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Safe Haven for Those Who Demand More

hunter rider said:
I like it a lot,the opening origin part is stellar work:up: the visual of stark with an entourage of helicopters flying over the ocean is a great way to open the movie showing his style/love of tech/and wealth all in one shot

Much thanks to you for your compliments. :)

Your introduction of Rhodes that you fleshed out with Herr works fine but is there maybe a way he could be included in the city wide battle at the end ? i was thinking perhaps he could save some civilians who are about to become collateral damage.

Do you mean the climatic battle with Iron-Man and Crimson Dynamo at the end of the movie, or the battle waging through the derelict town in the Middle-East for the origin?

also in the part where Tony procures him a new chopper i would like to see him fly them to safety through the warzone showcasing his pilot skills thus making Stark view him as a valuable asset

Yes, I was planning for a similar sequence to the one you describe, but haven't actually thought up any specific details yet. I know that Stark, as Iron-Man, will recharge and help Rhodes repair a downed-chopper by way of the battery-pack in the armour. When they take off in the repaired aircraft, Stark would be out of action, through both fatigue and the draining of energy in his armour, leaving Rhodes to fly them out of harms way. There is opportunity here to show Rhodes as a top pilot, but I'm thinking it would have been demonstrated enough earlier, in his succesfull landing of his own helicopter, with a blown out tail-end to boot, not to mention the fact that without Rhodes, Stark may have not made it out alive in the first place. In the latter case, Iron-Man would be helping with said emergency landing, by diverting and preventing continued fire upon Rhodes by use of his repulsor beams. Thinking about it now, I'd probaly show another Air-Force pilot blown from the sky by a rocket, through not being able to take a diversionary measure in time. Then in the next shot, the same would be attempted on Rhodes by a pesky Insurgent atop a building, but Rhodes manages to minimise the damage through his piloting skills, landing the chopper, proving his worth.

Thoughts?

The assassin part sounds good and i agree with Herr that a seduction scene would work well playing off Starks playboy nature and Widow's hawtness:o

Indeedy! I was considering getting rid of the ballet scene entirely in favour of the Widow attempting to seduce Stark at one of his expensive charity-balls, which would be a shame because I wanted to include a scene with a ballet-wearing Widow brandishing a sniper-rifle! That's the next 'schoolgirl's with samurai swords', right there! I've decided to include both though. After the failed seduction, the Widow attempts to silently snuff out Stark with a sniper later on in the movie at a ballet attended by Stark and his socailites. She fails through the crowds obscuring the billionaire, and then traces him back to his penthouse. This final part would lead to her collecting data on Starks armour and a massive chase-beat with Widow making escape on a motorcyle (now in her sexy black leather!) and Iron-Man with his newly improved thrusters for arieal pusuit.

Only part i thought was a bit sketchy was the bit about framing Iron Man for murder and how Tony cleared him and diverted the blame to Hammer,im not sure that works but if you explain a bit further...
All in all good stuff Zaph:up:

I'm currently working on a large-post detailing the events of these scenes, I hope you wont be dissapointed. You'll just have to wait and see :)

Once again, thank you for your compliments. If you have any criticisms or ideas, feel free to post them, even if it's to contest an idea.

Do you yourself have any ideas pertaining to a sequel to your own movie, and what the plot/villain set-up would be?
 
Zaphod said:
Herr's just pissed because I'm refusing to share with him by great ideas concerning Batnipples in our 'hypothetical' Batman franchise. He just loves those nipples...

Harrumph! :mad:

Herr: Where's that second part of the origin you promised me in the Batman thread!? I need some Bruce Wayne goodness right now!

You still haven't commented on the last thing I posted!

Also, which part exactly are you referring to, as in, which time period?

:wolverine
 
The Question said:
Well, here goes. My plan for an Avengers movie franchise:


This plan would, in fact, begin with the individual films for four of the characters. They would be:


Captain America: Set in WWII, the film would depict a young Steve Rodgers becoming America's first superhuman soldier, Captain America. Bucky would be introduced as Steve's slightly younger friend who serves as his feild handler once he finds out that Steve is Captains America. The plot would involve Cap's early exploits, and him facing off against Germany's top assasin, The Red Skull.

Visually and stylistically, I would want to capture the look and feel of an old pulp fiction novel. While it shouldn't have the large amounts of CGI, it should look like Sky Captain and the World of Tomorrow. Cap's costume should really look like his WWII costume from The Ultimates. Possibly changing the mask slightly by ditching the helmet and making the leather mask blue with an A on it. However, Cap's classic costume would not go unseen. For PR purposes, he would wear it at major events. He would apear on recruitment posters, and there would be one scene during a USO show where he's wearing it. However, on official missions, he would wear the more practical Ultimated WWII look.

The Red Skull, similarly, would be changed in terms of apearance to suit both practicality and the style of the film. His mask would be a red metal helmet with a skull design over the face. His weapon of choice would be a Gladius, a short sword origionally from Rome designed for close quarters combat and quick, spine severing kills. However, while he would be an acomplished hand to hand combatant, he would not pose a physical threat to Cap. Cap, being superhuman, would thus be superior to the Skull in close quarters combat. This serves as a point of anger to the Skull, who is an egotist with a superiority complex. He refuses to be anyone's inferior. So, he is much more Cap's intelectual challenge.

Bucky would be about sixteen or seventeen. He's Steve's fellow soldier and best friend. Not a sidekick, really. More like a drinking buddy who, by chance, ends up being the guy who keep's track of Cap in the feild. He would not have a costume, although there would be a scene with him wearing a blue shirt and red work gloves similar to his costume.

Casting wise, I would want Cap to be in his early 20s, Bucky to be in his late teens, and The Red Skull somewhere in his 30s.

Thor: The story would begin with Donald Blake, a physician in Norway, discovering that he is in fact the Asgardian warrior prince known as Thor in human form after an old wooden cane comes into his possesion. When he touches the cane, he is flooded with memories and information of his true identity. However, before he can do anything about it, his ravings about godhood land him a nice cozy cell in an insane asylum. Several months later, while wandering the halls, he is able to steal the cane from the patient prperty locker where it is being kept. Before the security gaurds can stop him, he strikes the cane against the ground. The cane transforms into a nortic war hammer, and Blake buts on about 20 pounds of muscle, grows long blond hair and a beard, and his clothes are replaced by what resempled a mix of modern clothing and Viking armor. He escapes from the asylum, and becomes Norway's self proclaimed savior. He would use his abilities to preform acts of heroism, while using the humility he learned as a human and the inherent wisdom of Asgard to help lead humanity away from their aparnt path of destruction.

