NewYorkSpider
EndGame
- Joined
- May 12, 2006
- Messages
- 27,594
- Reaction score
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- 73
I don't mind this look. It's certainly better than a green suit and yellow mask.
And what is there to say to me about it? Am I forced to like it? Can't I come to this thread to express my first thoughts on a quick image?Never mind.I have seen enough of negativity to the pic so,I am not going to say anything.
Only his face is blue? Not his hands?
That's what I keep thinking!Color choice aside, I like how effective and compelling the practical effects and make up look in shots with the right amount of lighting. If anything, it should only look better after it's finalized in post.
I can be wrong and they could go for something totally left field (but I doubt it), but I can almost guarantee they'll have CG with electricity flowing around him. It's a must.Gotta wait for the trailer before I can decide what to think. He could be part CGI and have electricity flowing around him constantly. That'd be something different.
I love it, my initial qualm would be that Electro wouldn't be visually unique enough to center the films marketing around, but this completely does it for me. It's a striking Foxx is a good enough actor to bring a unique performance that will give TASM2 the buzz that the first one lacked.
It's cool to see ever since Heath's joker there has been this sense of importance added back into villainy and unique performances in films (especially cbms) Bane in TDKR, Silva in Skyfall, John Harrison in STID, Mandarin in IM3, Zod in MoS and now Electro in this. It just seems that putting strong actors and having them chew the hell out of scenery in unique ways that don't exactly adhere to source material is a great way to breathe new life into existing rogues while giving cinema great new villains in the vein of Hopkin's Lecter or Wells' Harry Lime.
What about Dafoes take on Osborn and Molinas Dock Ock? Proper "scene chewing" and pathos, but not over the top like Silva.
The problem I have with this "new" trend is the transparency of trying to make the villain more iconic or "menacing" than they'd be thought of otherwise by riding these coattails. Skyfall, and particularly Silva were just awful. No depth, no real sense of menace or intrigue, but we, the audience are expected to buy him as such and his "attibuted pathos" because Mendes went to great lengths to replicate what Nolan did with the Joker.
What about Dafoes take on Osborn and Molinas Dock Ock? Proper "scene chewing" and pathos, but not over the top like Silva.
I loved Molina as Doc Ock.