Suzanne78
Superhero
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That's a really good point & one I had not considered.
I AM SO SMRT!

That's a really good point & one I had not considered.
I'm not picking on you, necessarily, but I do think you're looking at this wrong...
I think the problem with this line of thinking is that this is going to be the central driving force of the show, By virtue of Peggy's era, when and where she's working, politics of her chosen profession and her very identity will be wrapped up in the idea that women should be treated equal, that Peggy should be used and treated because she is just as skilled as any man, yet the tension of her story will be that she is constantly overlooked and overshadowed every step of the way until Stark needs her help to form SHIELD.
You might not think that there is a whole lot of narrative drive to that using a feminist angle, but there are ways to tell Peggy's story with this struggle as the key feature, without coming across as preachy or cloying.
But the "feminist stuff" should be there, as it is central to Peggy's journey.
And Peggy is indeed awesome, powerful, and strong... She is a well-rounded character portayed expertly by a great actress... The key problem is that the rest of world cannot and refuses to see that![]()
Hayley Atwell:
Since it’s set in 1946 in the first season, there’s a long way that we can go with it. We can explore the ’50s, maybe the ’60s, and right up to the present day where she’s in old age. So it’s really up to Marvel, ABC and the fans to decide if that’s the story that they want to continue telling. I certainly would jump at the chance to keep doing it for the rest of my career.
But the advertising for this is closer to the stuff that women end up not watching. It doesn't look interesting with a well developed female lead, it looks like yet another "sexy chick using her girl power" that women have been rejecting lately. The top rated shows with female viewers are The Walking Dead, Sons of Anarchy and American Horror Story...not Devious Maids or Witches of East End.
Um... Okay? For me, it's been working really well. Though I guess we'll see when ratings come out and the breakdowns are given if it does well with women.
Positioning it among ABC's buzzy female led shows is a smart move. It's also being advertised as a genre show, which both AHS and TWD are too. And both of those shows have strong female characters; AHS COVEN in particular, right? Not to mention that we should be getting more reviews, and hopefully they are as positive as the FORBES review.
Are those other shows about sexy women who can be tough and hot and wear great clothes? I was unaware that How To Get Away With Murder was like that.
You're on a superhero message board. You don't represent the general female audience. American Horror Story didnt advertise Coven with shots of a woman's legs and her outfit and being sexy, but this sexy woman is also a witch! The general female audience is no longer responding to that kind of nonsense...and whats hilarious is that the "point" of the show is supposed to be that women are as talented etc as men...while using an outdated form of advertising to try to get that across. You want a female character that is seen to be as competent as a man? Great...give us a strong female character without the leg shots and fashion talk.
Are those other shows about sexy women who can be tough and hot and wear great clothes? I was unaware that How To Get Away With Murder was like that.
You're on a superhero message board. You don't represent the general female audience. American Horror Story didnt advertise Coven with shots of a woman's legs and her outfit and being sexy, but this sexy woman is also a witch! The general female audience is no longer responding to that kind of nonsense...and whats hilarious is that the "point" of the show is supposed to be that women are as talented etc as men...while using an outdated form of advertising to try to get that across. You want a female character that is seen to be as competent as a man? Great...give us a strong female character without the leg shots and fashion talk.
All I know is, women are tuning out of the "girl power" shows that advertise sex appeal, and tuning in to the shows that feature strong women as part of their cast (including as main stars).
And I dont see anything feminist about advertising a show about how sexy and fashionable a woman is...but THIS woman is also a buttkicker, isnt that awesome how she can do that while still showing off her hot body! That sounds patronizing as all get out. It CAN be successful...but its kind of odd that Marvel is using its first female led franchise to promote to viewers of Devious Maids and Witches of East End rather than fans of shows that might be a little more in their wheelhouse.
They are linking this to other female led shows? Why? Again...the highest rated shows with women are The Walking Dead, Sons of Anarchy and American Horror Story...only one of which has a mostly female cast. Is the assumption that women watch women so give them a woman in a 1950's hat and the women who watch a serious drama about a murder mystery will also watch it? Why is that? Because women just watch whatever has a woman in it, even though the ratings results proves that statement false? And somehow that is a feminist statement? Thats my point...this show's (or at least the advertising) idea of feminism is kind of outdated.
