Superman Returns Was Superman Really Out of Character in SR?

And we go around the circle once again. Either "Singerman" is just a big rip-off of the Donner movies or it's too far of a departure and full of stuff that Singer pulled out of his ass. You bash it for pulling too much from other parts of the S-mythos, and then bash it when the director adds his own elements. Whatthehellever.
 
Just a question, how is this any more insensitive than the times that Superman has been insensitive in the comics? Looking at the comic example I provided, would it have been too much to ask for Superman to write Lois a letter or call her on the phone to let her know he was leaving?

You describe Superman in SR as having a "self-absorbed and self-centered insensitive attitude." To me that just isn't what I saw on screen. Self-centered people aren't ready to give their lives to save others. That is exactly what Superman was ready to do in SR. A self-absorbed man would have certainly made a move on Lois at the end of the movie. If you remember, she actually mouthes the words: "I love..." She had just been through a very emotional circumstance and so had he. It would have been easy for him to take advantage of the situation. He is content to let her work out her feelings for herself because it is the right thing to do. You also mention "a lack of interpersonal fortitude" and again that isn't what I saw on screen. One of the most difficult things for many people to do is to recognize when they have messed up and to actually apologize. Superman was willing to do that. It takes fortitude to own up to your mistakes.

When looking at the characterization being good or bad I can look at the film and see (imo) that it was a pretty familiar characterization of Superman.

I agree with all of this 100%, what i saw on screen was a selfless character willing to give his life for an adopted planet that he doesnt belong too. Twice he almost dies, all in the name of saving the same human being who expect too much from him, yet he does it without complaint or delay. The only time he does slightly delay is in the plane, were he truly rectifies a mistake and says "Bye Lois" when he thinks he going on another 'long trip,' i.e its obvious he thinks he is going to die. Yet he does so willingly, for the sake of humanity.

If thats not Superman, then i truly dont know what is.
 
I would not say out of character just out of place. Which is a theme in the movie itself, coming back after 5 years. He was very out of place. He had to work hard (well not that hard just catch a plane) to regain the trust from humans. I felt it was a return to Superman for me too as comics and tv have been the only superman source for me. Let's face it, Smallville is hardly epic or ground breaking. This movie was much better than current attempts in the media.
 
true316 said:
Just a question, how is this any more insensitive than the times that Superman has been insensitive in the comics?

Many wrongs don't make a right.
Just to clarify for me are you saying by this that insensitivity exhibited by Superman, is in character?

true316 said:
Looking at the comic example I provided, would it have been too much to ask for Superman to write Lois a letter or call her on the phone to let her know he was leaving?

Your example argues apples and oranges.

The story of "Exile" involves a Man of Steel who is so consumed with guilt, resulting from an un-characteristic taking of lives, that it drives him to the point of near mental illness. He convinces himself he must for the good of Earth, exile himself to deep space. A bit more drastic than the circumstance of Superman's disappearance in SR, don't you think, and even in his disturbed state of mind, his decision still considers the well being of others before his own.

Was Superman at the time of "Exile", involved with Lois in the level of intimacy that exists in SR? I don't recall.

true316 said:
You describe Superman in SR as having a "self-absorbed and self-centered insensitive attitude."


To clarify..... I only said the reason as stated in SR by Clark for not telling Lois, the emotional impact on self, is self absorbed in nature, and that is out of character.

true316 said:
A self-absorbed man would have certainly made a move on Lois at the end of the movie.

Why at the end?
He had already made his move at mid-point, on the roof of the Daily Planet. Just to inform, in sci-fi / fantasy literature a male carrying a female in flight is allegorical for intercourse.
 
Just to inform, in sci-fi / fantasy literature a male carrying a female in flight is allegorical for intercourse

ROFL
 
As a general rule yes, not always.

That scene in SR is basically Superman's pennance. He knows he can't be with her at this point, due to the family, but feels the need to say good bye properly in a strange way for before.
 
Thing is he can be with her. Slip him some Red K and watch it all unfold. Red K needs to be in the sequel.
 
Red K won't be in the next film, would be too similar to symbiote in spidey etc.

As a symbol, superman cannot be with lois, and cannot tear up a family or anything.
 
AVEITWITHJAMON said:
I agree with all of this 100%, what i saw on screen was a selfless character willing to give his life for an adopted planet that he doesnt belong too.

It is important to note that Superman did not adopt Earth, Earth (the Kents) adopted him. He is directly a product of their upbringing. He was born on Krypton, and it is his heritage, but Earth is his home, to which he most definitely belongs.
 
