Cinematic Civil War:MCU vs DCCU - Part 10

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I think, at the end of the day, Zack Snyder made a niche film. I absolutely agree with certain criticisms that a lot of people have, and some of them I share myself. But I do think there's a profound difference between movies like BvS and movies like, say Green Lantern, or Catwoman or Jonah Hex or Batman and Robin or Fantastic Four. Those are films I would classify as BAD. Films that fail on every level and have nothing there for the audience to enjoy or be entertained with on at least a pure visual level.

I think Snyder's director's cut of BvS is a well put together film that does have plot holes and probably didn't come together as strongly as it could have. I fully admit that the conflict between Batman and Superman didn't coalesce as strongly as say Cap and Ironman's or Daredevil and the Punisher's. But I do think the fact that there are a lot of people (like myself) who find a lot of gold in the movie shows that the movie has substance there that can be absorbed and enjoyed and not on an ironic level like Catwoman and Batman and Robin. I think, ultimately, BvS' biggest flaw was that perhaps it was a niche project or dare I say a vanity project. It was something made without thinking of general audiences or even general fans in mind. It was an experimental, artistic concept that Snyder had obviously thought about doing for a while and wanted to get off his chest.

I totally concede that Batman v. Superman probably wasn't the Batman/ Superman film we should have gotten but I do think the film has strong bone structure (not the best metaphor, I know) and some truly exceptional moments which is why I don't think its totally fair to call it "bad" like the aforementioned movies I mentioned. When Superman Returns and Green Lantern came out, we all collectively shrugged our shoulders and said "well, so much for that...what's coming out next year?" I think the fact people ARE fervently arguing and debating this movie's merits indicates that there is something to the film, even if it is not to everyone's liking.

Completely and utterly agree. I understand BvS isn't for everyone and I completely agree with plenty of the criticisms I have seen of the movie. I hate Lex as much as most people do for example. I just think people's hatred of the movie blinds them to some of the good aspects of the movie and when I see people saying it's one of the worst of the genre I just can't agree.

I said even before the movie came out though that Snyder is a niche director, and always will be, he makes controversial decisions that not everyone will like. I personally like his style, but know that others won't feel the same. And again I understand plenty of the criticisms of BvS.

Right on. This blog also sums it up pretty well.



I'd say that for most of the people critical of BvS, their feelings can be traced back directly to something (usually many things) that occurred in the movie. On the other hand, it tends to be the more ardent, zealous fans that make things up out of thin air to justify their personal feelings about it. I thought fans of Prometheus were pretty bad with their bizarrely abstract justifications for that film, but they've got nothing on BvS defenders. The TASM faithful was similar, too. In this case, the criticisms are often times more rational and applicable than the praise. Sometimes a very bad movie also happens to have very few redeeming qualities, hence the constant negativity levied towards so many aspects of the film.

Regarding the bolded, I have also seen people make things up to justify their hate for the movie. Like people saying in the Jonathan scene he was telling Clark not to be a hero. This isnt the case at all with that scene if you actually watch and listen to what is said in the scene.

Also I heard someone in here mention this version of DCEU Superman only saves people because of Lois, and this is why they didnt like this version of Superman from MOS and BvS. Despite the fact MOS clearly showed Superman/Clark saving people a good ten years before he ever met Lois.
 
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I know Superman IV is terrible, I still enjoy that stupid movie for being stupid and successfully maintaining a great representation of the titular character.

I'll always have a soft-spot for it for that/Reeve, and for being my live-action introduction to the character.
 
Damn, you guys are brutal. :p

Let me ask you guys something, say you took the BvS film as it was (and by that I mean Snyders original 3 hour cut, the theatrical version doesn't exist to me) and you kept pretty much everything the same in terms of plot, pacing, overall tone, set pieces etc, but slightly tweaked the behavior of Batman and Superman. Say you got rid of Batman killing, made Clark/ Superman a little warmer, added more charm and levity to his scenes, but everything else remained the same, in your honest opinion would that have made a world of a difference to you? And I ask this genuinely and sincerely, not in a mocking way.
I dont think you can "slightly tweak" the movie. Changing how Batman and Superman are in BvS would change the whole movie.

