wanted out of Batman's shadow because he was growing older and more self-reliant, but as a member of the dynamic duo, also had a problem with Batman's methods, and his need to control others.
In the way that makes him contradict his own precepts without a sufficiently good reason.
Batman has never in the comics had a "Don't go into battle with others who value your mission" tenet. Never.
Bruce as enough trouble trying to stay alive during his missions... and this less trained adolescent kids are playing vigilante with him? Not only worrying him even more, but also endangering their own lives? Give me back my suspension of disbelieve. I need it, fully recharged.
They aren't playing at vigilante. They are vigilantes. They're very capable people with an edge Batman himself has taught them and helped them to perfect. I'll give you back your suspension of disbelief, but I will ask that you grow an imagination.
Which is EXACTLY what I mean.
The cop and the fireman don't take under-trained kids along with them. Batman, for some abnormal reason, does. And HE is the vigilante.
Jason and Barbara weren't undertrained. I'm not sure where you're getting that silly idea.
A LOT LESS SKILLED. An wealthy adult training for seven years >>>>>>>>>> A 12 year old kid taking a crash course with a teacher that barely has time to keep himself alive.
A WHOLE-UNIVERSE-LESS SKILLED.
Again with the silly idea that a costumed vigilante would have to be AS GOOD as Batman to fight most crime in Gotham.
On their own... without Batman enabling them to do so. Away from Batman's responsibility.
Which they, for the most part, do these days. So what's your issue? Oh, your issue is that sometimes, instead of leaving them on their own, he's there to protect them.
And I'm the one with the silly questions.
Most of the time.
Besides, what is a hero? Brian Douglass considered himself a hero, didn't he?
I think you know very well what I mean by hero.
Me among them. But Batman's attitude to him is even worse, seeing how he "lets him be on his own".
How is being trusted with more freedom "worse"?
Read again what I said about taking over protagonism. You just have to search "Sub Zero".
I own SUB ZERO. As I've pointed out to you once before, I have added up the screentime, and I know who has the majority of the story. You said "energy". Did you mean "screentime"?
Did The Joker and Harvey Dent take "energy" away from Batman in THE DARK KNIGHT?
As I pointed out earlier, Tim Drake differs, according to Jeph Loeb. Not the only thing were he differs with you, apparently.
CATWOMAN: You try one more time, birdie.. and I'll zip your wings. No matter what your "daddy" says.
TIM: He's not my father.
Maybe Loeb should read a comic.
Maybe you should. Bruce Wayne IS Tim Drake's father now. I believe that when Tim said this in the comics, Bruce was not.
I'll re-quote, just for you:
"Tim holds on to the idea that Batman needs a Robin, more like balance than like legacy."
- Jeph Loeb, Hush, issue # 10.
And I'll point out again that if Jeph Loeb is too stupid or clueless about Batman's mythology that he doesn't realize that Robin is very much both...then he shouldn't be making statements about the character.
I'll also point out that Jeph Loeb recently got fired from HEROES, one of the worst-written shows on television (because of his writing), because he couldn't even make that show's fanbase satisfied with soap opera superhero stories, even when he ripped off other superhero stories to do so.
I don't think I care what he says all that much.
Which futhers strengthens my point of the presence of Robin taking protagonism away from the title character, and not doing much his jobs as a secondary character: which is tribute to the protagonist, being a catalyst for change. Either he behaves like a normal secondary character, or becomes a protagonist, shich he shouldn't be.
Pick one.
No. Robin was a main character for decades. "Batman and Robin" isn't just the name of a Joel Schumacher film, it's an idea. All of Batman's characters are capable of functioning both as main characters, supporting characters, and cameos. I don't like to limit them, or the structure of their stories.
Ok, I've gathered almost all your longevity lines to make a point... I never said he hasn't been popular... or not important....
So...by reposting this...
"He's not made to work along with the Bat? And yet he has...for 60 years...worked along with the bat. And it's worked."
"If we go to "tradition" and "old presence in comics", your argument against Robin's validity disappears. Because Robin's been a key component of the mythology for 60 years now."
"Melkay...Robin's been around for 60 years. Sixty years of presence in Batman stories outweights your precious "four" YEAR ONE/ELSEWORLDS style examples."
"Robin has been shown to have an edge that helps him to survive for 60 years."
"You are trying to tell us that what he wouldn't do contradicts what he has actually been doing, and been portrayed to do...for 60 years."
You've highlighted your absurd point of view for everyone to see...again?
I never said that you said Robin wasn't popular or important. I pointed out that you saying that Batman "wouldn't" do something that he's been shown to do for almost 70 years now is ABSURD.
Because he's been SHOWN to do just what you say he wouldn't...for again, almost 70 years.
what I said is that he wasn't portraying well Batman's attitude towards him.
Seems to me that Batman's actual attitude toward Robin for almost 70 years has been that he appreciates him and values his contribution to the mission.
I'm not arguing for presence or trascendence. Those things can be done and still be wrong. I'm arguing against quality... not quantity. Since quantity and longevity is undeniable you keep going back to it because, as your comfort zone... all that I'm saying is that it is harmful for a good portrayal of Batman.
No, I could very much rely on just a few quality Robin stories.
I'm relying on the 70 years of Batman doing what you claim he would not do to specifically refute your point about "contradictions" in Batman's character.
Because you keep going back to silly ass statements like "But...but Batman wouldn't DO that".
Despite the fact that he HAS done that. For almost 70 years.
And either that's changed... or it shouldn't go into film.
Yes...just like all those other major elements of the Batman movies that aren't found in the comics first and turned into fantastic cinema.
Oh...wait...
No, I'm presenting examples of the most celebrated ones, even when they don't belong to modern mythos and are just part of the ELSEWORLDS, like Arkham Asylum.
And in doing so, you're clearly omitted other celebrated stories that include Robin.
I was doing you a favor... do you really want to talk about Silver Age here? We'll have to clean later.
Yes. Let's.
Who else wants to bring the Silver Age into this?
And yet that was the continuity in which Robin was created, and many Robin defenders here keep getting back to it.
That's because you insisted on originally bringing that era up.
The problem is that the most celebrated storylines belong to the Modern Mythos... but within the Modern Mythos are many stories with subpar quality.
Nope. There are far more subpar and downright bad stories in the older Batman comics than the modern ones. Much simpler, less interesting, and less intelligently written stories exist in older comics than you will find in the modern mythos. Modern mythology has the most rounded, mature perspective of Batman and his mythology by a long shot.
But hey, if need by, I can argue for Robin's relevance in any era, because it's always been there.
Again, like I said to Guard, some guys at Wikipedia seem to agree with me.
No they don't. That Wikipedia entry says NOTHING about Tim Drake being lighter than Dick Grayson.
It’s not about being gay… it’s about being blinded by empathy. It’s about being irresponsible and soft.
Batman has FREQUENTLY been irresponsible and "soft", even in the Nolan movies. It is part of his character. He's not The Punisher.
Uh... that doesn't support your claim that Tim was "lighter" than Dick at all. In fact, the idea that Tim was a medium between Todd and Grayson would directly refute that.
Hehe.
Do all of Batman's decisions reflect an entirely rational frame of mind? Is it rational to dress up like a bat and beat the snot out of people in the night? Come on, now.
Exactly.
First of all, Dick doesn't generally disobey or annoy Batman. That's Jason Todd.
True. And even then, Jason didn't disobey Batman constantly or anything like that. He was just a bit reckless from time to time.
"Who cares?" Amazing. You've gone from "Batman cares too much about children to risk their lives in combat" to, "Batman shouldn't care if this kid goes out and gets himself killed."
Hehe.
What I don't get is why Batman recruited another Robin, something that is quite understandble from the writer's position (market and fan pleasing) but contrived within the story (first Batman did it was contradictory, and yet ater abandoning a Robin comes another boy with similar situation to make that mistake again?).
Because Batman thought he could help Jason, because Jason needed help. He was headed down the wrong path. He thought he had potential, and because he is a sucker for lost causes. He always has been. This is a theme of his mythology.
Instead, they went with stupid arbitrary logic of the jedi master/padawan: "For one Batman, there must be always a Robin", which is understandable from a market perspective, but fatally flawed on a narrative level.
It's not flawed at all. When Jason died, Batman became more brutal, and began to lose his humanity. Tim Drake noticed this, and reasoned that Batman, like anyone, needs a moral voice to keep him from going over the edge. That is one of Robin's functions. Tim valued Batman so much that he wanted to be that moral voice. Robin, among other things, keeps Batman in check.
A reformatory to cool his temper as long as he can? Sending to school? Providing funds to an oprhanage to prevent more kids like him of not having enough love or life quality in their lives?.... those things would have him Dead?
No...being abandoned and labeled and full of anger and a burning desire for revenge would have made Dick dead. Without Batman's guidance, he would have gone out and tried to take revenge, and he would have been killed at some point, as the stories show us. That, or he would have taken revenge, and darkened his soul irreversibly in the process.
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