Tacit Ronin
Avenger
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When you want to talk about the worst CBMs in the genre, a bulk of their filmography belongs on that list.
More like half. The other half belongs to WB.
When you want to talk about the worst CBMs in the genre, a bulk of their filmography belongs on that list.
Boycotting every Fox film from here on out is like cutting your nose off to spite your face.
Just so we are clear...
Fox screwed up a F4 film...so to try to punish them you are going to punish yourself by not going to see any Fox film no matter how good certain of their films are. Sorry, but this sort of thing is just stupid. Itd be like denying yourself filet mignons for the rest of your life because you got a bad sirloin one time. The only person losing in that scenario is yourself.
I agree strongly with this. Quite frankly, X-Men as a franchise-not as a film suffers from Singer as the lead voice.
It's the same theme over and over. Given that Singer's own relationship with the IP it hits you over the head again and again with the metaphor.
The movies are all pretty much the same thing.
For all the talk of MCU movies all being the same, show me the differences in the X-films.
Yeah its become very formulaic and predictable. They need to move on from Magneto. He's a great villain no doubt. But him being a villain for all the X-Men films have become tiresome. I wouldn't be surprised if he turned against the X-Men at the end of Apocalypse.
I'm ready for an X-Men movie that doesn't involve Wolverine
Mystique and Magneto.
Wow did you really just equate putting out a bad movie to child molestation?
Boycotting a single director because he may have raped children is one thing. Boycotting an enire production studio means you are boycotting the hard work of every single director, producer, cinematographer, script writer, editor etc and also boycotting the theaters that show those movies and a host of other people's work. All because of a single bad film that was the result of a single director and single group at Fox. Thats a massive disproportionate overreaction.
Critics have complained that the movie lacks action, and sources close to the project confirm that there was supposed to be a major fight sequence right in between.
That peculiar time-jump was always a part of the plan, and sources close to Trank say his idea was to race out of that disturbing accident scene and throw the audience into a major action sequence. Only after that would he play catch-up – explaining that the three were now unofficial super-soldiers working on behalf of the U.S. of A.
What we would have seen after that smash-cut to black was this:
You can see remnants of the deleted scene at the end of this trailer, and a shot of The Thing getting machine-gunned at 2:09.A Chechen rebel camp in the wee hours of the night. There’s no explanation for where we are, but there are soldiers speaking a foreign language, and they are loading up some heavy-duty weaponry.
Crews are filling truck beds with the gear, preparing to mobilize – then a siren goes off. Everyone freezes, and one by one they turn their faces to the sky. A stealth bomber whispers by overhead, and a large object falls from it, streaking through the air at great speed.
The object – a bomb, a missile? – collides with the earth in the center of the camp, sending debris is all directions. The soldiers take cover, then tentatively emerge and walk toward the crater, where there is a giant pile of orange boulders.
Slowly, the rocks begin to move on their own, becoming arms, legs, a torso, a head …
This rock-figure lumbers out of the smoke, and the soldiers level their weapons – then open fire.
As The Thing lurches into view, bullets spark and ping off his impenetrable exterior.
Rather than some elegant, balletic action sequence, The Thing moves slowly and deliberately. He’s in no hurry. The storytelling goal was to show the futility of firepower against him as he casually demolishes the terrorists. It’s a blue-collar kind of heroism.
When it becomes clear this rock-beast cannot be stopped, the surviving Chechen rebels make a run for it – and that’s when a hail of gunfire finishes them off.
From the shadows of the surrounding forest, a team of Navy SEALS emerge with their guns drawn and smoking. The cavalry has arrived, but the enemy has already been subdued.
The film would then have shifted to a bird’s-eye view of the camp, an aerial shot showing waves of American soldiers flooding in to secure the base. Just when it appears the American soldiers may be ready to clash with the rock monster, The Thing gives them a solemn nod, and they clear a path. He lumbers past them, almost sadly, a heartsick warrior. Then he boards a large helicopter and is lifted away.