But even lets says you could do that. The movie would be better but not good because it'll still be a jumbled mess.
I get preferring the UC but it's silly to say "it doesn't exist to me" when that's the version they released in theaters. If they wanted people to like the better version they shouldve released that. I don't get that argument
 
Pretty sad we're debating BvS versus BnR. That would have been dismissed as impossible a year ago, on par with the rare predictions that BvS would gross less than one billion.

I was such a one until BvS got delayed really hard. I was like... it's SUPERMAN. VERSUS. BATMAN. It is a license to print money.

Do you know what I could have done with a Superman vs Batman script? :hmr:
 
Captain Wagner, I do think Cavill was not given the proper material and I do agree that Supermans sacrifice was heroic but in the context of the film it came off as stupid. It all comes down to execution. Superman grabs the spear after barely surviving swimming 5 feet with it and flys 50 feet with it in the air to end up dying with Batman and more noticeably WW right there. Those two should have been incapacitated somehow because to me the BIG heroic sacrifice was as stupid as Batman jumping on a live grenade to sacrifice himself with Superman right there to do it instead of him.
See, to me this isn't stupid, this is just Superman being Superman. He doesn't stop to think that this maybe isn't the best attack, or that he might die, because he DOESN'T CARE. He's never going to ask someone else to risk there life doing something he could do himself. That moment is really the closest Snyder came to "getting" the character, in my opinion.
 
We haven't been watching the same Superman at all, unless you're requiring that he cries & screams profusely with every emotional vulnerability. How does Rhodey remotely compare to this?

No crying and screaming, just doing something to show where you're hurting. Perhaps in lines of dialogue that are based in how normal people's emotions work? That's what Rhodey did, and that's why his near death scene isn't a meme.

The alternative is Superman pins him down and gives him the talk, which then Batman would show his emotional vulnerability. Having Batman think he has the upperhand, but gets floored by this revelation is what they were going for if that wasn't obvious enough.

That was no leisure grudge.

Superman walks slowly and silently towards Batman several times. He's in no rush. That's leisure, in the face of his mother's impending death. That's beyond unlikable, that's sociopathic. It's obvious what they were trying to do, and equally obvious that they failed by creating tension that makes no sense, and thus, isn't tense, just stupid.

A Batman who came to go to war and they ironed out their beef privately in a supposedly abandoned building. Did that need more blatant clarification?
Wow, and now you're projecting with him hovering over what was intended to be a rescue as those people raised their arms out for help and had "hope" painted on their roof.
Yeah, he kills terrorists. He has no qualms over killing high threats like he was willing to do with Batman and he did with Zod. He was framed for killing everyone else in that vicinity minus Lois.
He flies away immediately in the theatrical cut, there was no smile on his face the entire time. In the UC cut, he helps bring any injured and possibly dead to the paramedics. He goes into seclusion because he blames himself over this.
If you're talking about the bathtub scene, he tells Lois he doesn't care that the media is reporting beyond what he actually did. And yet while he goes on his investigation, he's looking to speak with the witness who aided that narrative.

I'm not projecting Superman hovering over people about to drown. Because I'm not projecting, I can show you exactly what I say is happening:

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I'm not reading his emotional state, I'm pointing out what explicitly happened, and then pointing out how that doesn't make sense with certain emotions, such as: Superman is the kind of person who is trying to save these people as soon as possible.

This is what the movie showed. People about to die, Superman taking his time, a recurring theme, this is exceptionally reckless. Killing anyone is murderous. Smiling as you're rescuing people who profound emotional distress is still misanthropic, if not psychopathic. You empathize with a reckless murderous psychopath if he sulks afterwards, only kills people you want, and if people have hope despite his recklessness.

