Marvin
Avenger
- Joined
- Jun 22, 2003
- Messages
- 19,564
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- 31
That's a shame, this is one of the discussion I was actually enjoying. Oh well on to my rebuttal. Whether you read it or not, it will exist in all it's glory.You know what, man? This whole argument is going nowhere. Post your rebuttal to the last thing I posted and I'll read it, but I probably won't respond to it.
It's pretty easy to figure out how superman feels about the final situation he's in. The movie does a pretty good job with the characterization leading into the act. I'll take a shot in the dark and assume the kid that saved that bus probably isn't too joyful about the situation he's in, the man that begged zod to spare every human being on the planet earth probably didn't stop giving a care....Do I need him to convey this outwardly for the scene to work. Speaking for myself, no I can put two and two together. What you are implying is that because we supposedly don't see these busts of emotion that it automatically means the character is in fact enacting contradiction...Yes, that would be. But that's not even remotely what I'm asking for.
The only way that would be true is if it was established that Kal was an extrovert, prone to outbursts.
Just saying I don't remember him losing his **** over the oil rig disaster, seems like a somewhat composed individual when he's in the middle of getting the job done(and his loved ones aren't involved).
just once eh, I see your poin....oh WAIT,I'm not talking about him stopping and crying. I'm talking about a reaction shot of a look of horror on his face. I'm talking about one line of dialogue where he expresses concern for civilians during the fight.
Evidently, he does stop and cry!
Evidently, he does utter ONE line of dialogue where he expresses concern of civilians during the fight.
I know you keep avoiding addressing the train station scene at the climax but sooner or later you are going to have to face it...
Here's the thing, you suggest these things as if they would magically fix all your problems, you present them as such simple fixes in what seems to be an attempt to really show that these producers are inept in missing out on them. I mean surely you aren't asking for too much...right.
See below.
Zod learns to fly, Superman then quickly takes the battle to the sky finally grasping the upper hand. Superman gives him three powerful blows, each one sending the villain further and further away from ground zero and higher and higher into the sky. How far are these punches sending Zod? One can only assume it's kilometers on end. What happens then? Zod stops and sends superman in the opposite direction with a swift kick.I'm talking about at least making an attempt to take the fight out of the city. Little things. Not pandering, not holding the audiences hand, just little things to maintain the human element of the story.
Apparently superman isn't taking this battle anywhere. Safe to say if Zod didn't stop him, superman would have gotten him out of the city.
Now I assume you will take this scene as you will but in my honest opinion, you have no more grounds to objectively claim the issue was never even broached.
According to your parameter = Human element achieved
Sorry but the soldiers involved in that fight were shown earlier to be all about saving even the littlest fishing boat(as many MOS detractors liked to mention). These soldiers aren't as jaded to life as you may assume, and they are not being inconsistent either, they are simply doing what they can with what they got in the given circumstances. That happens every now and then, even to superman. The only difference is, MoS didn't talk place in a city with 10years of evacuation protocol.Different scenarios. The size and speed of the characters involved alone make it different. Plus, Pacific Rim is a world that's grown accustomed to such events as a result of a twelve year long war, with routine evacuation procedures in major costal cities and soldiers who might be a little more jaded and pragmatic after over a decade of fighting. In Man of Steel this is first contact, and Superman's first time out.
The size and speed mean little in the face of what the writers deem necessary for the story. One could easily argue that Superman is facing an immovable object, yet you want him taking zod out of the city immediately and you blame the writer(s), for not making it happen. I would have never taken you for one that would actually respect the circumstances of a situation, what with the way you criticize the staging in MOS.
Zod brings down one building with his heat vision, this building is evacuated, very clear.How do you know that? They knocked over skyscrapers. We had no reason to assume there weren't people in them.
No other sky scrappers are knocked over(that we see).
You should be pleased.
They didn't implode(that would be more hyperbole). But I'll give you this.Skyscrapers that almost certainly had people inside of them imploded.
However, not only was this not superman's doing but like I said, he was kind of out cold when he came out the other side and then he received several blows to the face and then found himself in space. A reaction shot in the middle of all that would have been neat but I can see why it didn't happen.
Well for starters, you are being selective in your continual ignorance to the simple fact that superman is also trying to stem the loss of human life. If you want proof of this, let me paraphrase:I'm being completely consistent. There's nothing selective about by reasoning here. There's nothing wrong with characters making jokes to relieve tension for themselves in tense situations if they're also aware of, reverent towards, and actively trying to stem loss of human life. Which they were. How is that inconsistent or selective?
Zod: You chose to save everyone on this here planet over krypton, I'm going to kill and torture everyone on this here planet

Superman: I'm going to stop you....from doing that, I'm going to stem the loss of human life(and mass extinction)

guess that puts him in the clear right?
Time out, when did Hawkeye, Black widow, Stark, Hulk, or Thor make show their reverence(I suppose you aren't going to answer so it's rhetorical)? I know cap did in 2 scenes.
Anyways I'm saying you are being selective because in one breath you are talking about a film that made you and the rest of the "us" feel uncomfortable with how a hero is "reacting" to death, destruction and the loss of life, and in the another breath you are saying you are totally cool with heroes making light of a similar 911 like situation and you are saying that we are comfortable with it. What's more is that you are giving one a pass cause they uttered that they care, and you are condemning the other because you refuse to acknowledge that superman said he cared.
First off, these people don't communicate, they fire off constant jokes at each other with some logic and strategy mixed in.
"Thor is fighting on 10th and main...etc" one guy says, Stark replies with a smirk at the camera, "and he didn't invite me?"
20 people could have been killed at that location for all Stark knows.
Does anyone in the audience feel uncomfortable? I would say no but then again I'm not willing to commit hypocrisy.
When thor and hulk bring a dragon down into grand central station and it's followed by a wonderful comedic beat, that's a certain type of cold, but it's all good, they earned their pass for turning new york destruction into a joke.
Breaking the tension? How many 911 fire fighters were all about breaking the tension 12 years ago in new york(where avengers takes place).
I just think you are being selective about this particular thing.
Does a hero need to show his reaction to every person killed during a school shooting or does he need focus on taking the gunman down and cry afterwards? I suppose that may be cold by your definition, I don't think it's cold tbh, I think it's honest, well written real world drama.I'm arguing that he seemed completely unfazed and unconcerned about the destruction around him and it made him and the movie seem cold.
That's why I'm ok with the writing here and why you should be too.
been fun.
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