However, through the film, we soon meet Loki, who has been living on Earth for centuries with his children. He hunts down Thor and tries to kill him as part of their centuries old rivalry which has, on Loki's part, turned into a very warped obsession. After Thor is dead, Loki's plan is to create chaos on Earth in his own name and draw power from it.

As you can see, this version of Thor is a mix of 161 and Ultimate. This is mainly because I don't think all the elements of either as they were would work in a film. Thor's personality would remain mostly unchanged, and would speak in a manner more in tune with 616 than Ultimate. Thor's apearence through the film would be much akin to his Ultimate look. Loki and his children, for the most part, would apear in human form and in plain clothes. However, in the final battle between Thor and Loki's brood, each flash of lightning created by Thor's storms would reveal their true forms, showing them looking quite similar to the 616 versions (although Thor's costume would be much more armored).

The intended feel of the film would be one comperable to Highlander (I/E, a mythiological tale set in a modern setting), albiet on a somewhat larger scale.

Iron Man: The film would start with Tony Stark, billionare scientist and industrialist, going to Hong Kong on a buisness venture. While there, he is kidnapped by an underground revolutionary movement who want Stark to build them weapons to use against the Chinese government. The movement is led by a man called only The Mandarin, a man decended from nobility who, had the communists never taken control of the country, would be a very powerful figure in China today. His plan is to overthrow the government and declare himself Mandarin of a new Chinese empire. After spending several weeks captures, Stark is able to excape with the help of a fellow captured scientist. Tony quickly goes to the Chinese government to warn them of the impending coup, but even with the information he gives them, he knows they won't stand a chance against the movement's weapons, and knows he would not have time to supply the government with any of their own. So, using a prototype exo armor, he goes after the Mandarin himself.

The main story of the film is Tony's transition from a spoiled, selfish pretty boy into someone who genuenly cares about helping others. His inventions give the Mandarin the ability to hurt people, so he takes on the responsability of stopping him.

In terms of apearence, Iron Man would look very much like the Ultimate armor. The Mandarin would not wear robes or anything like that, and would instead were fine suits or other expensive garments. His rings would be based off of Stark's designs.

Nick Fury: The United Nations puts together S.H.E.I.L.D., and international peace keeping agency that responds to the U.N. and only to the U.N. It owes aleigence to no one nation in particular. The feild director is Nick Fury, an old amercian war vet with a very head on aproach to international terrorism. When his old rival Baron Wolfgang Von Strucker, leader or the terrorist organization known as Hydra, resurfaces, Fury takes up the task of going after him personally.

The basic idea of this movie is James Bond with a blue collar worker from Brooklyne's aditude. It would be more or less the same as the comics, although it would follow no specific storyline.

The Avengers: Acting as a sequel to all four films, the movie finds Nick Fury charged with the task of putting together a team to deal with threats beyond the scope of normal agents. He puts together The Avengers, a group of agents both super powered and normal. The group is rounded off when Captain America is unthawed.

The film would follow Mark Millar's Ultimates very closely due to it's cinimatic feel making it perfect for a direct film adaptation. However, many elements of 616 continuity would be used. Bucky would have died on his and Cap's final mission. The Hulk would not be shown to be sadistic as he was in Ultimates, and in fact would not talk at all. He would apear more as a rabid animal, completely out of control and running on instinct and rage. For the purpose of time, there would be a few early mission scenes with the team dealing with relatively mundain threats. Hawkeye and Black Widow would be introduced in this film instead of the sequel, and there would be a few Cap/Hawkeye moments remeniscent of the Busiek/Perez Avengers. The movie would still contain the whole "Hank going crazy and atacking Jan" thing, which would serve as a cliffhanger ending for the film. The sequel would contain the plot of the second arc, and many 616 elements and elements from that arc mixed together.



What do the rest of you guys think?
 
The Question said:
Well, here goes. My plan for an Avengers movie franchise:


This plan would, in fact, begin with the individual films for four of the characters. They would be:


Captain America: Set in WWII, the film would depict a young Steve Rodgers becoming America's first superhuman soldier, Captain America. Bucky would be introduced as Steve's slightly younger friend who serves as his feild handler once he finds out that Steve is Captains America. The plot would involve Cap's early exploits, and him facing off against Germany's top assasin, The Red Skull.

Visually and stylistically, I would want to capture the look and feel of an old pulp fiction novel. While it shouldn't have the large amounts of CGI, it should look like Sky Captain and the World of Tomorrow. Cap's costume should really look like his WWII costume from The Ultimates. Possibly changing the mask slightly by ditching the helmet and making the leather mask blue with an A on it. However, Cap's classic costume would not go unseen. For PR purposes, he would wear it at major events. He would apear on recruitment posters, and there would be one scene during a USO show where he's wearing it. However, on official missions, he would wear the more practical Ultimated WWII look.

The Red Skull, similarly, would be changed in terms of apearance to suit both practicality and the style of the film. His mask would be a red metal helmet with a skull design over the face. His weapon of choice would be a Gladius, a short sword origionally from Rome designed for close quarters combat and quick, spine severing kills. However, while he would be an acomplished hand to hand combatant, he would not pose a physical threat to Cap. Cap, being superhuman, would thus be superior to the Skull in close quarters combat. This serves as a point of anger to the Skull, who is an egotist with a superiority complex. He refuses to be anyone's inferior. So, he is much more Cap's intelectual challenge.

Bucky would be about sixteen or seventeen. He's Steve's fellow soldier and best friend. Not a sidekick, really. More like a drinking buddy who, by chance, ends up being the guy who keep's track of Cap in the feild. He would not have a costume, although there would be a scene with him wearing a blue shirt and red work gloves similar to his costume.

Casting wise, I would want Cap to be in his early 20s, Bucky to be in his late teens, and The Red Skull somewhere in his 30s.

Thor: The story would begin with Donald Blake, a physician in Norway, discovering that he is in fact the Asgardian warrior prince known as Thor in human form after an old wooden cane comes into his possesion. When he touches the cane, he is flooded with memories and information of his true identity. However, before he can do anything about it, his ravings about godhood land him a nice cozy cell in an insane asylum. Several months later, while wandering the halls, he is able to steal the cane from the patient prperty locker where it is being kept. Before the security gaurds can stop him, he strikes the cane against the ground. The cane transforms into a nortic war hammer, and Blake buts on about 20 pounds of muscle, grows long blond hair and a beard, and his clothes are replaced by what resempled a mix of modern clothing and Viking armor. He escapes from the asylum, and becomes Norway's self proclaimed savior. He would use his abilities to preform acts of heroism, while using the humility he learned as a human and the inherent wisdom of Asgard to help lead humanity away from their aparnt path of destruction.