To each his/her own!

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I was such a one until BvS got delayed really hard. I was like... it's SUPERMAN. VERSUS. BATMAN. It is a license to print money.

Do you know what I could have done with a Superman vs Batman script? :hmr:

Get rid of the "v" and replace it with an "and"?
 
See, to me this isn't stupid, this is just Superman being Superman. He doesn't stop to think that this maybe isn't the best attack, or that he might die, because he DOESN'T CARE. He's never going to ask someone else to risk there life doing something he could do himself. That moment is really the closest Snyder came to "getting" the character, in my opinion.

Yep, Superman is not the type to give the spear to someone else even if he knows it will kill him. That was a total Superman moment, as was him holding Doomsday in space to make sure the nuke hit them, even though it could have killed him also.
 
I was literally just watching the Doomsday fight set piece and hot damn, that whole sequence is just so thrilling to me, its stuff that I've always wanted to see in a movie since I was a kid. I know some people think its too "CGI-y" but I really don't think there's any other way to full realize these Dragonball-Z like battles. From WW's badass entrance, to Superman sonic-booming from the sky and knocking doomsday into the power plant, to Supes and WW's tag team, to the sad ending wear Lois realizes the man she loves is about to die...I dunno this stuff clicks with me more and more every time. The cinematography and music during the whole thing makes it all look and feel so epic too. Only complaint is that its too short and Batman doesn't get much to do (although, realistically, what could he do?) If Justice League has more of these types of moments I think that movie will be a win.
 
IMO, they should have had Superman try to reason with Batman much more in BVS and for him to have only fought Batman once he had no choice but to do so, in order to defend himself from Batmans kryptonite weapons. Superman pushed Batman very early in their confrontation and sent him flying back very easily, which made him look quite aggressive himself, as well as a bit of an idiot, as he should have been trying to reason with him more to get him to help him save his mother. IMO, Batman should have attacked him a few times before Superman eventually fought back, due to him having no choice because it is the only way to save his mother, as well as his own life. They also should have found a better way for Lex to have convinced Bruce that Superman had to be stopped. It would have made Lex look much more like the diabolical genius that he is in the comics, and it would not have made Batman look like an idiot.
 
What would you have done Dr. cosmic?

I don't even know Champ. Here's what I came up with this morning for kguillou's challenge. It's long though.

Damn, you guys are brutal.

Let me ask you guys something, say you took the BvS film as it was (and by that I mean Snyders original 3 hour cut, the theatrical version doesn't exist to me) and you kept pretty much everything the same in terms of plot, pacing, overall tone, set pieces etc, but slightly tweaked the behavior of Batman and Superman. Say you got rid of Batman killing, made Clark/ Superman a little warmer, added more charm and levity to his scenes, but everything else remained the same, in your honest opinion would that have made a world of a difference to you? And I ask this genuinely and sincerely, not in a mocking way.

Not a little bit, because the plot, as it was, was so much of a mish mash, little tweaks wouldn't have saved it... BUT if they had gone to the extreme, and had Superman be full on Hope Incarnate, with a blind faith in humanity, exemplified by his unending dedication to his mission to uplift them, to engage with them, and to say really nice things and answer really hard questions with the wisdom of a Kansas Grandpa and justified by his negative allusion to the type of hero he was during Man of Steel. Then you put Batman on the opposite end, more contrast for better conflict, a sort of Knight Templar, exceptionally jaded and cynical as a result of his longstanding mission, driven to complete his mission at all costs, they cold have sold the whole movie, with Superman, instead of sulking, he'd be pleading with people, and personally hurt that they would come for him and his reputation in the way they did. He'd talk to Lois about his problems - giving her a real role, instead of sulking silently in a corner. His whole angle on taking on the Batman as Clark Kent would be exposing the truth for what it is, becausae that's what he believes in, and he thinks Batman should be in the light instead of an urban legend.

