Yep. Apparently at the time, he and Diana Rigg hated each other. There was a story going around that she used to eat onions and/or garlic before doing the intimate scenes with him just to p*** him off. They both apparenlty denied these allegations, but you never know.
The way I read it is a journalist was on set when he or she heard Rigg yell over to Lazenby that she just had garlic for lunch and was ready for her kissing scene. Rigg and/or Lazenby later said that it was a joke taken out of context.
Lazenby definitely was not quite there on the acting chops, but I think there was a lot of potential for him to grow as an actor in the role if he had given it a chance.
Digressing (or rather going back to a previous conversation in the thread), I rue the day Roger Moore got involved in the Bond series (and when
You Only Live Twice actually opened up that whole relentless and self-consciously silly can of worms in the first place), although if I'm going to watch Moore,
The Spy Who Loved Me is certainly the movie to do it with... somehow that flick worked magic with that nutty formula. Otherwise I consider the Moore era akin to the Bat-verse's TV series or Schumacher era, of which I'm no fan. I think part of what makes Moore's
Spy work is that the characters take the ludicrousness seriously. I don't want to watch a movie that feels like it's a big practical joke on the audience. At least attempt to "sell" your ludicrousness without the knowing winks at the camera, so to speak.
And I agree with another poster on here who made the distinction between "silly" and "cool" in respect to
Spy's gadgets and plot trappings, in comparison to the other campy Bond flicks.
Spy indeed somehow makes it all... cool.