Marvin
Avenger
- Joined
- Jun 22, 2003
- Messages
- 19,564
- Reaction score
- 2
- Points
- 31
His intention could be there without him being able to act upon it. I seriously wonder if there are people in audience that think superman is actually fighting for his own life in these moments(considering he's offered up his life for man previously in the film I find that unlikely. What you are asking for isn't for him to ACT differently but for the script to be designed as such. That's where criticism on his character fall apart. He acted like superman would in the exact situation and that's all that can be asked of characterization, truth. Whether or not a different situation would be "better" is debatable.Not so much the same acts, but the same intentions. Superman's intentions. I'd have liked to have seen Clark literally trying to catch his breath. The choreography was lacking in this regard, the overpowering menace of Zod's threat that needed for him to be put down. It needed to be more visceral, raw than the videogamey sequence we got.
(Can't remember the Doomsday fight. I might want to reread it now you've brought it up!)
Watch the animated featured based on it while you are at it, considering the lack of internal dialogue format in these films, it's even more comparable.
Superman did fight crazy odds and he did it for the people. Don't see how your rocky reference applies here, Ivan didn't try and hurt people and superman did face stacked odds and greater numbersCertainly. But a huge difference from any other traditional final boss fight is that Superman tends to fight the insurmountable odds for the people. To reference Rocky again, a Superman final boss fight is like Rocky in the ring with Drago -- and with Adrian and Duke -- with Rocky attempting to stop the Siberian Bull from hurting the ones he care for, the people. All in the same ring!

Are you talking about being an underdog?
Lore conditioning has no place in objective film criticism. Because you then you have to account for each member of your audience and what they bring to the experience individually. Films need to be judge objectively otherwise the RT score and all that stuff would need to be adjusted and personalized for the individual reading. When a critic puts out a review, he theoretically puts it out there for the "average jane" otherwise he would have to highlight to whom his review is for each and every time as opposed to for everyone/anyone. In this case, fans of superman two vs new audiences..Same applies to the filmmaker.This is Superman, after all, a degree of lore conditioning, rightly or wrongly, is to be expected in the audience. Who went in the theatre not thinking it was a story about Superman, but a story about a man literally being made of steel?
Unless you are making a sequel, you cant make a film assuming your crowd knows all about captain america's powers and disposition. You gotta make it for everyone in spite of the group that suffers from conditioning.
This goes double for the poor saps coming from adam west. Just cause they expect the bat computer to print out some bs plot device and robin to help with a riddle doesn't mean the film needs to cater, I digress.
The design of the fight is missing the two elements you explained where needed to help tension in this superman fight, mortality and saving people. That fight didn't have those things and it did fine based on the simple fact that it had what was technically needed for a fight, objectively.But that's Wolverine's MO. He snuck away from the main group to search for Stryker and found Lady Deathstrike. He's a lone wolf through and through.
Hard to disagree on facts.We just have to agree to disagree here.
Of all the threads to point that out in.Well, STM2 is another animal, and a discussion deserving of its own thread. Logic in a movie, especially a Superman movie, is dependent on purpose of story though.