However, through the film, we soon meet Loki, who has been living on Earth for centuries with his children. He hunts down Thor and tries to kill him as part of their centuries old rivalry which has, on Loki's part, turned into a very warped obsession. After Thor is dead, Loki's plan is to create chaos on Earth in his own name and draw power from it.

As you can see, this version of Thor is a mix of 161 and Ultimate. This is mainly because I don't think all the elements of either as they were would work in a film. Thor's personality would remain mostly unchanged, and would speak in a manner more in tune with 616 than Ultimate. Thor's apearence through the film would be much akin to his Ultimate look. Loki and his children, for the most part, would apear in human form and in plain clothes. However, in the final battle between Thor and Loki's brood, each flash of lightning created by Thor's storms would reveal their true forms, showing them looking quite similar to the 616 versions (although Thor's costume would be much more armored).

The intended feel of the film would be one comperable to Highlander (I/E, a mythiological tale set in a modern setting), albiet on a somewhat larger scale.

Iron Man: The film would start with Tony Stark, billionare scientist and industrialist, going to Hong Kong on a buisness venture. While there, he is kidnapped by an underground revolutionary movement who want Stark to build them weapons to use against the Chinese government. The movement is led by a man called only The Mandarin, a man decended from nobility who, had the communists never taken control of the country, would be a very powerful figure in China today. His plan is to overthrow the government and declare himself Mandarin of a new Chinese empire. After spending several weeks captures, Stark is able to excape with the help of a fellow captured scientist. Tony quickly goes to the Chinese government to warn them of the impending coup, but even with the information he gives them, he knows they won't stand a chance against the movement's weapons, and knows he would not have time to supply the government with any of their own. So, using a prototype exo armor, he goes after the Mandarin himself.

The main story of the film is Tony's transition from a spoiled, selfish pretty boy into someone who genuenly cares about helping others. His inventions give the Mandarin the ability to hurt people, so he takes on the responsability of stopping him.

In terms of apearence, Iron Man would look very much like the Ultimate armor. The Mandarin would not wear robes or anything like that, and would instead were fine suits or other expensive garments. His rings would be based off of Stark's designs.

Nick Fury: The United Nations puts together S.H.E.I.L.D., and international peace keeping agency that responds to the U.N. and only to the U.N. It owes aleigence to no one nation in particular. The feild director is Nick Fury, an old amercian war vet with a very head on aproach to international terrorism. When his old rival Baron Wolfgang Von Strucker, leader or the terrorist organization known as Hydra, resurfaces, Fury takes up the task of going after him personally.

The basic idea of this movie is James Bond with a blue collar worker from Brooklyne's aditude. It would be more or less the same as the comics, although it would follow no specific storyline.

All of these ideas sound very cool. Thanks for posting them. :up:

I think the idea of Bucky as a field handler for Cap is a decent change, and because of the time period in which this takes place, his young age isn't too implausible.

The idea of Iron Man creating the Mandarin's rings is interesting as well.

The Avengers: Acting as a sequel to all four films, the movie finds Nick Fury charged with the task of putting together a team to deal with threats beyond the scope of normal agents. He puts together The Avengers, a group of agents both super powered and normal. The group is rounded off when Captain America is unthawed.

The film would follow Mark Millar's Ultimates very closely due to it's cinimatic feel making it perfect for a direct film adaptation. However, many elements of 616 continuity would be used. Bucky would have died on his and Cap's final mission. The Hulk would not be shown to be sadistic as he was in Ultimates, and in fact would not talk at all. He would apear more as a rabid animal, completely out of control and running on instinct and rage. For the purpose of time, there would be a few early mission scenes with the team dealing with relatively mundain threats. Hawkeye and Black Widow would be introduced in this film instead of the sequel, and there would be a few Cap/Hawkeye moments remeniscent of the Busiek/Perez Avengers. The movie would still contain the whole "Hank going crazy and atacking Jan" thing, which would serve as a cliffhanger ending for the film. The sequel would contain the plot of the second arc, and many 616 elements and elements from that arc mixed together.

I should have written in the re-fitted rules something about the Ultimate Universe and how, while certain elements aren't that far removed from the real Marvel Universe, things like 'The Ultimates,' 'Ultimate Fantastic Four,' several aspects of 'Ultimate X-Men,' Ultimate Venom and Carnage and other such drastic deviations are out of the realm of "faithful to the source material."

None of that is your fault, and since I feel it's wrong to impose "ex post facto" limitations when someone's already put time and thought into something, you'll be the exception. Nobody else from here on out should be writing film adaptations for the Ultimates or anything too strongly based on an Ultimate Universe title in here, but you can develop this as far as you want to. I'm editing the rules now.

Your own immunity in this matter allows you to write up concepts for as many sequels as you want (for the Ultimates team, not spin-off movies for drastically changed characters like Ultimate Giant Man, Ultimate Wasp, Ultimate Hawkeye, Ultimate Hulk, etc.), 'The Ultimates' merchandise (action figures, lunchboxes, T-shirts, etc.) and official video games for each fully developed movie concept (this is a multi-media thread). :o

Thanks again for posting. I look forward to seeing more.

:wolverine
 
Additional Rule :
  • Please do not include concepts based on Marvel's Ultimate Universe that differ greatly from the real Marvel Universe (616). I realize this is largely subjective, so I'll have to shoulder the terrible burden of deciding what is "faithful enough;" I'll try not to be capricious about it.*
*That last rule was added on 6/03/06, so contributors who began sharing concepts that are overall strongly based on the Ultimate Universe prior to that may continue to further develop them (example: The Question proposed a movie for 'The Ultimates' on 6/02/06, so that, as a movie or a multi-film franchise, gets a free pass forevermore). Other posters should not start posting that type of material, or rather they should be aware that I will address it and judge the content acceptable or unacceptable. Thanks for bearing with me.

:wolverine
 
Ah. I see. And, anyway, as I said, I would take the plot of the first Ultimates arc and many of the scenes, and add several scenes and change the characterisations to more fit the 616 ones. As in, The Hulk wouldn't be portrayed as sadistic. More like an out of control, rabid animal.
 
Okay. My idea for the second and third films in my Avengers franchise:



The Avengers 2, Homeland Security: The second film, as the first, borrows the plot and some of the elements from the second arc of Mark Millar's Ultimates. However, also as with the first, many 616 elements are mixed in. The Skrulls would be refered to as Skrulls and not Chitauri, and Herr Kleiser's role would be replaced by the Super Skrull. Early on in the film, Cap, Iron Man, and Thor would confront Hank Pym in regards to his atacking Jan with a small army of ants at the end of the first film. They would quickly realize his deteriorating mental state, and try to bring him in. A small fight insues (note: in regards to the first film, Hank's psychological issues would be aluded to prior to the end of the film. Many of Bruce Banner's moments of insecurity from Mark Millar's Ultimates would not happen, and instead happen with Hank. Bruce's transformation and subsiquent rampage would be the result of an accidental steroid OD while working on a recreation of the super soldier serum, and would not be intentional). The flashback to WWII would be greatly changed, and show Cap's "final battle" with The Red Skull, in which he atempts to stop a weapons trade agreement between Germany and the Skrull empire, who plan to subjigate Earth themselves. The climax of the film would be an invasion by the Skrull empire, and a showdown between the Super Skrull, Captain America, and The Hulk.

Super Skrull would have been genetically engineered to posses superhuman strength (by both skrull and human standards), greatly enhanced shapeshifting (which allows for the streatching), and energy manipulation (which is where the force feilds and fire come from). It would be referenced that Skrull scientists were inspired by Earth's Fantastic Four, but the FF would not apear in the film.


The Avengers 3, Ragnarok: Unlike the previous two films, this would follow no comic storylines directly, although it would borrow elements from both Geoff Johns' Avengers arc "Red Zone" and Mark Millar's second volume of The Ultimates. Dell Rusk, the newly apointed U.S. representative on the U.N. security council, begins pushing for The Avengers to be used in major military matters. This eventually results in the team aiding American military forces in atacks against certain areas in the middle east. The mission goes horribly wrong, and accidentally results in high civilian casualty rates. The team begins to question the judgement of Rusk and the security council. Meanwhile, Thor is framed for high treason, and an order for his arrest is issued. The team pleads with Thor to come with them so it can be sorted out, but due to the military interfering, matters escelate to the point where Thor battles the military forces and his former teammates. Thor nearly proves the victor until the military threatens him with a nuclear option. Not wanting to risk the lives of those around him, he surrenders. Eventually, it is revealed that Rusk is in fact The Red Skull, who survived his last encounter with Captain America and is now planning his revenge. He gathers together the now very disgruntled civillians of the city where the botched mission took place, and rallies them together as The Red Skull, forming a small terrorist organization. Along with a group of superhuman mercenaries who are in fact the movie's version of the Masters of Evil, The Red Skull leads a series of terrorist atacks against the U.S., releasing a biological agent of his creation dubbed "The Red Death." In the climax of the film, it is revealed that The Red Skull had help in planning this from Loki, who had Thor taken out early in the game to increase their chances.
 
Zaphod said:
Much thanks to you for your compliments. :)

:up:



Do you mean the climatic battle with Iron-Man and Crimson Dynamo at the end of the movie, or the battle waging through the derelict town in the Middle-East for the origin?
the climactic battle with Dynamo,i was thinking with them smashing through buildings and such that there would be ppl needing saving



Yes, I was planning for a similar sequence to the one you describe, but haven't actually thought up any specific details yet. I know that Stark, as Iron-Man, will recharge and help Rhodes repair a downed-chopper by way of the battery-pack in the armour. When they take off in the repaired aircraft, Stark would be out of action, through both fatigue and the draining of energy in his armour, leaving Rhodes to fly them out of harms way. There is opportunity here to show Rhodes as a top pilot, but I'm thinking it would have been demonstrated enough earlier, in his succesfull landing of his own helicopter, with a blown out tail-end to boot, not to mention the fact that without Rhodes, Stark may have not made it out alive in the first place. In the latter case, Iron-Man would be helping with said emergency landing, by diverting and preventing continued fire upon Rhodes by use of his repulsor beams. Thinking about it now, I'd probaly show another Air-Force pilot blown from the sky by a rocket, through not being able to take a diversionary measure in time. Then in the next shot, the same would be attempted on Rhodes by a pesky Insurgent atop a building, but Rhodes manages to minimise the damage through his piloting skills, landing the chopper, proving his worth.

Thoughts?

My idea on this was to have an enemy commander spot them escaping and get aboard one of their own choppers to give chase resulting in a sequence that shows Rhodes out maneuvering and then taking down the enemy chopper


Indeedy! I was considering getting rid of the ballet scene entirely in favour of the Widow attempting to seduce Stark at one of his expensive charity-balls, which would be a shame because I wanted to include a scene with a ballet-wearing Widow brandishing a sniper-rifle! That's the next 'schoolgirl's with samurai swords', right there! I've decided to include both though. After the failed seduction, the Widow attempts to silently snuff out Stark with a sniper later on in the movie at a ballet attended by Stark and his socailites. She fails through the crowds obscuring the billionaire, and then traces him back to his penthouse. This final part would lead to her collecting data on Starks armour and a massive chase-beat with Widow making escape on a motorcyle (now in her sexy black leather!) and Iron-Man with his newly improved thrusters for arieal pusuit.

Love the sound of this chase:up: ,perhaps the ball they are having is in conjunction with the following nights ballet and the dancer(Widow) makes her play for Tony at the ball as all cast are invited(charity production perhaps?)when it fails she takes the sniper option



I'm currently working on a large-post detailing the events of these scenes, I hope you wont be dissapointed. You'll just have to wait and see :)
I look forward to it:up:

Once again, thank you for your compliments. If you have any criticisms or ideas, feel free to post them, even if it's to contest an idea.
I'm enjoying this collaboration very much
icon12.gif


Do you yourself have any ideas pertaining to a sequel to your own movie, and what the plot/villain set-up would be?

I haven't thought a lot about a sequel,one thing it would have is Tony slipping further into his alcoholism and the introduction of War Machine
Not sure on a villain though,if i could use the Hulk in some capacity i would include him though
 
Yeah, I know. My last two ideas were kind of blah. I don't know, I just got tapped out. I would have added more if it had came to me.
 
The Question said:
Ah. I see. And, anyway, as I said, I would take the plot of the first Ultimates arc and many of the scenes, and add several scenes and change the characterisations to more fit the 616 ones. As in, The Hulk wouldn't be portrayed as sadistic. More like an out of control, rabid animal.

Okey-dokey. :up:

:wolverine
 
This thread is genius, pure genius.

I have thought about creating a thread similar to this one and base it on the current state of comic books.
 
hunter rider said:
I'm enjoying this collaboration very much
icon12.gif
Zaphod is such a ****e, he'd collaborate with just about anybody. :o


I haven't thought a lot about a sequel,one thing it would have is Tony slipping further into his alcoholism and the introduction of War Machine
Not sure on a villain though,if i could use the Hulk in some capacity i would include him though
If I were writing a Hulk movie treatment (which isn't my first, second or thirdmost priority, but something I'm interested in), I'd have the military use Hulkbuster exoskeletons designed by Tony Stark. They'd be much larger than Iron Man, like Mechs with a cockpit instead of an actual suit of armor, and they'd be a lot less maneuverable than a person using the Iron Man suit.

If you were to have the Hulk in 'Invincible Iron Man II' (what I'm assuming you, as comics fans, would call it), you could tie it back to the 'Incredible Hulk' (same deal) and have a few Hulkbusters intervene when Bruce Banner is anger somewhere in New York City. Actually, I suppose it could be anywhere in the country, since, a battle with the Hulk could last hours and I'd bet Iron Man can fly pretty fast by the second movie.
Iron Man's communications array and HUD could no doubt keep tabs on the Hulk's location at any given moment, if not by listening to contemporaneous media coverage, then by tapping military radio communications.

Anyway, he'd intervene and do what the Hulkbusters can't-- outmaneuver (barely, since the Hulk is very fast) and out-smart him. The Hulk was never an idiot, at least not when it came to battle tactics. In fact, he's very smart and crafty when it comes to throwing down with both super-types and military forces. In terms of human opponents, it may well take a genius with the strongest powered exoskeleton (proportionate to its size, as I'm sure a Hulkbuster is stronger because of its larger struts and engines) to take him down.

:wolverine
 
Bullseye said:
This thread is genius, pure genius.

I have thought about creating a thread similar to this one and base it on the current state of comic books.

Glad you like it. Welcome to the Haven. :up:

Yeah, there definitely should be a thread like this for comics. I don't know if I'd personally contribute in it much, but that's because I've pretty much written off comics and have no good ideas in that department.

:wolverine
 
hunter rider said:
:up:
the climactic battle with Dynamo,i was thinking with them smashing through buildings and such that there would be ppl needing saving

Rhodes will be involved in the final battle, and there is a very good reason why Stark needs him by this point, suffice to say it isn't just isolated to rescuing and evacuating civilans from danger, although thinking about it, he could still do that to if I can include it well enough. I dont want to say to much now on this, it's going to be included in the large post I'm preparing to type up here soon, which would give the outline in more detail than I could now.

My idea on this was to have an enemy commander spot them escaping and get aboard one of their own choppers to give chase resulting in a sequence that shows Rhodes out maneuvering and then taking down the enemy chopper

Hmm. This is a rather good idea, although I dont want to excede the ''30-40 minutes of origin'' rule too much. It could work, though. Remember though, these are Insurgents, a rebel force, not a fully fledged army with enormous amounts of resources, so whether or not they would be prone to helicopter on hand is unlikely. Hang on, something is coming to me:

If the enemy chopper in question was one belonging to the laboratory where Stark worked on the armour, than it would make more sense. I think it could work this way, with Rhodes and Stark boarding a reparied chopper and taking off in the ruined city, only to spot the enemy bases chopper which we could catch a glmipse of earlier, but not see in action until it is chasing after Rhodes. Then, we could show Rhodes dodging fire, out maneuvering and taking down their pursuer. What do you think?

Love the sound of this chase:up: ,perhaps the ball they are having is in conjunction with the following nights ballet and the dancer(Widow) makes her play for Tony at the ball as all cast are invited(charity production perhaps?)when it fails she takes the sniper option

I'm thinking to show the charity ball first, where Widow makes her move on Stark, attempting to seduce him, and coming very close. One way or another however, Stark shoots her down or is pulled away, and in a few nights time we would show the ballet scene, the same as I described it earlier.

I'm adamant that we show Widow as a ballerina, since she was trained in that area in the comics, and if we can show her using such a skill for her attempted assasination of Tony, than we should, in the glorious name of faithfulness! That, and the fact that I would certainly pay good money to see the Widow, clutching a sniper-rifle and preparing to take out Stark in a ballet dress. Iconic! :)

I haven't thought a lot about a sequel,one thing it would have is Tony slipping further into his alcoholism and the introduction of War Machine
Not sure on a villain though,if i could use the Hulk in some capacity i would include him though

If I was making a trilogy, then it would be Obadiah Stane, Ms Masque, War Machine, and Starks alcholism for the second movie, with Mandarin for the third.
 
Zaphod said:
Rhodes will be involved in the final battle, and there is a very good reason why Stark needs him by this point, suffice to say it isn't just isolated to rescuing and evacuating civilans from danger, although thinking about it, he could still do that to if I can include it well enough. I dont want to say to much now on this, it's going to be included in the large post I'm preparing to type up here soon, which would give the outline in more detail than I could now.

I need to see this post,get wriitng:mad: :up:



Hmm. This is a rather good idea, although I dont want to excede the ''30-
40 minutes of origin'' rule too much. It could work, though. Remember though, these are Insurgents, a rebel force, not a fully fledged army with enormous amounts of resources, so whether or not they would be prone to helicopter on hand is unlikely. Hang on, something is coming to me:

If the enemy chopper in question was one belonging to the laboratory where Stark worked on the armour, than it would make more sense. I think it could work this way, with Rhodes and Stark boarding a reparied chopper and taking off in the ruined city, only to spot the enemy bases chopper which we could catch a glmipse of earlier, but not see in action until it is chasing after Rhodes. Then, we could show Rhodes dodging fire, out maneuvering and taking down their pursuer. What do you think?

That sounds great,it ties together the base and the chopper without it coming from nowhere:up: maybe we could see it landing at the base with the arrival of the man that wants Tony to make the weapon ?


I'm thinking to show the charity ball first, where Widow makes her move on Stark, attempting to seduce him, and coming very close. One way or another however, Stark shoots her down or is pulled away, and in a few nights time we would show the ballet scene, the same as I described it earlier.

I'm adamant that we show Widow as a ballerina, since she was trained in that area in the comics, and if we can show her using such a skill for her attempted assasination of Tony, than we should, in the glorious name of faithfulness! That, and the fact that I would certainly pay good money to see the Widow, clutching a sniper-rifle and preparing to take out Stark in a ballet dress. Iconic! :)

Totally with you on this,have the ball with the ballerina's there as part of the pre show charity gala,then when the seduction fails(more to do with Tony being pulled away than Widow not being able to seduce him)next night we get the awesome Ballerina/Sniper visual:up:


If I was making a trilogy, then it would be Obadiah Stane, Ms Masque, War Machine, and Starks alcholism for the second movie, with Mandarin for the third.

I was thinking that Mandarin may want to harness Hulks power for his rings
 
Herr Logan said:
Zaphod is such a ****e, he'd collaborate with just about anybody. :o

Jealousy b/c you're waiting for those nipples:mad:



If I were writing a Hulk movie treatment (which isn't my first, second or thirdmost priority, but something I'm interested in), I'd have the military use Hulkbuster exoskeletons designed by Tony Stark. They'd be much larger than Iron Man, like Mechs with a cockpit instead of an actual suit of armor, and they'd be a lot less maneuverable than a person using the Iron Man suit.

If you were to have the Hulk in 'Invincible Iron Man II' (what I'm assuming you, as comics fans, would call it), you could tie it back to the 'Incredible Hulk' (same deal) and have a few Hulkbusters intervene when Bruce Banner is anger somewhere in New York City. Actually, I suppose it could be anywhere in the country, since, a battle with the Hulk could last hours and I'd bet Iron Man can fly pretty fast by the second movie.
Iron Man's communications array and HUD could no doubt keep tabs on the Hulk's location at any given moment, if not by listening to contemporaneous media coverage, then by tapping military radio communications.

Anyway, he'd intervene and do what the Hulkbusters can't-- outmaneuver (barely, since the Hulk is very fast) and out-smart him. The Hulk was never an idiot, at least not when it came to battle tactics. In fact, he's very smart and crafty when it comes to throwing down with both super-types and military forces. In terms of human opponents, it may well take a genius with the strongest powered exoskeleton (proportionate to its size, as I'm sure a Hulkbuster is stronger because of its larger struts and engines) to take him down.

:wolverine

Certainly would be a way to do the Hulk movie,i was seeing him as being unstoppable at first in the Iron Man sequel thus leading to Tony building the Hulkbuster armour to stop him near the end
The Hulk movie that followed would then have a scene where we see that Tony has sold the Hulkbuster design with the modifications to mech-like exoskeletons that you mentioned
 
Here is the Iron-Man post, detailing the last battle with Stark up to the final moments of the movie. More is on it's way, but for now...

----

Hammer invents the ‘hypersonic scan-transmitter”, and Ivan Vanko uses it to sabotage the operating functions of Starks ‘Iron-Man’ armour into killing a diplomat at a public-event. The armour was unmanned and being operated by on board AI. Stark is present at the event, alongside his corporate ‘mascot’ in order for the billionaire to keep up the charade of seeming likes a separate entity. However, once the armour murders the diplomat and takes of, Stark is brought under direct suspicion, the armour is impounded, and Stark International falls under direct investigation. Now with Starks success and persona in jeopardy, the military turn to Hammer for their business, and Hammer acts in announcing his own line of armoured suits, promised to be more ‘efficient’ and ‘safe’ in light of recent events. Ivan Vanko begins building armour based of off Stark original design, creating armour with the ability to shoot electricity.

Stark, now under house arrest at his penthouse, goes against orders from the authorities and enters into his secret laboratory and armour-chamber. There, he suits up into the prototype ‘Silver Centurion’ armours and takes of to confront the new armour being tested, along with an airborne Rhodes. Sighting ‘Iron-Man’ oncoming by air, Hammer orders the military on guard to stand-down, and sends Ivan in the armour up to bring Stark down himself. In the armour, Ivan adopts the persona of the Crimson Dynamo, and a battle of suits begins.

Hammer adapts the ‘hypersonic scan transmitter’ to the Dynamo Sputnik, a satellite which orbits Earth in the atmosphere above the skies, ensuring that whenever Starks armour is activated, it can be rendered useless anywhere in the world. With the help of Rhodes, Stark overcomes the device. He equips Rhodes helicopter with the same ‘disruptor ray’ technology, amplified, and orders Rhodes to send out a wave, muffling the effects of the Dynamo Sputnik on Starks armour. However this is only one step in fail-safe plan, as Starks armour is solar powered, and when Hammer sends out a secondary wave to disrupt Starks circuitry, Stark disengages use of the batteries, and rely’s on the intense heat of the atmosphere. From here, Stark battles it out in an intense fight with the Dynamo, while Rhodes continues to struggle against the disruptor waves of the Sputnik. As the disruptor ray in Rhodes helicopter begins to fail him though, Stark has a plan.

He orders Rhodes to pilot the chopper round until he is flanking the Dynamo’s position. Iron-Man anticipates a powerful shot of electricity from Ivan, which he deflects using his force filed, diverting it to Rhodes, who activates a similar shield adapted to safeguard the chopper, reflecting the bolt into the Sputnik, destroying it.

From here, Stark reactivates the batteries powered by electricity, and activates the ‘hologram emitter’ function in his armour, generating 12 simultaneous illusions of Iron-Man, drawing the attacks of Ivan off-guard as he races from one hologram to the other, attempting to locate and destroy the real Iron-Man. While the Crimson Dynamo struggles to locate his true enemy, Stark activates the voice-disruptor in his suit, and communicates to Ivan in the voice of Hammer. Stark pretends that what he is saying is a previously recorded conversation from Hammer to the Widow, about how he plans to get rid of Ivan once he’s mission is complete. Ivan stops his race against the hologram Iron-Men and turns to Hammer. With Ivan now disillusioned and tired, and distracted by his intent to kill Hammer, Iron Man takes the opportunity and destroys the Dynamo armour with a succession of ‘pulse-bolt’ attacks. Iron-Man tears of the helmet to Ivan’s suit of armour, and still speaking in Hammers voice, tells him it’s over. Ivan realises he’s been duped, not only that, but defeated; he closes his eyes into unconsciousness.

The movie ends with Hammer being arrested and found guilty of corporate sabotage. Stark has Ivan admitted into a hospital and his treatment paid for, but then we see a shadowy figure slip in to his room, in the middle of the night, and inject something lethal into him. The final scene shows Stark at his penthouse suite, in his room in a dressing gown, he looks tired, he hasn’t shaved for days. Pouring himself a glass of scotch from the liquor cabinet, he regards the television. A news broadcast, the news anchor narrates over images of the continuing Gulf War, and the transistor magnets of Stark International are now in full operation out in the Gulf. Stark doesn’t feel that this is good news, he realises that inevitably his inventions will exist alongside bloodshed and war. Raising the glass to his lips, he regards the television a moment longer; a news bulletin raises his attention. Terrorists have invaded and robbed the National Bank and are threatening to kill hostages if a chopper isn’t provided for their getaway. Stark thinks for a moment, he looks at his glass, looks back at the TV, he makes he’s decision. Putting the scotch down he discards of his robe and enters through his study into the secret laboratory.

The final scene, Iron-Man emerges from Starks penthouse, and takes of past our screens and into the distance.

---

This is unfinished, but if I didn't post it now you wouldn't have had it for a while, so no complaining!!
 
Zaphod said:
Here is the Iron-Man post, detailing the last battle with Stark up to the final moments of the movie. More is on it's way, but for now...

