BatLobster
Trailer Timewarper
- Joined
- Mar 18, 2012
- Messages
- 16,140
- Reaction score
- 9,843
- Points
- 103
Well, here's my bit about the Goyer thing...in the past he's been praised for his "big picture" ideas but criticized a lot for his one-liners and dialogue- either fairly or unfairly.
Yes, I know the buck stops with the director. I was just having a similar argument in the Star Wars thread about Star Trek Into Darkness...and I was saying that Abrams shouldn't be completely let off the hook because the script had to go through him to get to the screen.
It's just that in the case of TDKR...the things that people tend to be unhappy with about are big picture story elements, things that had to stem back to the original outline. That's why I'm a little surprised Goyer doesn't take a little more heat, considering he's supposed to be in there as the "guardian of the mythology". Not that I think he deserves it, it's just an observation. If people are implying the whole creative team when they say "Nolan", then good- I would hope so. But it still seems even more unlikely to me that all three of them would not have their hearts in it.
In terms of directing- it's a well executed film. Visually stunning. Emotionally potent. Great performances. Fantastic special effects. An engaging story that holds your attention from beginning to end. All the marks of good directing are there. And I think it's well written too, with some great, memorable and quotable dialogue throughout. The fact that people have to point to Talia's death scene (which honestly isn't that bad) as some sort of evidence that Nolan was phoning in on set is kind of odd to me. While we're at it, Irvin Kershner should probably go back and film another take of Luke screaming "No!" that isn't completely hilarious. This kind of thing happens. Maybe you think you had it in another take but the focus was off by a smidgen. Who knows? Maybe the take he used was exactly what he wanted for whatever cooky reason. I always found Thomas Wayne's death scene kind of awkward too, maybe those just aren't Nolan's bag. In any event, it's one minor oddball moment in a film full of fantastic performances.
Anyway, it's not like I only love TDKR only because it's bigger. A bigger bomb and bigger booms alone don't make a good movie. Just like TDK increased the scale and blew up a LOT more stuff while telling a great story, I felt this film continued in that tradition. To me the story has the most heart of the three, that's what keeps me invested. It feels very intimate to me despite the gargantuan scale. At the same time I appreciate the challenges that go into making a film of this size and doing so much of it practically and, I don't take Nolan for the type of guy who suddenly would decide to go style over substance and put all that work in if he didn't feel that all of that was in service of a story that he felt was worth telling. Maybe it feels like "kewl for the sake of kewl" to someone who didn't connect with the film, but I still don't think that's what the intentions were. But in the end, none of us are in Nolan's head and our reactions to this are merely extensions of how we feel about the film.
Yes, I know the buck stops with the director. I was just having a similar argument in the Star Wars thread about Star Trek Into Darkness...and I was saying that Abrams shouldn't be completely let off the hook because the script had to go through him to get to the screen.
It's just that in the case of TDKR...the things that people tend to be unhappy with about are big picture story elements, things that had to stem back to the original outline. That's why I'm a little surprised Goyer doesn't take a little more heat, considering he's supposed to be in there as the "guardian of the mythology". Not that I think he deserves it, it's just an observation. If people are implying the whole creative team when they say "Nolan", then good- I would hope so. But it still seems even more unlikely to me that all three of them would not have their hearts in it.
In terms of directing- it's a well executed film. Visually stunning. Emotionally potent. Great performances. Fantastic special effects. An engaging story that holds your attention from beginning to end. All the marks of good directing are there. And I think it's well written too, with some great, memorable and quotable dialogue throughout. The fact that people have to point to Talia's death scene (which honestly isn't that bad) as some sort of evidence that Nolan was phoning in on set is kind of odd to me. While we're at it, Irvin Kershner should probably go back and film another take of Luke screaming "No!" that isn't completely hilarious. This kind of thing happens. Maybe you think you had it in another take but the focus was off by a smidgen. Who knows? Maybe the take he used was exactly what he wanted for whatever cooky reason. I always found Thomas Wayne's death scene kind of awkward too, maybe those just aren't Nolan's bag. In any event, it's one minor oddball moment in a film full of fantastic performances.
Anyway, it's not like I only love TDKR only because it's bigger. A bigger bomb and bigger booms alone don't make a good movie. Just like TDK increased the scale and blew up a LOT more stuff while telling a great story, I felt this film continued in that tradition. To me the story has the most heart of the three, that's what keeps me invested. It feels very intimate to me despite the gargantuan scale. At the same time I appreciate the challenges that go into making a film of this size and doing so much of it practically and, I don't take Nolan for the type of guy who suddenly would decide to go style over substance and put all that work in if he didn't feel that all of that was in service of a story that he felt was worth telling. Maybe it feels like "kewl for the sake of kewl" to someone who didn't connect with the film, but I still don't think that's what the intentions were. But in the end, none of us are in Nolan's head and our reactions to this are merely extensions of how we feel about the film.
Last edited: