spider-neil
spins a web any size!
- Joined
- Sep 30, 2004
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My Enemy is a killer track but 'I'm Electro' is my favorite.
Well, I just got done listening to the score, and while it does have some wonderful moments and I'm sure it will work very well with the movie, I still can't help but miss Horner. His theme sounded perfectly-suited to the character it belonged to, while Zimmer's in comparison sounds like "Generic Hero Theme #1436" to me. Oh well, at least it's fun to listen to, and that Electro stuff is...something interesting, lol.
You know, I was thinking about this score today after having finally purchased it and it hit me; do you know what the problem is with the Marvel Studios films? Their scores.
When you walk out of Amazing Spider-Man 2, the images and Zimmer's score give you that high, that buzz when the film cuts to black. This is why I can always come back to this film, Amazing 1, Nolan's Dark Knight Trilogy, Man of Steel, Burton's 2 Batman efforts, Superman the Movie and Superman Returns.
Those films have scores that compliment the hero message so well, even if the films have their faults. You have some type of feeling while watching the films and especially when credits roll.
On the Marvel Studios films, because of the way the films are produced, it just feels to me that the score just have to be "good enough" to accompany the images and they don't leave you with anything. The theme of the Avengers as the credits roll is about the only one that's stuck in that franchise.
When Zimmer's Spider-Man theme kicks in as the film ends, you will feel really good walking out. It's just fantastic.
How was Electro's score placed in the movie? I've read some negative comments about it.
You know, I was thinking about this score today after having finally purchased it and it hit me; do you know what the problem is with the Marvel Studios films? Their scores.
When you walk out of Amazing Spider-Man 2, the images and Zimmer's score give you that high, that buzz when the film cuts to black. This is why I can always come back to this film, Amazing 1, Nolan's Dark Knight Trilogy, Man of Steel, Burton's 2 Batman efforts, Superman the Movie and Superman Returns.
Those films have scores that compliment the hero message so well, even if the films have their faults. You have some type of feeling while watching the films and especially when credits roll.
On the Marvel Studios films, because of the way the films are produced, it just feels to me that the score just have to be "good enough" to accompany the images and they don't leave you with anything. The theme of the Avengers as the credits roll is about the only one that's stuck in that franchise.
When Zimmer's Spider-Man theme kicks in as the film ends, you will feel really good walking out. It's just fantastic.

Actually, his theme is right from the top when you meet Max and it morphs as the film goes along. Frankly, I find it kind of badass. It's definitely different than the usual villain theme.
Now that you mention it, its only just occurred to me that none of the Marvel Studios soundtracks have stuck with me, not even one solitary piece of music.![]()
Pretty much. All mostly forgettable. You're not forgetting James Horner's or Hans Zimmer's theme for this Spider-Man franchise. And let's not even discuss Elfman's work on the first two films. Don't like the Raimi trilogy at all but it's not because of Elfman's work.
Indeed. The whispering rap is true to his character because he wasn't all there from the get-go. He had suppressed anger (the scene where he imagines himself freaking out on someone) and lived in a world of illusion (thinking he and Spidey were BFFs and making his own birthday cards, etc). The harder elements are added to the rap after his transformation.Actually, his theme is right from the top when you meet Max and it morphs as the film goes along.
You know, I was thinking about this score today after having finally purchased it and it hit me; do you know what the problem is with the Marvel Studios films? Their scores.
When you walk out of Amazing Spider-Man 2, the images and Zimmer's score give you that high, that buzz when the film cuts to black. This is why I can always come back to this film, Amazing 1, Nolan's Dark Knight Trilogy, Man of Steel, Burton's 2 Batman efforts, Superman the Movie and Superman Returns.
Those films have scores that compliment the hero message so well, even if the films have their faults. You have some type of feeling while watching the films and especially when credits roll.
On the Marvel Studios films, because of the way the films are produced, it just feels to me that the score just have to be "good enough" to accompany the images and they don't leave you with anything. The theme of the Avengers as the credits roll is about the only one that's stuck in that franchise.
When Zimmer's Spider-Man theme kicks in as the film ends, you will feel really good walking out. It's just fantastic.
Song for Zula....perfect.
People with the soundtrack who have seen the movie. Go to "no place like home", 20 seconds in. I just got a random attack of the feels![]()