----

Hammer invents the ‘hypersonic scan-transmitter”, and Ivan Vanko uses it to sabotage the operating functions of Starks ‘Iron-Man’ armour into killing a diplomat at a public-event. The armour was unmanned and being operated by on board AI. Stark is present at the event, alongside his corporate ‘mascot’ in order for the billionaire to keep up the charade of seeming likes a separate entity. However, once the armour murders the diplomat and takes of, Stark is brought under direct suspicion, the armour is impounded, and Stark International falls under direct investigation. Now with Starks success and persona in jeopardy, the military turn to Hammer for their business, and Hammer acts in announcing his own line of armoured suits, promised to be more ‘efficient’ and ‘safe’ in light of recent events. Ivan Vanko begins building armour based of off Stark original design, creating armour with the ability to shoot electricity.
Are you going to have the Iron Man suits resemble real life powered exoskeletons (see picture below), or are you going to going to have them look exactly like the comics versions, with the strength-enhancing machinery hidden?

If it's like a real powered exoskeleton, then the suit should probably be able to operate without a human or robot body inside it, but if it does not have the support structure on the outside, you should probably have a robot frame inside the suit while it's "unmanned."

Keep in mind that a "realistic" support structure for an Iron Man suit would probably be very bulky the first time around (the one made under durress while imprisoned), but could definitely be scaled down quite a lot with new models.
dn1072-1_400.jpg
hal_5ab.jpg


Look at the legs on the guy in this one, too:
http://bleex.me.berkeley.edu/CV/Berkeley-Exo-HR.jpg

I would call this one of the opportunities where adding "realistic" elements could be considered a neutral or positive influence. This is a new technology that, while popularized in fiction, is actually becoming a reality, and I think having a traditional Iron Man suit bolstered with an actual exo-skeleton would be very cool. That's the part that enhances strength, while the armored suit provides the protection. I could definitely see a person jumping a great distance with those things on.
Like I said before, it doesn't need to be very bulky once the suit is refined, but I would suggest having it be more bulky than the ones in those pictures for the very first model (which is pretty much jury-rigged and assembled in relative haste with whatever materials were available), and then slim it down as newer models are produced. They shouldn't be too small, though, since that suit needs some real leverage power. Personally, I think the second picture on the left looks like a good proportion.

The structures on the outside of the legs and arms would have to be able to pivot at the joints, or else the person in the suit won't be maneuverable at all. Whether that feature is plausible or not at this time in human history, who the hell cares? Like I've always said, "realism" is an asset only so long as it doesn't hold back the original concepts from the source material. hell, for all we know, that could be plausible someday. For now, we already know he's never going to be as flexible and agile as heroes like Captain America or Daredevil, but he needs some maneuverability, and flexing hinges and joints are a must.

I'm personally not crazy about the "Tony being framed" thing. Just my thoughts on that score; you do it how you see fit.



Stark, now under house arrest at his penthouse, goes against orders from the authorities and enters into his secret laboratory and armour-chamber. There, he suits up into the prototype ‘Silver Centurion’ armours and takes of to confront the new armour being tested, along with an airborne Rhodes. Sighting ‘Iron-Man’ oncoming by air, Hammer orders the military on guard to stand-down, and sends Ivan in the armour up to bring Stark down himself. In the armour, Ivan adopts the persona of the Crimson Dynamo, and a battle of suits begins.

Hammer adapts the ‘hypersonic scan transmitter’ to the Dynamo Sputnik, a satellite which orbits Earth in the atmosphere above the skies, ensuring that whenever Starks armour is activated, it can be rendered useless anywhere in the world. With the help of Rhodes, Stark overcomes the device. He equips Rhodes helicopter with the same ‘disruptor ray’ technology, amplified, and orders Rhodes to send out a wave, muffling the effects of the Dynamo Sputnik on Starks armour. However this is only one step in fail-safe plan, as Starks armour is solar powered, and when Hammer sends out a secondary wave to disrupt Starks circuitry, Stark disengages use of the batteries, and rely’s on the intense heat of the atmosphere. From here, Stark battles it out in an intense fight with the Dynamo, while Rhodes continues to struggle against the disruptor waves of the Sputnik. As the disruptor ray in Rhodes helicopter begins to fail him though, Stark has a plan.


He orders Rhodes to pilot the chopper round until he is flanking the Dynamo’s position. Iron-Man anticipates a powerful shot of electricity from Ivan, which he deflects using his force filed, diverting it to Rhodes, who activates a similar shield adapted to safeguard the chopper, reflecting the bolt into the Sputnik, destroying it.

From here, Stark reactivates the batteries powered by electricity, and activates the ‘hologram emitter’ function in his armour, generating 12 simultaneous illusions of Iron-Man, drawing the attacks of Ivan off-guard as he races from one hologram to the other, attempting to locate and destroy the real Iron-Man. While the Crimson Dynamo struggles to locate his true enemy, Stark activates the voice-disruptor in his suit, and communicates to Ivan in the voice of Hammer. Stark pretends that what he is saying is a previously recorded conversation from Hammer to the Widow, about how he plans to get rid of Ivan once he’s mission is complete. Ivan stops his race against the hologram Iron-Men and turns to Hammer. With Ivan now disillusioned and tired, and distracted by his intent to kill Hammer, Iron Man takes the opportunity and destroys the Dynamo armour with a succession of ‘pulse-bolt’ attacks. Iron-Man tears of the helmet to Ivan’s suit of armour, and still speaking in Hammers voice, tells him it’s over. Ivan realises he’s been duped, not only that, but defeated; he closes his eyes into unconsciousness.

Sounds interesting, and complicated. I guess the one thing I have an issue with is the "holographic Iron Men" ploy. If the Crimson Dynamo is based on Iron Man designs, I would think that there would be some high-tech sensory equipment that could determine between a figment of light and a 300-400 lb hunk of metal.

The movie ends with Hammer being arrested and found guilty of corporate sabotage. Stark has Ivan admitted into a hospital and his treatment paid for, but then we see a shadowy figure slip in to his room, in the middle of the night, and inject something lethal into him. The final scene shows Stark at his penthouse suite, in his room in a dressing gown, he looks tired, he hasn’t shaved for days. Pouring himself a glass of scotch from the liquor cabinet, he regards the television. A news broadcast, the news anchor narrates over images of the continuing Gulf War, and the transistor magnets of Stark International are now in full operation out in the Gulf. Stark doesn’t feel that this is good news, he realises that inevitably his inventions will exist alongside bloodshed and war. Raising the glass to his lips, he regards the television a moment longer; a news bulletin raises his attention. Terrorists have invaded and robbed the National Bank and are threatening to kill hostages if a chopper isn’t provided for their getaway. Stark thinks for a moment, he looks at his glass, looks back at the TV, he makes he’s decision. Putting the scotch down he discards of his robe and enters through his study into the secret laboratory.