Red K won't be in the next film, would be too similar to symbiote in spidey etc.

As a symbol, superman cannot be with lois, and cannot tear up a family or anything.

Yes of course, he would not tear up a family. Have not seen any post regarding Clarks status with Lois. I assume Superman is the only side of this man that can get close to Lois now. So is Clark pushed further away from Lois? Playing human and being shot down more often now due to fact that Lois is married.
 
It's an interesting set up indeed, and much more different to the usual comic book hero stance etc.
 
Yes.

Which in my mind justifies why he stalks the house etc...
 
And we go around the circle once again. Either "Singerman" is just a big rip-off of the Donner movies or it's too far of a departure and full of stuff that Singer pulled out of his ass. You bash it for pulling too much from other parts of the S-mythos, and then bash it when the director adds his own elements. Whatthehellever.

As we all know, haters, reality and consistency can't hold much of a good relationship. The thing is how to deal with 'faithfulness to the comics' so they can hate SR because 'it was nothing new' and at the same time hate SR because 'it wasn't like the comics.' :)

Many wrongs don't make a right.
Just to clarify for me are you saying by this that insensitivity exhibited by Superman, is in character?

I'll get that for you: yes.

Superman's behaviour in SR has precedents in comics and Donner movies. That is being in character.

OR we can agree Superman was out of character when he reversed time, killed Zod and manipulated Lois' mind.

Either choice, it was an interesting thing to watch.
 
For me, he was out of character in that he simply didn't have enough dialog (Lois was probably the most out of character). Whether this is a weakness of the writing skills of Dougherty and Harris or Singer's very low expectations for Routh's acting ability, but I thought Routh's acting skills could have pulled it off with more dialog. Or it may be Singer's signature themes of isolation and loneliness implemented into Superman's character (which makes absolutely no sense to me considering this is Superman we're talking about). To me, Superman has always been a sign of hope, a symbol for us to look up to. Not what I saw in Superman Returns. I saw a lot of saddening elements that seemed like they were trying to turn him into someone we should feel sorry for. I guess it just didn't appeal to me. Just my 2 cents.
 
For me, he was out of character in that he simply didn't have enough dialog (Lois was probably the most out of character). Whether this is a weakness of the writing skills of Dougherty and Harris or Singer's very low expectations for Routh's acting ability, but I thought Routh's acting skills could have pulled it off with more dialog. Or it may be Singer's signature themes of isolation and loneliness implemented into Superman's character (which makes absolutely no sense to me considering this is Superman we're talking about). To me, Superman has always been a sign of hope, a symbol for us to look up to. Not what I saw in Superman Returns. I saw a lot of saddening elements that seemed like they were trying to turn him into someone we should feel sorry for. I guess it just didn't appeal to me. Just my 2 cents.

Isolation and loneliness has been explored as central themes in several Superman stories, including Alan Moore´s For The Man Who Has Everything - which explores his desire to have a normal life and family - or the POST-CRISIS For All Seasons and it´s there in the Donner movie too.
 
As a general rule yes, not always.

That scene in SR is basically Superman's pennance. He knows he can't be with her at this point, due to the family, but feels the need to say good bye properly in a strange way for before.

Exactly, hence why he doesnt force a kiss on her on the roof-top, he stops just when she does.

Also, see the look on his face when Lois says "Richard's a good man...." Its like he realises there and then that things wont be the same ever again between them.

It is important to note that Superman did not adopt Earth, Earth (the Kents) adopted him. He is directly a product of their upbringing. He was born on Krypton, and it is his heritage, but Earth is his home, to which he most definitely belongs.

He owes something to the Kents for that not humanity. It depends on how you look at it. IMO Superman adopted has Earth as his rightful home in all mediums.
 
The reason many people on the Hype seem to give for their dislike (sometimes hatred) of SR is the idea that Superman was "out of character." Indeed the reason many feel that Singer should be removed from the franchise is because he portrayed Superman doing too many things he would not do. To me Superman is a character with a rich and diverse mythology in which he has been depicted in many different ways. In this thread, I'll list out some problems that people have with Singer's Superman and let you know some places in Superman's history where they have happened before or are happening now. Let me just say this isn't about saying some people are right or wrong, it is about opening things up for discussion.