Superman would be portrayed as the *most* emotionally vulnerable, constantly offended by every accusation which bleeds through in word choice and tone, which is why seeing him actually rage and cut loose on Batman would have been truly terrifying and felt expected and natural. The Bathtub scene, I would have reversed, with Superman being the one naked and vulnerable, pulling the work-weary Lois into a soapy wet embrace. The terrorist scene would have been about him showing his power non lethally, super breathing guys against the wall and heat visioning their guns in a way that was darkly comedic, but clearly not murderous (not unlike the drone scene from the end of MoS), and generally shaming them for terrorism and turning them over to the authorities much as a schoolteacher might scold children for making a mess and then put them in time out, because he's SUPERMAN, he can do that. The rescue scenes would be him being a bright light in a very dark place, behaving the way a trained first responder would to people in crisis, because his focus is the people. This amount of power is obviously not okay with Batman, because he knows that power corrupts, as he's seen time and time again in Gotham. He also knows that the kind of idealism Superman displays cannot be genuine, because no one is like that deep down (see the parallel with the audience? That's a setup). He knows Superman is a farce, and his hypocricy about trying to expose Batman while keeping his own secret is unacceptable. This also sets up the long term storyline where Superman actually *is* corrupted by his power.

With these changes in place, the whole Batman fight scene could have worked much better, since Superman would have been trying to reason with Batman the whole time, but Batman would have been legitimately, and predictably beyond reason, no matter how much sense or how genuine Clark was. They could have had a legitimate argument instead of just staring at each other between volleys. For Bruce, it doesn't matter if Lex is playing them, Batman would have been established as someone who believes he'll take down Superman, then Lex, and we know he can do it, which is what is scary. The "Martha" moment then could have been replaced with something more organic where Superman believes in Batman and is, essentially, pleading with him for his soul. Superman knows what it is to kill someone, what it does for you, and he wants to save Batman from that. Batman doesn't believe there's another way, Superman, resolving his Hope incarnate storyline, calling back to his 'mistake' in MoS proclaims there has to be. He's not a naive idealist, he's running from that moment at the end of MoS, and making sure he stays as far from that as possible.

As a Knight Templar type, a trope where a lawman takes things to extremes, which is what Batman naturally flows into, Batman could be dispalyed as the kind of hypercompetent person who is not just reliant on gadgets, but his wits allow him to find and exploit enemies weaknesses. Doomsday is easily distracted. Superman is over confident. Wonder Woman has a strong code. I'd also lay it on thick about dead Robin and how that transformed him from a vaguely silver age notion to a vaguely Dark Knight Returns notion. This cements him as an even more profound underdog who can't win with money, but has to use his mind as well just to stay alive. We would have shown, for instance, him taking cover from Doomsday's attack in a way that was cool (probably involving a concrete barrier and some Bat-coating of some sort).

In this context, Lex Luthor as Social Media Mogul turned mad scientist works as a very helpful foil. Without tweaking him really, his confrontation as Superman makes him less a profound philosopher and more of a damaged ego unable to accept that there's someone who really is trying to do maximum good with the power they've got. A Superman who can talk, and cares about people vocally, can ask Lex the same question: with all his power, why has Lex not solved the world's problems, or Bruce Wayne saved Gotham with his money. They can do much more good for humanity than he can by punching things. This would then allude to his goal of recruiting Bruce to his way of thinking.

This all goes down to the idea that, in a superhero vs superhero battle, one person should win the fight, and another win the argument. Batman has to win the fight because he is the physical underdog, but superman should win the arguement because he is the idealogical underdog. Superman's approach, his entire motif, isn't popular, so having him make more sense than Batman is actually surprising and intresting, in the same way that Batman's victory of Superman is the most interesting outcome.

