Andrew Lucas
Young Wolf
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Also, Harry died a hero.
Gwen died by being an idiot.
Yeah,she just helped helped Peter to defeat Electro since he couldn't do two things at the same time.
Also, Harry died a hero.
Gwen died by being an idiot.
There was nothing wrong with the acting from Dunst or Maguire in Harry's death scene. It was excellent, especially from Franco and Maguire. Just saying Kirsten Dunst is a weak criticism like her presence there just instantly ruins it. She doesn't even say anything. She just sits there tearfully holding Harry's hand while Harry and Peter have their final moment. This is why a lot of the criticisms against her are predominantly hyperbole. I say that as someone who generally really disliked her in Spider-Man 3, but there was nothing wrong with her in this scene, and she didn't hurt it in any way.
Having a very unlikeable character being present in a major death scene definitely drags the scene down for me.
And to me, Andrew's acting during Gwen's death is so much more convincing than Maguire's.
Yeah that.Gwen's, clearly.
Holy wow, sent chills down my spine. I know it's pretty controversial, but I think that scene's gold class. Good acting, I liked the slo-mo, we knew she was going to die, so it was more effective than just bang, it wasn't the death, but what it meant, that was important, and giving it more time is what made that more effective. That "hand" thing was fine, it conveyed its message.
Harry Osborn.
[...]
However, Harry's death is built to gradually over three films. And as flawed as Spider-Man 3 is, his death hurts. It comes at the exact moment where SM3 has its one undisputed speed rush high of Peter and Harry teaming up after a movie of mean-spirited and violent clashing. Before the Avengers and MCU movies, there was this, which came after a trilogy of tension, so the team-up felt very cathartic.
And then Harry dies. It may have been very soap operaish that Peter gets to say goodbye and Harry looks peaceful, hiding his scarred face (the last bit goes back to '50s noir, and Nolan even used a similar shot in The Dark Knight after Harvey Two-Face dies). But it is emotional and earned sadness as a storyline is bittersweetly put to rest, as well as the saving grace of the third film, which puts a nice bow on the entire trilogy.
[...]
That is one of the many reasons the third Raimi movie is still vastly superior to the second film in the Webb series that ended abruptly last year.
Harry Osborn.
I like Emma Stone much better as an actor than James Franco, and I thought she was the only saving grace of TASM movies while the Raimi films definitely could have continued without Harry Osborn.
However, Harry's death is built to gradually over three films. And as flawed as Spider-Man 3 is, his death hurts. It comes at the exact moment where SM3 has its one undisputed speed rush high of Peter and Harry teaming up after a movie of mean-spirited and violent clashing. Before the Avengers and MCU movies, there was this, which came after a trilogy of tension, so the team-up felt very cathartic.
And then Harry dies. It may have been very soap operaish that Peter gets to say goodbye and Harry looks peaceful, hiding his scarred face (the last bit goes back to '50s noir, and Nolan even used a similar shot in The Dark Knight after Harvey Two-Face dies). But it is emotional and earned sadness as a storyline is bittersweetly put to rest, as well as the saving grace of the third film, which puts a nice bow on the entire trilogy.
Gwen Stacy meanwhile is killed as an afterthought. A plot point included simply because suits thought fans wanted to see Gwen die, and yes man Marc Webb obeyed. There is no build up, no emotional or storytelling catharsis. It just happens randomly after the climax with Electro. It's included on a whim and not even seriously dealt with. Harry's death brought a somber note at the end of SM3 with Peter and MJ both finally growing up past their relatively immature issues and emotions.
TASM2 by contrast cheats with a time-jump, cutting short the emotion so it can end on useless set-up for sequels and spin-offs that will never come with a crappier version of Harry Osborn, the Sinister Six, and the false "high" note of Spidey battling Rhino. It hides from its tragedy. SM3, for all its problems, embraces its ending head-on.
That is one of the many reasons the third Raimi movie is still vastly superior to the second film in the Webb series that ended abruptly last year.
This. So much.
I thought Gwen's death in TASM2 was emotional and Garfield did an exceptional job selling his grief. But there wasn't any proper buildup to it, it felt inserted just to appease Avi Arad.