Whiskey Tango
Avenger
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- Jun 29, 2007
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Wha, Peter Berg?
Chewy, I thought I knew ye
Chewy, I thought I knew ye
A hack is someone who apes someone else's style and makes a lesser variation. Like Bay or no, he's doing his own thingI'll put Ratner's Red Dragon up against any alternate universe Bay version.
Sorry but the Hancock/Battleship combo back-to-back puts you on that list. Bay-liteWha, Peter Berg?
Chewy, I thought I knew ye![]()
A hack is someone who apes someone else's style and makes a lesser variation. Like Bay or no, he's doing his own thing
It's no coincidence both guys are Bruckheimer disciples and I believe Scott came first so Bay definitely copied his style.First off, this movie right now is the most anticipated thing in my life. I even set up a 5 day vacation for it with my family.
Tony Scott never came close to the Bayhem we get to (?) enjoy (?) these daysYou never heard of Tony Scott?It's no coincidence both guys are Bruckheimer disciples and I believe Scott came first so Bay definitely copied his style.
The word "fun" appears twice in that review #suspect"Thrilling action, rounded characters, high personal and global stakes, brilliant camera work, a tight script, strong acting and a hell of an adventure."
Yeah, what else is there? Seriously.
The word "fun" appears twice in that review #suspect
I just realized I shouldn't have gotten in that Bay discussion, because when I think about it, I've only ever watched 4 of his films: Armageddon, Bad Boys, Pearl Harbor, and Transformers. I liked 3 out of the 4, but avoided the other films due to bad word of mouth. So I suppose had I watched more of his worse films, I might dislike Bay a lot more :P.
where michael bay fails is he has no idea who to make characters engaging. if you aren't engaged by the characters when the action kicks in you wont care if the characters live or die and if you don't care if the characters die you will be BORED by the action.
imho the movie (avengers) drags in the middle but you absolutely need those character moments
There's nothing wrong with that. There's a lot of films I very much enjoyed by Michael Bay, even against my better judgment. I absolutely loved Armageddon, even as my brain was telling me that the story was rubbish and the acting, for the most part, was awful. Michael Bay has a legitimate talent for appealing to the baser instincts of humanity. No matter our background, we all like to watch pretty lights and explosions. I give Michael Bay an enormous amount of credit for his ability to direct action sequences. His audience may have to turn their brains off, but it takes intellect and understanding to make action scenes that get the audience involved.
Let's face facts, however. Human beings are easy to please when it comes to action films. MB may be particularly adept at getting people to enjoy his films, but even some very poor films can elicit the same reaction in lesser doses. If a critic's only standard is entertainment, then critics have little purpose. I trust critics to tell me not only am I going to be entertained, but will that film respect my intelligence, and perhaps, leave a lasting impression. In that, Michael Bay has always fallen completely flat. His films are, and always have been, completely disposable.
This is where I get perturbed. Critics bash Michael Bay because of the plot and whatever, but, then you have oscar winning film, The Hurt Locker, which I am sorry, I can spend all night picking that movie apart if I wanted, starting with the signature shot of William pulling up the warheads by the detonating string, which can NEVER happen (warheads weigh a good 600 to 700 pounds, a piece). But oh, it's OK because the critics says it is. I liked the Hurt Locker for the performances, and it has great suspense throughout the film, but from a technical point, it failed horribly. Want to see an astounding war movie, watch Full Metal Jacket, or Black Hawk Down. Platoon, Saving Private Ryan and Apocalypse Now are also excellent war movies.
That's funny, during my theatrical viewings of Armageddon, there wasn't a dry eye at the end of the movie when Harry dies at the end, the same thing happened at the end of Pearl Harbor with the kid , and as bad as Transformers 3 was, I was watching nearly everybody in the theater crying and freaking out when Bumblebee looked like he was about to get killed, so don't give me that crap that people who watch his movies don't care if the characters die or not. Only people who think that are just full of themselves.
The main issue facing the making of a superhero ensemble piece is balance: with so many strong personalities on screen, how do you ensure each of them get their due? Its a problem Joss Whedon has tackled effectively in Avengers Assemble, keeping everyones screentime reasonably even over the course of two and a half hours, while simultaneously offsetting the big-budget set-pieces with some smaller-scale human drama.
[...]
Theres immense satisfaction in witnessing the clash of personalities Starks momentous ego, the Caps all-conquering altruism, Thors regal sense of entitlement and Banners stuggle to remain mild-mannered ahead of the inevitable gelling together to take on intergalactic foes. The most enjoyable trick Whedon pulls off, though, is balancing the superhero antics with more human flourishes: at one point, we catch a SHIELD drone skiving work by playing Space Invaders; Captain America takes time out from the alien battle to save a handful of bystanders; and when cars are flipped over by explosions, the action is captured from inside the vehicle. These techniques not only broaden the scope of the film, but help to heighten the stature of the heroes its easy to become inured to superhero antics when theyre all thats onscreen, but less so when you see how they affect the general populace, a group thats often forgotten underneath all the falling rubble.
This is where I get perturbed. Critics bash Michael Bay because of the plot and whatever, but, then you have oscar winning film, The Hurt Locker, which I am sorry, I can spend all night picking that movie apart if I wanted, starting with the signature shot of William pulling up the warheads by the detonating string, which can NEVER happen (warheads weigh a good 600 to 700 pounds, a piece). But oh, it's OK because the critics says it is. I liked the Hurt Locker for the performances, and it has great suspense throughout the film, but from a technical point, it failed horribly. Want to see an astounding war movie, watch Full Metal Jacket, or Black Hawk Down. Platoon, Saving Private Ryan and Apocalypse Now are also excellent war movies.