From there, Wonder Woman, who is, in a way, the apotheosis for both of them arrives to solidify their bond and quest for justice as Doomsday is unleashed, and they give us a hint of what the league is capable of with Batman coordinating, Superman hitting hard and Wonder Woman making surgical passes. In a twist, Doomsday spaces the Kryptonite and Superman and Doomsday finish each other by punching (built up to by Doomsday's cracking skull and Superman's increasingly bloodied body) as Batman and Wonder Woman, defeated, look on. We phase out on Lois holding Superman's ragged form, and Wonder Woman taking Doomsday's head, just in case. We do not indicate that Superman will return, we definitely fade away on a calm cemetery scene and a Superman statue being erected. That's our Superman, a symbol for all humanity about sacrifice, about how to lose like a champ.
 
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IMO, they should have had Superman try to reason with Batman much more in BVS and for him to have only fought Batman once he had no choice but to do so, in order to defend himself from Batmans kryptonite weapons. Superman pushed Batman very early in their confrontation and sent him flying back very easily, which made him look quite aggressive himself, as well as a bit of an idiot, as he should have been trying to reason with him more to get him to help him save his mother. IMO, Batman should have attacked him a few times before Superman eventually fought back, due to him having no choice because it is the only way to save his mother, as well as his own life. They also should have found a better way for Lex to have convinced Bruce that Superman had to be stopped. It would have made Lex look much more like the diabolical genius that he is in the comics, and it would not have made Batman look like an idiot.

I actually agree with you on that. I think the fight between the two should have come from an organic place where each one was ready to fight each other. There should have been that boiling point moment where both sides said "ok, enough is enough! He needs to be stopped." I mean, we kinda got that with Batman and Superman was getting to that point but he had to be coerced into a fight.

BUT, I will say one thing and its something I didn't really start to think about until later. How do you truly and realistically orchestrate a good battle between Batman and Superman? In cartoons and comic books you can get away with a lot of stuff but for a live action film.....that's a really tough thing to pull off. You can't have Superman be too much on the offensive because its going to look like he's trying to kill Batman, which he could easily do. I mean could you imagine if there was a part where Superman shot his laser beams at Batman? People would've been outraged that Supes and think Supes was going for a kill shot (like that comic con trailer fooled us into thinking). Conversely, if you take Superman's power away then its not much of a fight at all because Batman clearly outclasses him in hand to hand combat (as we saw in the film) and he'd easily decimate him.

So, even if you could create a better, more organic reason for the two to fight....would it, or should it be much different than the battle we got?
 
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What would you have done Dr. cosmic?

Thinking on it more, I think, even from scratch, I might have had trouble beating the "idealist running from the neck snap version of himself" vs "knight templar" type of conflict. I think, with more freedom, I would have played up the Batman vs Superman conflict and had two fights: one at the beginning of act II where Superman casually facerolls Batman using the predictable 'overpower' type gadgets, and then the big knock down drag out at the end of act II. I probably would have had Lex, and his mechsuit - more adavnced than Tony Stark's - be the only villain, and the whole thing would have been more of a Superman film in general. I'd be tempted to put a whole host of villains in as LexCorp science experiments: Livewire, Parasite, Bizzarro, Metallo - but I'm not sure how much of that would fit with all that Batman goings on. I'd also be tempted to draw from the arrival of Supergirl in the Batman/Superman arc with her relationships with those two and Lex Luthor helping to narrow the film down, but at some point that would overlap with Lois, who should have relationships with all three more prominently. I wouldn't have even considered bringing in Wonder Woman, but if she was mandated, I'd bring her in similar to how she was used in the film, but without the dumb "I thought she was with you" moment, more "there's more where she came from" or perhaps even something that helps develop the charaters. I'd also save the rest of the league for the end credits or post credits, and not do them as slideshows, but as Batman spying on people.

