I just don't get how he fits this under his work suit. His 3 piece even on a hot day helps but that smallville shirt and tie get up just won't make sense.
Yeah, the added flourishes would seem to make the suit more noticeable under CK clothes, but that's not an issue in my mind, really. Especially since from the beginning of time he's somehow had to hide those boots under socks and loafers...
That's what I was referring to. The overall change of tune many here had.
And thumbs up to those who, after seeing the clearer pics, gave the suit a chance.
Yep, I was very impressed with Kuro after those clear pics were posted.
I think that was from McG's try at a Superman movie before SR.
Oy. Though I'm a fan of the new suit in the comics, this just does not translate well to the real world.
Dear God, we almost ended up with this in the comics ... a scrapped new 52 design ...i see gauntlets ... hmmm
Yeah, I had the same reaction when I saw that in the back of JL#1 today. Too bulky, the seams are too noticeable, and those lines around the S-shield are not that great. I'd be curious to know exactly how far that got in the design process before it got nixed. Based on how closely it resembles the final, I'd say pretty far along.
I do agree that this movie is 100 percent product, but I disagree that film in general or a given genre is untranscendable. Donner had no idea the film was going to be the hit that it was, nor did Lucas when he made star wars. A movie's greatness is largely chance. However you can influence that chance by the proper combination of risk taking and story development.
To me there's a difference between TREATED as product, and CREATED as product. It's a no brainer that this will be treated like product by WB, marketers, etc. I don't blame them. Hundreds of millions dollars are presumably being poured into this movie, and with the legal problems surrounding the character, it's the last chance. Most likely WB is looking to MOS' performance as a gauge of how seriously they will pursue a deal with the S&S heirs for rights to the character. If it makes a boat load of money, you can bet they'll make a deal right quick so they can have a sequel in place by 2017+. But if not, what's the point in fighting? (Yes, *WE* all see the point because we effing love Supes, but I'm saying from WB's perspective of risk versus reward)
But I think it's unfair to Snyder and the others involved to devalue their efforts based on how the studio may choose to handle the film. From what I've read Cavill, has been saying all the right things when he talks of his preparation for playing Supes. Reading source material, and avoiding live action portrayals as much as possible. And also, Snyder's remarks prior to filming, indicated that this will be a very different looking film than his others because of what he thinks of Superman. For all we know everyone involved are the biggest Superman fans on the planet, but we won't know until the movie is released just how faithful to the SPIRIT of the character the movie will be. So I think it's a mistake to make assumptions just because people want to make money off of MOS.
Really the director-approved screenwriter. He was denied a credit by the WGA and so became a "Creative Consultant."
Listening to the Donner/Mank commentary on the STM DVD, you get an idea of just how key Mank was to the film. Good stuff. Definitely worth a listen. I was sad when he died last year.