1. Superman wouldn't be a stalker!

I wanted to start off with a scene that I personally don't like. I've never been comfortable with the idea that Superman would invade other people's privacy. But this isn't a thread for debating the right and wrong of it. The bottom line is Superman has done it before. I'll highlight instances from the tv series, "Lois and Clark." After a date (with Lex Luthor I believe) Lois returns to her apartment where she discusses her love life with her sister. It is clearly meant to be a private conversation but guess who is listening in? Clark floats outside her window eavesdropping. Also later in the series, when Lex is proposing to Lois at his place Superman is again floating outside looking in. I'm sure other people could list out different instances where Superman invade the privacy of others but these are just two examples from the tv series.

I think that it's about his motivation in that scene. He is peeping into her life for purely selfish reasons that is what makes it 'stalking.' He's not checking on her to see if she's OK. As far as the scene from the T.V. series, it may just be a borderline incident, but when taken with the rest of Singer's version it just comes off as another example of Singer not getting it.

2. Superman wouldn't have a sexual relationship with Lois without telling her his secret identity!

One of the problems people have indicated with the story in SR is that you could interpret it as Superman having an ongoing sexual relationship with Lois without her knowing his secret identity. I freely admit this would seem a little creepy, moreso if you are using the post crisis interpretation where Clark Kent is who he really is as opposed to a disguise. My initial problem with this issue is that it is never clearly indicated that this is what happened in the SR story. We don't know that Superman had an ongoing sexual relationship with Lois.

What you say is true. There was no clear context for the relationship. But wouldn’t it be worse behavior and even more out of character if it was a one-night-stand, or just a casual sexual relationship instead of a committed sexual relationship?


One person that many have called for as a replacement for Singer is Bruce Timm. Recently, a Bruce Timm written story was released on DVD, "Superman: Doomsday." I haven't had the opportunity to see it, but I have read reviews. Here is one:

http://forum.newsarama.com/showthread.php?t=122821

"One of the movie's most significant departures from the original comics is its rollback of the Superman/Lois/Clark triangle. They're not married, and Lois doesn't know the secret -- but she's still dating Superman. What's more, they're apparently close enough that she appears in the Fortress of Solitude wearing only a towel, and later a red bathrobe (to match the Man of Steel's). Still, she only calls him "Superman," although he reminds her about "Kal-El." While this smacks of classic Silver Age Superdickery (TM), it sets up a couple of plot points, including Lois' traditional investigation into Superman's alter ego. Lois also claims that Supes' familiar justifications for a secret identity really mask his fear of commitment."

Here it seems far more clearly indicated that the situation that supposedly happened in the SR back story is definitely happening in Superman: Doomsday. Yet somehow I doubt anyone will call for Timm's head like they have been calling for Singer's head.

Don’t be too sure. The situation in the animated movie could be completely innocent. Without seeing the details of the situation you don’t known if they got doused with mud and had to shower off at the fortress. The details will give a context for the scene.

Also, I doubt that this situation will be the driving factor for all the conflict in the film. Remember, in SR it is Superman acting like an irresponsible jerk that creates ALL the conflict in the story. It is central to every plot line. It really depends on how integral to the story it is as to whether people call for Bruce Timm’s head. However, knowing what I know now, I will be wary of the animated film. I will now rent before immediately buying and probably check out spoilers before renting.
3. Superman wouldn't leave Earth without telling Lois!
If you've read the comics you know that the answer is yes. One specific example comes from Superman:Exile (a great post-crisis Superman story ). Superman leaves with the intention of never coming back and as far as I know he doesn't tell Lois before leaving.

It’s all about context. Before Superman left he said goodbye to Ma, Pa, Lana and Matrix who were the 4 most important people in his life at the time. Superman and Lois were not dating on any level. Lois was dating Jose Delgado. Check out this page from Action Comics #644.

SupermansaysGoodbye.jpg


It is clear that Superman has explained himself to Ma, Pa, Lana and Matirx.

The context of SR shows that they at some point had sex. This is clearly a different situation than Superman: Exile. You have to look at the story in context. In the comics at the time after he Byrne reboot, Superman and Lois had yet to become anything more than celebrity/ media acquaintances. Clark certainly had developed a working relationship with Lois, but she was not close with Superman, and while she may have been infatuated with him, she certainly was not in any sort of dating relationship with him.

In the Adventures of Superman #452 she says to herself, "Superman's been missing for weeks, how will I ever find him?" She doesn't know that he has left of his own accord. Even before Singer's involvement, Superman has been willing to leave the planet without telling Lois.

In the context of SR one would expect that the person Superman was having sex with would be one of the most important people in his life, if not the most important. The question is not “Would Superman leave without saying goodbye to Lois,” the question is “Would Superman leave without saying goodbye to the most important people in his life, including Lois if they were in a relationship, especially one of a sexual nature.”


