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This is a continuation thread, the old thread is [split]455359[/split]
Marc Webb strikes me as a really "safe" kind of guy. He's not imaginative in the way that Nolan is when envisioning these characters
"yellow seems more of a sun or fire colour, hense why its not used often"
"yellow seems more of a sun or fire colour, hense why its not used often"
you mean, like burning hot electricity?
fire is also blue too (infact when it's near it's hottest) both colors work perfectly fine for the representation) i just think it would have been more iconic and clever to see a yellow person than a blue... you don't see yellow people in films very often
Can I just be rude and say I think Marc Webb has next to no imagination.
Toning down is imaginative? Yeah, I guess it was really imaginative to go with regular make-up on Joker, so he looks slightly messy, but still completely recognizable otherwise. Have Scarecrow mostly in a suit, god knows no one here ever complained about that. Or getting rid of Bane's luchador mask and just replacing Venom with pain killers.
I still enjoy his takes, but let's not pretend what he did was way more imaginative than what Webb and co. are doing.
"He's not imaginative in the way that Nolan is when envisioning these characters"
Since when did 'realistic' become 'imaginative'?
Does anybody know where I should ask what kind of jacket Andrew's wearing in the last set pics?
Can I just be rude and say I think Marc Webb has next to no imagination. In the first movie he didn't do anything new. The 'real' and 'raw' thing was a copy of Chris Nolans work in The Batman Begins/ Dark Knight franchise.
I'm not going to touch the lightning color topic, but the topic of Marc Webb being unimaginative...I will say that it was nice that Captain Stacy was a bit different than how he was in the comics, and then trying to get Peter to stay away from Gwen Stacy. That, I thought was a nice turn of events, but that whole nice idea ended on an awful note when the promise is just broken in a matter of seconds.
Besides that, I can't really say TAS-M felt like something new or imaginative.
As I said before,the studio got too scared and because of that he had to remove a few scenes which could've potentially made the movie better,imo.The lizard would have looked seriously feriocious.
He is experimating rather than keeping things consistant.He has done only one film before TASM so that might be reason and that's fine plus he had a huge pressure for first movie from the studio and that's why the movie didn't do really good.
Oh boo hoo. He was under a bit of pressure from the studio and fans to be paid a s**t ton of money to direct a movie about a beloved swinging superhero. Yeah it sounds sooo difficult. Every director is under pressure. Think of the pressure Joss Whedon must have been under. He didnt fail because he knows what he was working with, not because he didnt have pressure.
Oh boo hoo. He was under a bit of pressure from the studio and fans to be paid a s**t ton of money to direct a movie about a beloved swinging superhero. Yeah it sounds sooo difficult. Every director is under pressure. Think of the pressure Joss Whedon must have been under. He didnt fail because he knows what he was working with, not because he didnt have pressure.
Call us after you've made your first $230 million dollar budget film. Your sarcasm about how difficult it sounds to get paid a "s**t ton of money to direct a film about a beloved swinging superhero" tells me that you have no clue how difficult it really is. Think about it: a movie studio is putting a beloved franchise in your hands, and they're giving you $230 million dollars to make a successful movie. It has to be successful to them, to fanboys (who basically hate everything except for the source comic material) and to the general public who isn't familiar with characters like Gwen Stacy or the Lizard. Not only that, but you have to make it different in tone, style and visuals to the trilogy that ended just 5 years earlier, which is still fresh in people's minds. That's a tremendous amount of pressure, and it doesn't quite lend itself to thinking outside the box.
I think he did a fine job, and it has a Marc Webb style to it. It's not as dark as Christopher Nolan's style, and it's not as obvious as Sam Raimi's style but personally I thought his horror-hospital scene was cheesy as hell and you'd have to be a hardcore Raimi fan to really "get" the reference. That being said, Raimi didn't incorporate that style until SM2... SM1 wasn't all that jam-packed with style.
Short-story-long, I don't envy Webb's position. If he makes 1 decision, the studio will complain that it's too dark or edgy, or it won't sell enough toys... If he makes another decision, the hardcore fan base will complain that it's too different from the source material... If he tries to be "creative" and come up with something new, he'll be crucified for ruining the character, and if he sticks to a proven method, he'll be crucified for not being creative.
I think they portray more of a non-fire colour.In fact,I think had they portrayed yellow,he could've looked more like a fire guy rather than electricity guy.
He would've looked like human torch.