Generally though, the biggest thing, for me, is making really awesome Batman vs Superman conflicts. One of the highlights for BvS for me is the argument at the shindig where they trade scarcely veiled condemnation at each other's alter egos. I'd play that up. Having a kind of double date scene like from the Batman vs Superman cartoon movie is crucial for making this conflict really really personal and showing how Clark Kent is an underdog socially. Beyond that, the physical conflicts should be legendary, which takes a lot of setting up, honestly most of the movie would have to be setting up the payoff of the battle to make it feel organic while being mindboggling. In his first battle with Superman, Batman should employ the kind of really basic things we saw in the fight as is: automated turrets, sonic blasters, remote controlled stuff, and a bit of Kryptonite. That's to display why that stuff is not enough, and establish that Superman isn't being given an idiot stick (Kryptonite? Get away and then blast at range). The second battle would have included not just the stuff from Dark Knight Returns and the Azzarello Batman vs Superman fight: Kryptonite projectiles and melee weapons, the entire power grid of the eastern seaboard, Clark Kent's own restraints, holding Lois hostage, and others, but some other stuff we've seen in other similar comics, but not quite here: that specific sonic frequency that cripples Superman, orbital satellite lasers, well researched psychological triggers to pull him far off his game (make him scream Martha for once), and most importantly, vicious and exacting rhetoric to send the dazed confused, winded Superman into introspection. From there, unleash another set of cool creative gadgets with expert timing meant to get him into the Red Sun Room Batman has set up and then proceed to show Superman what its like to fight like a man. This whole thing would also serve as a deconstruction and then reconstruction of the superhero genre.

Sigh.
 
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I actually agree with you on that. I think the fight between the two should have come from an organic place where each one was ready to fight each other. There should have been that boiling point moment where both sides said "ok, enough is enough! He needs to be stopped." I mean, we kinda got that with Batman and Superman was getting to that point but he had to be coerced into a fight.

BUT, I will say one thing and its something I didn't really start to think about until later. How do you truly and realistically orchestrate a good battle between Batman and Superman? In cartoons and comic books you can get away with a lot of stuff but for a live action film.....that's a really tough thing to pull off. You can't have Superman be too much on the offensive because its going to look like he's trying to kill Batman, which he could easily do. I mean could you imagine if there was a part where Superman shot his laser beams at Batman? People would've been outraged that Supes and think Supes was going for a kill shot (like that comic con trailer fooled us into thinking). Conversely, if you take Superman's power away then its not much of a fight at all because Batman clearly outclasses him in hand to hand combat (as we saw in the film) and he'd easily decimate him.

So, even if you could create a better, more organic reason for the two to fight....would it, or should it be much different than the battle we got?

I still don't think the reason they fought was all that bad. But I agree that some of the execution was off. Superman could have reasoned a little more with Batman, but seeing as Batman was there to murder him, and Superman realised this pretty early on, it wouldn't have made much difference in the end. I do think in the UC it explains a bit more why Supes gave up reasoning with him pretty early. From when Clark interviews the wife of the criminal who is killed in prison after Batman brands him. She isn't a criminal herself, but a grievingpartner who now has to bring up their child alone. When Clark asks her for help to make it right with an interview, she tells him words don't work with a man like Batman, but a fist does. This is what leads to Superman not trying to speak to Batman more in their fight.

The resolution could have been better executed as well. I dont have the same problem with 'Martha' that many do, but them becoming best buds 2 seconds after it when they were previously trying murder each other I did. I would have preferred a more uneasy alliance until the end, when Batman sees Superman sacrifice himself.
 
If they had just made a Batman and Superman movie without WW and DD, it could have worked rather than try and cram everything in. Doomsday is a whole movie by its own and was wayyyyyy to early to even introduced his arc.

And Bruces arc would have worked had we actually seen what pushed him over the edge. Heck a Batman movie and MoS 2 would have benefitted BvS.
 