Where does all of this lead us? We can see that many of the elements that people complain about have been a apart of Superman's mythology. It is no question that Singer is under greater scrutiny than other Superman storytellers and rightly so because the story he told was told via a $200 million budget. But is it accurate to say that Singer's story is completely inconsistent with Superman's history. Imo it isn't, but I would really like to hear what others have to say. Enjoy the discussion folks.

I think it is clear that the opposite is true. The specific details of the situations in SR make it very different contextually from all the examples you present. In comics, Superman has never ‘stalked’ Lois and peered into her private life because of selfish reasons, especially in the context of Lois having a family.

Despite what you say about Superman and Lois’s dating relationship in the pre-Crisis comics they have never had sex without Lois first knowing that Clark and Superman were the same person. Your evidence from the forthcoming “Doomsday” animated film is complete guesswork on your part without actually knowing the details of those scenes.
And no, Superman has never left Earth for an indefinite or extended period of time without informing those closest to him. Your example in Exile does not apply because he does say goodbye to those most important to him, it’s just that Lois is not one of the most important people in his life and more importantly, he was not in a sexual relationship with Lois at the time.
 
This has happened in the comics also, in the 70's, Superman and Lois were dating without her knowing he was Clark. Plus, in Superman the movie, i'm pretty sure Superman goes to kiss Lois after saving her but Jimmy interupts.

I don't see how a kiss or the casual non-commital dating relationship in the pre-Crisis comics equates to them having sex without Lois knowing SUperman and Clark are the same person.

A kiss is not sex.

The non-commital casual dating relationship from pre-Crisis comics is not sex.

Sex is a very different thing and means something else. It adds a whole new dimension to a relationship, something that was not part of the pre-Crisis relationship.

The simple fact is that in the comics and every other medium, Lois has known that SUperman and Clark are the same person in every story that has depicted them in a sexual relationship. Except for Superman Returns.

For an asterix to the above statement see Action #484, in which the Earth-2 Lois and Clark get married and she doesn't know, but the trick is neither does he. This is not applicable to SR, b/c it is clear from SR that Clark knows he is also Superman.

Sorry, Jamon, but you're wrong on this one.
 
Isolation and loneliness has been explored as central themes in several Superman stories, including Alan Moore´s For The Man Who Has Everything - which explores his desire to have a normal life and family - or the POST-CRISIS For All Seasons and it´s there in the Donner movie too.

I see what you're saying. The thing is, as a kid (I'm currently reading The Long Halloween, it's the first graphic novel I'll have ever finished), I knew Superman only through the movies because I didn't read comics as a kid, I just loved super heroes. Thinking back, I guess those themes were in the Donner films, just not as the theme of a whole movie. Either way, I still believe Superman's main theme should be hope.
 
Excellent posts Mego Joe. Bravo!
Total agrrement with all your points.
 
I don't see how a kiss or the casual non-commital dating relationship in the pre-Crisis comics equates to them having sex without Lois knowing SUperman and Clark are the same person.

A kiss is not sex.

The non-commital casual dating relationship from pre-Crisis comics is not sex.

Sex is a very different thing and means something else. It adds a whole new dimension to a relationship, something that was not part of the pre-Crisis relationship.

The simple fact is that in the comics and every other medium, Lois has known that SUperman and Clark are the same person in every story that has depicted them in a sexual relationship. Except for Superman Returns.

For an asterix to the above statement see Action #484, in which the Earth-2 Lois and Clark get married and she doesn't know, but the trick is neither does he. This is not applicable to SR, b/c it is clear from SR that Clark knows he is also Superman.

Sorry, Jamon, but you're wrong on this one.

Sorry Mega Joe, but i dont believe i am, sex was more taboo in the 70's than it is today, today, when people are in a relationship, they tend to have sex a lot earlier than couples developing a relationship in the 70's did.

IMO Singer just updated the same relationship from the 70's with a more modern sensibility to it. I dont see how thats wrong.
 
Singer wanted a depressed emo Superman... so yes, he was completely out of character
 
Sorry Mega Joe, but i dont believe i am, sex was more taboo in the 70's than it is today, today, when people are in a relationship, they tend to have sex a lot earlier than couples developing a relationship in the 70's did.

IMO Singer just updated the same relationship from the 70's with a more modern sensibility to it. I dont see how thats wrong.
with that i agree 100%.
different times.
 

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