IM2 had a budget of 200M,which would be around the same as TASM's budget adjusted for inflation,TASM will probably end up earning more than that but the main point is that IM2 was a sequel,I expect TASM2 to earn lot more than IM2 did
Let's take Iron Man instead. The movie made 351 domestically (adjusted) for an (adjusted) production budget of 154 millions.
Then again my point was, no matter how much TASM will gross overseas, both Iron Man movie will still be, and by far more profitable (even if you take side revenues in account, since Sony gets almost nothing back from Spidey merchandise).
And Sony spent money to record in 3D which added to its Budget,I dont see why you consider 3D earnings out of the equation
I don't take them out of the equation I just appear to think that if the studio spent extra money to shoot or convert a movie in 3D it's because they expect some return on their investment. That means extra money, improved domestic gross and so on and so forth.
The shooting incident has something to do with that,It would probably end as 250M domestic which is 7M short of StarTrek's domestic,and it has earned more than 3 times Star Trek's overseas as it is.
Plus TASM's budget is just about 50M more than Star Trek's(After considering inflation)
Strange that you adjust ST's production budget and not its grosses.
TASM's PB is 230 millions, if you adjust Star Trek's that's 159 millions (a 71 millions difference). And 272 millions in domestic grosses.
And I'm not even talking marketing costs (While Star Trek had a campaign around 80 millions, TASM's marketing was around 120). So even with strong coming weeks TASM has no chance to be more profitable than ST. Even with it's huge international BO.
Dont state your opinion like its a fact.
SM2 delivered the goods,there is no reason to think why TASM2 cant
Sure because you don't, ever, at all (even when you're flat out wrong on technical things).
Webb has nowhere near the influence Raimi had over Sony and isn't even yet confirmed for the sequel. The other difference is that Raimi won his freedom on Spider-Man 2 after the huge sucess Spider-Man was. And he lost it because SM2 grossed less than the first installement hence the mediocre, full of studio interferences, Spider-Man 3.
I was just hoping for something different for the future of this new franchise. And now Sony has basically no reason whatsoever to give more freedom to the creative crew in charge of the sequel.