‘Doctor Strange’ Proves Marvel Is the Gold Standard in Hollywood

Senior Film and Media Editor
Brent Lang
Senior Film and Media Editor
@BrentALang

Doctor Strange CumberbatchCOURTESY OF DISNEY/MARVEL
NOVEMBER 6, 2016 | 12:53PM PT
Novelist Richard Russo once mused that Cary Grant never won an Oscar because he never seemed to sweat. “He made everything look so effortless,” Russo wrote. “Why reward someone for having fun, for being charming?”

The same logic applies to Marvel, the comic-book juggernaut that scored its 14th consecutive number one opening this weekend with “Doctor Strange.” The company has been successful for so long, that box office profits are almost preordained. It can be easy to take them for granted. Despite routinely earning good reviews, these films aren’t generating awards heat in the way that populist, Spielbergian fare like “E.T.: The Extra-Terrestrial” or “Raiders of the Lost Ark” once did.

That’s a shame. Under Marvel Studios president Kevin Feige, the home of Iron Man and the Avengers has been a dazzling model of critical and commercial consistency. Every film the studio has released has been certified “fresh” on Rotten Tomatoes, and all of its in-house productions have made money. Like Grant, Marvel may make it look effortless, but that kind of achievement is very rare and that kind of track record is hard won.

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Doctor Strange
Box Office: ‘Doctor Strange’ Dominates With $85 Million Opening

“Marvel finds the humor in every story, they find the action and creativity, they find the humanity,” said Greg Foster, CEO of Imax Entertainment. “That’s not an easy thing to achieve.”

There’s a reason that Marvel is the model that everyone else in Hollywood is rushing to ape. The studio has pioneered the creation of a cinematic universe, an interlocking and ever-expanding series of costumed characters that team up, do battle, and find their alliances tested over the course of standalones, sequels, and spinoffs. In the process they’ve skillfully managed to pack their films with top-shelf actors, providing juicy roles for the likes of Robert Downey Jr., Benedict Cumberbatch, Chris Pratt, and Paul Rudd.

“Right now we’re living in the golden age of comic-book movies,” said Jeff Bock, box office analyst with Exhibitor Relations. “Marvel is consistently taking it to another level, so good luck to everybody else. They have a stranglehold on the top talent.”
That’s not going to stop other studios from trying to shoulder in on this golden era. Universal is offering up an ambitious monster movie universe, featuring the likes of the Invisible Man. For its part, Lucasfilm, which like Marvel is owned by Disney, is trying to further extend a galaxy far, far away by delving into the backstory of Han Solo and looking at the early days of the Rebellion. The first “Star Wars” spinoff, “Rogue One,” hits theaters in December.

There are risks associated with all this imitation. Sony attempted to launch a cinematic universe centered around Spider-Man that would have featured various wall-crawler villains in their own adventures. Those ambitions were sidelined, however, after 2014’s “The Amazing Spider-Man 2” sputtered at the box office, derailed in part by a corporate mandate to stuff it with too many fanboy easter eggs and super-powered baddies. That forced Sony to bring Marvel onboard its upcoming reboot, “Spider-Man: Homecoming,” as it looks for ways to rekindle the spirit of fun that turned comic-book readers on to the saga of Peter Parker and his web-spinning alter-ego.

The DC Comics films have also failed to replicate Marvel’s artistic accomplishments with their own series of Justice League adventures. The results have been mixed. “Batman v Superman: Dawn of Justice” and “Suicide Squad” put up impressive grosses, but critics excoriated the films as violent, dreary affairs. The bad reviews led the DC team to promise that future adventures will be lighter in tone and offer more humor.

Part of the problem may lie in the command structure. At Marvel, there is an established hierarchy. Feige sets the creative tone for the films, and weighs in heavily throughout their production. His guru-status is akin to the role John Lasseter plays at Pixar — Feige isn’t a corporate suit, he’s also Marvel’s chief quality control officer.

