That was my first thought when I saw that some people were against the Bruce/Natasha pairing.Agree with Ruffalo's take on Banner needing BW more so than her needing him. I'm wondering if people are turned off by the Bruce/Natasha relationship because they were holding out for Natasha/Clint.
Absolutely mystified by the reaction to Black Widow's depiction. Last time I was this mystified was when people were saying "Wolf of Wall Street" was misogynist.
I cannot understand how people are interpreting that she considers herself a monster because she can't have children. How can you completely miss that it wasn't that she was sterile, but that her experiences with this shadow organization had turned her into a relentless cold blooded killer. Seriously, how did people miss this?
No matter how you feel about Age of Ultron, there is no excuse for the way people treated Whedon on social media. The things they said were downright criminal. This goes way beyond bullying.
Whoever wrote that paragraph sounds like they feel they speak for all fans on this issue .That's exactly the case for some weird people, their fanfiction/shipping are ruined.
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"-Welp
All of my ClinTasha head canons got Jossd. Literally. Thanks a lot.
#Aou spoilers#Aou#I don't know what to think"
https://www.tumblr.com/tagged/age-of-ultron
"You know what Marvel should have done? They should have let Natasha be a strong female character without throwing in a damn romance we didnt even want. If they didnt want to give us Clintasha they should have just let her keep holding her own as she was, without resorting to a dagblasted love story. Thats what makes me the most angry about this film. Natasha was doing just fine as a compelling character when she was a single lady assassin in the last three films. If they gave us some Clintasha and kept her character none of us would have minded. But instead they re- wrote her character and threw her after Banner. "
I've defended Joss. I think he's a brilliant film maker, and I've been a fan of his for a long, long time. However I'm disappointed for him to air the dirty laundry like that. I think he could have said what he did in a way that wouldn't stir the pot, so to speak.
You never give a director complete control, especially in a franchise as big as the MCU. It's almost like you think everything he wrote and shot was pure gold and that Marvel were the ones keeping him down, when it even came up that test audiences didn't like certain things and that Marvel execs were trying to get him to address that in editing the film. Directors are not infallible and sometimes need for the execs to keep them on the path of the producers' vision for the film, since it is ultimately the director who works for the producer and not the other way around.Why should he keep quiet? He didn't get to do the movie he wanted even after he made them $1.5 Billion with the first one. They should have given him complete control. This is classic corporate crap getting in the way of the art-form.
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Favreau went from a movie that no critic had the balls to bash to one pretty much every critic felt was mediocre.
Here we are five years after IM2 & its Whedon in Favreau's shoes now with a movie everyone agrees is a step down from the first.
I'm glad he's venting and exposing they're incessant meddling which never amounts to anything good.
Not everyone is saying its a step down from the first. Personally I feel like its even better. And I've seen a lot of people say that.
How do you know he cares about the RT? He's never said about making a fan that only pleases the critics. If anything, Whedon cares more about what the fans think since that's who he's making the films for and getting the critics to like it also would be a bonus.Filmmakers care about the way their films are perceived critically. There's not a doubt in my mind that Whedon sees that RT score as a kick in the nuts by the studio's meddling.
You never give a director complete control, especially in a franchise as big as the MCU. It's almost like you think everything he wrote and shot was pure gold and that Marvel were the ones keeping him down, when it even came up that test audiences didn't like certain things and that Marvel execs were trying to get him to address that in editing the film. Directors are not infallible and sometimes need for the execs to keep them on the path of the producers' vision for the film, since it is ultimately the director who works for the producer and not the other way around.
Also, I see how you're conveniently leaving out how TWS improved upon TFA and the Russo Bros. talked about how much of a collaborative effort it was between them, Feige, and several other Marvel producers.
You never give a director complete control, especially in a franchise as big as the MCU. It's almost like you think everything he wrote and shot was pure gold and that Marvel were the ones keeping him down, when it even came up that test audiences didn't like certain things and that Marvel execs were trying to get him to address that in editing the film. Directors are not infallible and sometimes need for the execs to keep them on the path of the producers' vision for the film, since it is ultimately the director who works for the producer and not the other way around.
Also, I see how you're conveniently leaving out how TWS improved upon TFA and the Russo Bros. talked about how much of a collaborative effort it was between them, Feige, and several other Marvel producers.
While film can be looked at as a director's medium, it can also be a producer's medium if the movies are being created to build a larger universe, like what the MCU is doing. Director-oriented films work best if the goal is to create one-off, highly conceptualized pieces. Since that is not what is being done in the MCU, the producer/film studio president (Feige) is the one running the show, creating the general outline and shape of the universe with the directors being the ones who flesh out the finer details while fitting into that outline Feige gives them. There's nothing wrong with having a corporate way and a director's way because there are times and places for both in the film industry.Film is a Director's medium so this whole "execs and producers" should call the shots mentality you're supporting is poison.
That's why filmmakers like Iñárritu and Cuaron hate the corporate approach to fimmaking. It cripples the artist and in doing so cripples the art.
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