Tacit Ronin
Avenger
- Joined
- Aug 12, 2009
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I wonder if the film >>>. Digital people have seen Deakins' work on Skyfall.
I wonder if the film >>>. Digital people have seen Deakins' work on Skyfall.
Oh don't get me wrong, when used right, Digital can look amazing. Deakins is my favorite DP of all time and Skyfall is without question the most gorgeous looking Bond movie ever and every David Fincher film since Zodiac has been filmed digitally and have looked amazing.
I wonder if the film >>>. Digital people have seen Deakins' work on Skyfall.
Oh don't get me wrong, when used right, Digital can look amazing. Deakins is my favorite DP of all time and Skyfall is without question the most gorgeous looking Bond movie ever and every David Fincher film since Zodiac has been filmed digitally and have looked amazing.
Pfister has never shot on digital. I assumed we are talking about digi-maestros.Don't forget about Pfister and Andrew Lesnie!!t:
It been so long that I couldn't remember and had these two mixed up - I used to collect comics in the '70s, so bound to have overlap between Silver and Bronze Age Superman. If you're referring to Donner's Superman influence, I think that it was a mixture of these two ages, especially with the inclusion of Kryptonians like Zod and Ursa (based on Faora), both leftovers of '60s Superman characters.More bronze age than silver age. Silver age Superman was sneezing solar systems into oblivion and towing hundreds of planets on a chain, while bronze age Superman could only move one planet at a time and with a lot of effort. And post crisis Superman can fly into a star. It's called sun dipping and he did it at the end of the Our Worlds at War story arc in order to supercharge himself.
As is Jeff Cronenweth (Dragon Tattoo, Social Network).
You assume Tarantino will do what he says. The man is a brilliant filmmaker and a brilliant liar. Besides, he is being silly anyways when some of the world's top filmmakers have converted. When Roger Freakin Deakins says digital is superior to film, you listen.I remember watching an interview where Tarantino was considering "retiring" because digital is crossing over, and he doesn't like to shoot digitally.
You assume Tarantino will do what he says. The man is a brilliant filmmaker and a brilliant liar. Besides, he is being silly anyways when some of the world's top filmmakers have converted. When Roger Freakin Deakins says digital is superior to film, you listen.
Perhaps it was. But his films are already layered with so much digital I wonder what would be lost if he makes the final transition."hardly matters" is a bit harsh I think. even with digital color correction you can definitely feel and see that it's shot on film imo. and I'm not one who prefers one over the other per se.
with the grandness and suggestive feel of of the imagery and the very dynamic camera work, i'm glad they went with film, it think it fits better and is more effective in this case
I don't see the correlation between dynamic camera work and film, but whatever. Just know that the film shot Bourne Ultimatum and the digitally shot the Green Zone seemed the same level of 'dynamic' regardless of what it was shot on.
Another day. Another incredible image from MOS.
On a side note, the new issue of EW gives box office predictions for the big summer films. They predict 325 domestic for MOS.
Another day. Another incredible image from MOS.
On a side note, the new issue of EW gives box office predictions for the big summer films. They predict 325 domestic for MOS.
Another day. Another incredible image from MOS.
On a side note, the new issue of EW gives box office predictions for the big summer films. They predict 325 domestic for MOS.