In contrast, DC’s filmmaking approach appears to be more diffuse and the company has struggled to define who is at the top of the decision-making pyramid. Is it Geoff Johns, the in-house comic-book guru; Warner’s executive VP Jon Berg; or Zack Snyder, the director of “Batman v Superman”? The answer has shifted at various points, and the lack of clarity may be partly responsible for reports of production headaches on “Suicide Squad.”

Even as Feige has called the shots, he’s also had the courage to explore different approaches to the superhero genres. Costumed vigilantism may be a constant, but tonally, the Marvel movies have encompassed a wide variety of storytelling approaches. “Captain America: The Winter Soldier” is a throwback to the paranoid thrillers of the 1970s, “Guardians of the Galaxy” has the pop culture insouciance of the Indiana Jones films, and “Doctor Strange” has the same wry approach to the occult that made TV’s “Buffy the Vampire” series such fun.

“Each of these worlds, each of these characters feels completely different and unique,” said Dave Hollis, distribution chief at Disney. “That diversity is what keeps these films fresh and interesting.”

Feige remains little known outside of the fanboy set. He’s not a director or a screenwriter, but a case could be made that he is the most influential filmmaker of his generation. By proving that movie narratives can collide and bleed over into one another, with storylines that are teased out across multiple chapters, he has redefined the boundaries of what is possible with film franchises. That puts him up in the top ranks of popular entertainers, alongside Steven Spielberg, Christopher Nolan, and James Cameron, but people outside of Comic-Con’s Hall-H would be hard pressed to put a face to a name.

It sounds like Feige would prefer to stay anonymous. In a 2014 address at the University of Southern California School of Cinematic Arts, he said he likes to spend most of his time behind the scenes.

“It’s true that once a year I travel to Comic-Con … but there I can quickly lower the lights, I can show them the clips, introduce a few stars,” said Feige. “And the spotlight is quickly off me.”
http://variety.com/2016/film/news/doctor-strange-marvel-kevin-feige-1201911143/
 
Thanks for the posts Dr. Cosmic.

The most significant change I'd have tried to do is to not include the Wayne death scene. As it is, it was poorly done, very poorly, it did not contribute to the story, and thus the movie started off on the wrong foot.

Far better would have been a Robin death scene. They could have started with the equivalent of a Pixar short film, showing an earlier Robin and Batman bonding, working together, Batman is seeing the light, then Robin dies and Batman turns dark. That's hinted at in the movie, but done in an impotent manner. That would explain why Batman is dark, the world is **** and he's alone, and Superman can maybe bring out the light by being Bruce's friend and proving it to him.

Also, no Wonder Woman, probably no Doomsday. Definitely no youtube videos of Cyborg and Flash.

The foil to Batman/Bruce might be Lex. Lex is also dark at the start of the film, and Superman similarly tries to work with him. There's an alliance between Lex the real estate developer and Superman in rebuilding Metropolis, they're like the two faces of power in the city, two controversial celebrities, which Lex loves and Superman hates. They start off as friends. As Batman and Superman shift from being enemies to friends, the reverse inevitably happens to Lex, they are pulled apart by inevitable forces. The end scene can be a Superman weakened by kryptonite pleading with Bruce not to kill Lex, with Lex then walking off in humiliated disgust.

ETA: In particular I appreciate your analysis/insight of when/where Superman looks like a psychopath in the movie, I hadn't noticed some of those cases before. For example he should not be triumphantly hovering over drowning people.
 
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One of the changes I would do is have Luthor give Superman those jolly ranchers as a form of mind control. This gives Superman an out (as to why he seems off throughout the movie) and a compelling reason as to why Batman needs to fight and take out Superman quickly.
 
See, to me this isn't stupid, this is just Superman being Superman. He doesn't stop to think that this maybe isn't the best attack, or that he might die, because he DOESN'T CARE. He's never going to ask someone else to risk there life doing something he could do himself. That moment is really the closest Snyder came to "getting" the character, in my opinion.
Makes me wish he made Superman stab the monster in its back with that spear.
 
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