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This is a continuation thread, the old thread is [split]507017[/split]
even among true fans of these movies lawrence's mystique is divise topic.
I will always believe lawrence blowing up with hungar games affected what they did with her in Apocalypse and lesser degre DOFP.
It's going to be intresting to see how they end things with lawrence's mystique come may 27.
haha you'd be one of the few that said mystique in the OT had no personality.. she oozed it.. we didn't know her depth or backstory.. but who she was is what made her an iconic movie character... and gained her a fanbase like it or not. Id take Rebecca's Mystique any day of the week over Jlaws
And Apocalypse looks great. Are people eating crow or is this still an issue for people?
But what exactly do you pick to be comic book accurate? Do you, for example, take the original 'Jean and Phoenix is one and the same' storyline for Dark Phoenix Saga or 'Jean was replicated by Phoenix, Dark Phoenix wasn't actually her' storyline. Either would get complaints.
The comics are to put in your terms, broken in a number of ways continuity wise. So why do we need to hold the films so strictly to adhering to a broken and at times contradictory source material in the first place?
And to apply this to Mystique, she has in the comics worked for the government before you know.
i fully agree with this... this prequel series has really bummed me out.. at the amount of missed opportunities.. i wanted to see how mystique became the person we saw in the OT.. not whatever she's becoming now.
Because Singer and Co. pulled a Star Trek '09 with DoFP, Mystique doesn't have to end up like she did in the original timeline. Expecting her to kind of defeats the narrative purpose of doing DoFP in the first place.
As an aside, I can't help but wonder how this movie will end up playing if/when watched in story order alongside the other previously-released films starting with Origins: Wolverine and going through DoFP.
you just simply choose the more popular interpretations and more well known. Mystique has been pretty well established as to what kind of character she is... and what people should expect.
I mean... do we really want to see Logan appear on screen as a pretty boy who's afraid of his powers when he's recast and reintroduced? and not the animal he is? there's a fine line between giving the audience something interesting and going too far and giving them something they didn't want.
Wow people cannot get over this Mystique thing. She was a villain for three movies and then for story reason became more heroic (which is still ambiguous - she's fighting Apocalypse, which doesn't really make her a hero. It makes her someone who doesn't want the earth to get destroyed). Movies are different from comics, moving on.
I'm curious: Where has this been said?
Also, just because Mystique is helping the team out in Apocalypse and seems to be "on the side of the angels" again doesn't mean she'll stay there, and her character could very easily and believably backslide, putting her back in a place that could lead her to eventually become the character she'd been in the original timeline.
and from what i've gathered is the younger community who were introduce to the X-men via movies that are more open to it.
I really can't understand how you can say that we don't know her depth or backstory, and yet that she oozes personality, all in one sentence. XD
She is cold, efficient and merciless. Aside from her belief in mutants being free to not hide who they truly are, those three terms can also be used to describe a robot. And I'm struggling to think of anything else I know about OT Mystique.
It was her striking design that made her iconic.
Wow people cannot get over this Mystique thing. She was a villain for three movies and then for story reason became more heroic (which is still ambiguous - she's fighting Apocalypse, which doesn't really make her a hero. It makes her someone who doesn't want the earth to get destroyed). Movies are different from comics, moving on.
I love that Jean opens up the trailer. So glad she's back. I'm happy we saw Cyclops' blast. Storm was the best part of the trailer and I wish we saw more of her. I love bald Xavier. This feels so much like X-men.
And Apocalypse looks great. Are people eating crow or is this still an issue for people?
Personally, I think it would be incredibly cheap to have the characters all end up the way they were in a reality that IS NOT their future. You just can't base any of their arcs over what happened in the OT, because everything is different now.
Personally, I think it would be incredibly cheap to have the characters all end up the way they were in a reality that IS NOT their future. You just can't base any of their arcs over what happened in the OT, because everything is different now.
because you don't need depth and backstory to have a personality... in X1 she had one friggin line.. and it said all you needed to know about who she was... and how she acted... "People like you were the reason i was afraid to go to school as a child" personality is not about knowing a history.. it's about having a presence. You don't even need to speak and have dialogue to have a personality... there's body language.
Mystique in DOFP was far from "cold and mercilous" she was a scared angry woma
Days of Future Past and Apocalypse aren't, technically speaking, Prequels. They're representative of a Star Trek '09 way of rejuvenating the franchise while also continuing to build on what had come before.
Well, which is the more popular interpretation for the Jean/Phoenix thing? It's all subjective. And what is well-known may clash with the director's vision of a story. The director is not a slave to the fans.
And again, Mystique has been well established as to what kind of character she is in the OT. Do we really expect every movie to emphasize the fact that she is a cold merciless killer?
Well, it seems the audience so far loves pretty boy, over 6 feet Wolverine. Comic book fanboys' wants and the mainstream audiences' wants don't always mesh, and the mainstream audience is always going to have an impact on the actual movie being made.