Agree with everything you've been saying here. By continually bringing up shows on other networks, Heretic has been exposed as someone who doesn't get marketing or what exactly makes Peggy Carter a good character to base a show around. I don't watch those other shows that ABC has been attaching to Agent Carter since they don't interest me as a young male, but I will watch Agent Carter because of Atwell making the role memorable in TFA and TWS and it being part of the MCU.Only point I'm going to reply to your post, because this conversation's gone circular, and we're just beating our heads over the same points.
ABC, the network running AGENT CARTER, is advertising AGENT CARTER along with ABC's shows that are popular and buzzy with women viewers. ABC doesn't give a flying crap about promoting AGENT CARTER with other shows on different networks even if they rank higher with women viewers. And yeah, it's about appealing to the same demographic that watches ABC's popular female-led shows. It's not just about costumes and appearances, though thats a fun part of following some of these shows (in particular, SCANDAL, OUAT, REVENGE!) but all these shows (ALIAS, REVENGE, SCANDAL, MURDER) feature complex, beautiful, vulnerable, well-developed female characters dealing with all sorts of different stories. That, to me, IS feminist advertising.
And I do kind of feel like my posts are getting twisted around here, so I'lltry toleave this discussion at this point.
I'm just really excited about Jan. 6th. They'd better have this air on HULU+ the next day. Even if I'm not a Nielsen viewer, I'm glad that my watching will count somehow in the Live+ numbers.
Only point I'm going to reply to your post, because this conversation's gone circular, and we're just beating our heads over the same points.
ABC, the network running AGENT CARTER, is advertising AGENT CARTER along with ABC's shows that are popular and buzzy with women viewers. ABC doesn't give a flying crap about promoting AGENT CARTER with other shows on different networks even if they rank higher with women viewers. And yeah, it's about appealing to the same demographic that watches ABC's popular female-led shows. It's not just about costumes and appearances, though thats a fun part of following some of these shows (in particular, SCANDAL, OUAT, REVENGE!) but all these shows (ALIAS, REVENGE, SCANDAL, MURDER) feature complex, beautiful, vulnerable, well-developed female characters dealing with all sorts of different stories. That, to me, IS feminist advertising.
And I do kind of feel like my posts are getting twisted around here, so I'lltry toleave this discussion at this point.
I'm just really excited about Jan. 6th. They'd better have this air on HULU+ the next day. Even if I'm not a Nielsen viewer, I'm glad that my watching will count somehow in the Live+ numbers.
So...Bates Motel is about a guy...and the sitcom Last Man Standing is about a man...so you'd promote those shows to the same audience because all men like the same thing??
You're basically saying that women watch shows because of female stars...REGARDLESS of the content of the show. A murder mystery...a Horror show...a sitcom...hardly matters...you show women another woman, and they'll watch because they can't possibly be interested in a genre or the content of the shows...they make decisions based on the gender of the star. How insulting!
Agree with everything you've been saying here. By continually bringing up shows on other networks, Heretic has been exposed as someone who doesn't get marketing or what exactly makes Peggy Carter a good character to base a show around. I don't watch those other shows that ABC has been attaching to Agent Carter since they don't interest me as a young male, but I will watch Agent Carter because of Atwell making the role memorable in TFA and TWS and it being part of the MCU.
In the two hour premiere, Peggy is tasked with finding the "bad baby" inventions of Howard Stark (Dominic Cooper) before they get into the wrong hands, but, Hayley Atwell revealed that the show will not have a "case of the week" format, teasing that it will get much darker than fans may expect."(Much of who she is now) stems from her relationship with and her love of Steve Rogers. I think she found in him the love of her life, the greatest man that she's ever known in terms of his character and his values. And in that grief we see her own personal struggles and her own kind of exhaustion, but also the determination to carry on his work. You're seeing someone who has her own demons and her own character flaws, and she's having to struggle with that while keeping up this facade of a put-together, perfect agent who can cope with everything. But there's a cost to that. Everyone on the planet is only strong until a certain point, everyone has a trigger, and this season really shows that. [In Peggy] we don't have someone who is superhuman in her abilities. We see her cry, we see her private moments, we see her loneliness. We see the emotional and psychological costs of the position that she's in and the loss that she's had of Steve."