The final scene, Iron-Man emerges from Starks penthouse, and takes of past our screens and into the distance.
Very nice. :up:

I like the part where the Black Widow (presumably) ices Ivan Vanko.


Check out this Wiki page, too. It has descriptions of the many armored suits of Iron Man.
This page has pictures of the many suits of Iron Man.


By the way, since I got the impression that the Iron Man armor would be a marketed product sold to the military, is that also the name of the various models (i.e. "Iron Man V.2," "Iron Man 2000," "Iron Man 3.0," etc.)? That's what I'd do, personally. When the Titanium Man no doubt appears in a sequel, this would be a rival corporation's model.

:wolverine
 
This is a great thread Herr:up:

My thanks to Doc Ock for pointing it out to me.
 
This was my idea for a Wolverine Movie, I've been toying with it in my head so tell me what ya think.

It would open with a dream sequence, Wolverine is looking out a window, and he's seeing memories of his past. Happy ones at first. I would have it be a quick flashby of secenes from Origin, he would see himself playing with Rose and Dog as a child, but they would all be quick glimpses of memories, with snippets of words coming out here and there. You'd hear things like "rose..." "james"..."dog" but not any full sentances or anything like that. Then the dream would darken, and suddenly we'd see a full shot of young Logan sobbing on the ground, and his mother screaming "ANIMAL!"

Then we go to Wolverine Jerking awake, claws extended. His bed is shredded and he's sweating like a fat man on the forth of July. Apperance wise, I'd want them to make him look short. Probably around 5'7. I really don't want him as short as 5'3...just because that seems almost too short for me...I know it's his real higth in the books, but really they draw him more 5'7.

Anyways, I'd have Wolverine shake that off, and glance at the clock, it would be aroudn 5am, and mutter "too Late" then he quickly gets on his clothes and jogs outside. Basically, I'd have him trailing a rouge bear like in the opening of the Claremont/Millar mini. But as he's going through the Canadian Wilderness, he spots an old log Cabin, and cue a flashback to him cradling Silver Fox and crying out in rage and agony, and then a quick shot of him savagly fighting Sabertooth.

Basically after this I'd have him go after the bear, kill it, confront the hunter, and then have him go to Japan to play out the whole storyline in the mini, what with Shingin and Mariko and all. But throughout the movie I would incorporate flashbacks and such to give glimpses of his past. I would work in Wolverine searching for his past as well as trying to fight for his love. See, not only would I have him go back to Japan to get Mariko, I'd also have him go back because he knows he has history in Japan, he just can't remember it all.

I've also played around with the idea of telling the origin story though flashbacks througout the movie ala holes style, but I don't know if that would fit. I have the whole story kind of written up in my head, but I don't want to type 5pages of posts for you guys to read. Anyways, those were my basic ideas. Oh and Also, I of course would incorporate the brown/yellow costume into the movie, using Herr's idea actually.

I would have Logan see that Mariko's family colors were brown and yellow, and see an old suit of Samuri armor. After getting his ass handed to him by shingin, I would have him create his own suit, which would resemble the samuri suit, and have him wear that in the showdown.

Oh and I would have the fight secenes be Simmilar to those in V for Vendetta. The fights secenes in V without slow motion effects to be exact. I thought those were very well coreographed. Quick and brutal. I'd want to show that Wolverine actually knows how to fight, and isn't some brawler with claws.
 
Infinity9999x:

I've only skimmed your post for the time being, but from what I glimpsed, most of that sounds good.

My one comment at this time is that Wolverine is 5'3", not 5'7", regardless of how undisciplined, unworthy comic book artists of the last several years have chosen to draw Wolverine. His short stature is an essential piece of his character. I could tolerate 5'5" at the very most.
If it's a little more difficult to either find an appropriate actor who looks more or less exactly like Wolverine in height, physique and facial features or to make a taller actor with an appropriate physique and face look 5'3" with traditional or digital camera tricks, then that's what any decent, committed director/producer would do, or they simply don't care enough to get it right. Wolverine isn't a sexy or handsome character. He's a very short, rugged, stocky person who doesn't look like much of a threat in a standing position with his claws retracted-- until you've seen him in action just once... then you see it in him every time after that, whether or not new foes see it at first glance.
I apologize for how that sounds and don't mean it to be personal; Wolverine's height is a sore point for me, since there has never been any valid reason to deviate from the true version of the character.


I'll go back over your post a little later and may give more detailed feedback at that time.

You should know that your Wolverine concept belongs in this thread:
X-MEN: Safe Haven for Those Who Demand More

Just copy and paste or put a link to your post in that thread and continue your concept there. Welcome to the Haven, and thanks for posting.

:wolverine
 
ANNOUNCEMENT:

It's possible that I may be, for the most part, absent from the Hype henceforth starting soon. I'll probably know within a week or two whether or not I will. If I am, it's because I'll be relocating to a place without easy access to the Internet, not because I don't love most of you.

In case this comes to pass, I will put up a poll that will decide who will inherit governorship of this and all other Safe Haven threads (the list can be found on Page 1 of this thread) in my absence. That is, who gets to decide which ideas are or are not "faithful" enough for the author to continue posting that line of thought within these threads. The poll will have multiple boxes with which to vote for who should be in charge around here.
If I do return, however, I'm takin' back the reigns.

Speak up if you want to be in the poll (which, again, may not be necessary). Off the top of my head, some people who will definitely be in it are (in no particular order):
Zaphod
Kame-sennin
Mister J
Hunter Rider
Doc Ock (he won't accept, but he'd be a fair and just ruler... probably)
Zev (God help you all)
Abaddon
The Batman
Head>On<Collider

Again, speak up if you want in and I haven't mentioned you.

:wolverine
 
Infinity9999x said:
My thanks to Doc Ock for pointing it out to me.

My pleasure.

This is an apologist free zone, where the best ideas for the super hero movie franchises are found :up:

Herr Logan said:
Doc Ock (he won't accept, but he'd be a fair and just ruler... probably)

What do you mean probably?? Of course I wouldn't be fair and just. Since when are the words fair and just synonomous with the name Doc Ock?? ;)

You're correct though about me not accepting though. I don't think I have what it takes to keep all the safe haven threads running. Any of the others you listed would make a much better choice :)
 
Doc Ock said:
This is an apologist free zone, where the best ideas for the super hero movie franchises are found :up:

Thank you kindly, Ock. :up:

What do you mean probably?? Of course I wouldn't be fair and just. Since when are the words fair and just synonomous with the name Doc Ock?? ;)

So I lied. Sue me. :o

You're correct though about me not accepting though. I don't think I have what it takes to keep all the safe haven threads running. Any of the others you listed would make a much better choice :)

Hell, even I don't have what it takes anymore. The Superman thread is proof of that.

:wolverine
 

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