Only then does the movie cut to that conference room, where Tim Blake Nelson’s Dr. Allen is crowing to his military overlords about how this mutated team of scientists is helping do the heavy lifting for America’s rank-and-file soldiers.
Most of EW’s sources agree, with tiny variations, that this scene is what audiences were meant to see. But the reason it was only in the trailer, and not the finished film, is where opinions diverge.
Those close to Fox say Trank was indecisive, and couldn’t figure out if he needed the scene, going back and forth before finally deciding it wasn’t necessary. They cite it as another example of a director out-of-control, unsure of what he wants or how to execute it.
Others close to Trank say the filmmaker always wanted the sequence, but was forced to cut it when the studio pared back the budget at the start of production. They say Trank created a detailed previsualization of the scene – essentially, an animated version of what it should look like – that allows digital artists to begin creating effects.
Late in production, when Fox executives realized they had a comic-book movie in dire need of action, sources sympathetic to Trank say they agreed to finance the scene – but Trank was not allowed to participate in the filming. As a result, the crew returned with footage shot in documentary hand-held style – which didn’t match the previsualization, or the planned digital effects, and also clashed with the visual style of the rest of the movie.
At that point, according to sources close to Trank, the exasperated director chose to kill the scene entirely.
It’s impossible to tell who’s at fault, but there’s no denying the scene would have delivered a visceral jolt just as the movie’s pace was beginning to flag.
As for the trailer, someone decided the scene was good enough to sell the movie, but not good enough to make the final cut.
Here's what the mysterious deleted Fantastic Four scene was supposed to be...
http://www.ew.com/article/2015/08/1...supposed-clobber-deleted-fantastic-four-scene
Sounds like this could've been one of the found footage elements which ended up getting scrapped.
Your perspective is off because you're presuming seeing a film put out by these a**holes would be a pleasurable experience.
I wouldn't derive any pleasure knowing I was putting money in the pocket of these jerks.
I used to love Woody Allen and Roman Polanski films, but there's credible evidence that both of them rape children. I can't watch their films any more because the thought turns my stomach. That's not a pleasurable experience even if the film, on its own, would be.
When Trank says that at year ago he had a fantastic film which would've had great reviews, I take it with the same grain of salt as his email that said that his film would be better than 99% of the CBMs out there.
I wonder if all those Chechen rebels that got mowed down by the military soldiers are included in Ben's confirmed kill count.
Wait... Ben was going to be able to collapse into a pile of rocks and then pull himself back together?! That's not even Fantastic Four. That's various rock monsters from other things. I'm positive I've played multiple JRPGs that have rock monsters that do this. You attack them, they collapse, then they pull themselves back together. I want to say the last one I played that did this was a MegaTen game...
You were looking forward to The Martian. Implying that you are not anymore? Why? Because it's a Fox movie? Even though nothing about the cast, crew, or the film undergoes any tangible change with that knowledge? The film is the exact same, regardless of what name accompanies the opening.
BTW, Redbox pays Fox to be able to rent their DVD's. So if you Redbox the Martian you will still be putting money into Fox's wallet. Better to just torrent it or something.
I'm not 'boycotting' anything, and I thought I had made that clear. Seeing a film released by the a**holes that have been insulting me and screwing up the FF for the past 10 years will not give me pleasure so I won't do it.
Some people don't like Tom Cruise, so they don't see films he's in. Those people don't owe anything to the director, producer, cinematographer, script-writer, editor etc. Your premise is ridiculous. Films aren't charities. I'll see whatever damn films I want to see. I'm not going to see a film I won't enjoy out of some sense of pity for theater owners and the people who made it.
This was a thread that was specifically set up by the mods so that people like me could vent. If you don't understand the emotional reaction people like I have (which I have explained at length in the past), maybe you shouldn't be posting here.
Yep, the old Ben Grimm disguising himself as a pile of rocks and then assembling himself ploy.
I've seen that one in so many comics going all the way back to........never.
Sad thing is that a lot of the apologists will site this kind of trash as "proof" of how much better the "trank Cut" would be.