"It's not like, 'Let's find this 'bad baby,' now let's find that 'bad baby.' It goes to a much deeper, darker place. I was absolutely shocked and delighted when I started to read the later episodes and see the direction we're going in. That's one of the advantages of having only eight episodes, is that it's not diluted over 22. This has a very strong story and is essentially four films."
Agree with everything you've been saying here. By continually bringing up shows on other networks, Heretic has been exposed as someone who doesn't get marketing or what exactly makes Peggy Carter a good character to base a show around. I don't watch those other shows that ABC has been attaching to Agent Carter since they don't interest me as a young male, but I will watch Agent Carter because of Atwell making the role memorable in TFA and TWS and it being part of the MCU.
Captain America lives on in Marvels Agent Carter, which is set some time after his (presumably) fatal arctic plunge and all Peggy Carter can do is shrug.
In the second half of the ABC series two-hour premiere (airing Tuesday at 8/7c), SSR Agent Carter (played by Hayley Atwell) catches a listen of The Captain America Adventure Program, a live radio play populated by breathy heroines and a Hitler-pummeling hero. But the artifice, as patriotic as it is, leaves her unimpressed and visibly missing the real man she and the Howling Commandos once fought alongside.
Now, with the men home from World War II, Peggys biggest fight is with those who marginalize her potential and contributions at the SSR. (Spoiler alert: Its a battle she is sure to win.)
With a pair of movies, a Marvel One-Shot DVD featurette, some Agents of S.H.I.E.L.D. cameos and Agent Carters eight-hour run now under her belt, Atwell tells TVLine that what most delights her about Peggy is that she doesnt sacrifice her integrity, her morals or her femininity when shes up against tremendous personal and external obstacles. As seen in Captain America: The First Avenger, She is a fighter and a survivor, but she doesnt have any superpowers, her portrayer notes. She has to rely on her wits and intelligence and determination to navigate what comes her way.
And sometimes, yes as witnessed in this sneak peek that means playing into her male colleagues assumptions (or donning a blonde wig) to gain the upper hand, as she stealthily angles to retrieve a stolen cache of Howard Starks (Captain Americas Dominic Cooper) bad baby inventions before the SSR can. Shes highly skilled in being a chameleon and using what she can in any given situation to get what she wants, Atwell observes. And sometimes that means using her sexuality, sometimes that means outwitting the men.
As supplement to gal pal Angie (Nikitas Lyndsy Fonseca) a waitress who believes Peggy to be a mild-mannered telephone company secretary Carter has precisely two fellas in her corner: SSR Agent Daniel Sousa (Dollhouses Enver Gjokaj), whos oblivious to her private agenda, and Starks manservant Jarvis (Secret Diary of a Call Girls James DArcy). Due to a crippling war injury, Sousa walks with a leg brace and thus, amid chest-puffing peers such as Agent Jack Thompson (One Tree Hills Chad Michael Murray), experiences prejudice, which makes him instantly relate to Peggy, Atwell says. Not that being a woman is seen as a disability, but back then to an extent it was.
[continue reading at link]
The 1940s setting of the series helps to give it up a pulp vibe, with many transactions and events happening in seedy but glamorous clubs and dimly lit rooms. Christopher Lennertz score adds a heroic element, which helps remind audiences that, despite being a period piece and lacking characters with actual superpowers, the series is still firmly rooted in the MCU, creating a similar feel to Captain America: The First Avenger.
Agent Carter brings a new and welcome female perspective to Marvels Cinematic Universe, and the creative people behind the series have done well to hone in on it as an identifying theme. The top-tier talent of writers and directors provides strong characters, which are played well by their actors, and fun, sometimes quite memorable, action sequences. Theres no need to wait for Captain Marvel, Agent Carter is the hero youve been waiting for
Weve seen the series premiere of Agent Carter, and trust us, its a hit. Here are six reasons to travel back in time with the Marvel-ous new miniseries!