Third viewing of the film, still a great rewatch.
I mentioned this in my first review, but did anyone else catch how the opening Marvel logo seems to flip through a wider range of X-Men and Wolverine comics, as if to point out how this film is the culmination of almost everything? I recognized a few modern drawings of Jean in there as well as older comics.
The trailer did a great job of showcasing this, but another characteristic this film has going for it is the striking and provocative imagery. Maybe it's just how deliberately realistic it is compared to the more futuristic worlds of the X-Men, MCU and DCEU, but there is some definite power in seeing these characters inhabit very mundane situations. I think it speaks to how good the film is when something like Logan picking up Laura after the clash at the Munson farmhouse, her holding his shaking hand and even stuff like Logan helping push Will Munson's truck out of the ditch is something that leaves an impression and is powerful.
Also, Donald Pierce's look is really something else. I love all of it. The glasses, the skull tattoo on his throat, the rather minimalist cybernetic hand complete with Hellfire Club sticker, Boyd's swagger - it's an awesome adaptation of a character to be frank. A lot more interesting than a guy dressed in all white.
There's a great podcast with Craig Kyle and Audrey Kearns at Geek Girl Authority if you want to hear some real in-depth thoughts of his on Logan (which are beaming if you guys haven't read his Twitter or anything). One thing that surprised me is that Kyle doesn't like the 90s TAS and hates the voice acting so he wasn't really bothered by living up to it on Evolution/Wolverine and the X-Men and he believes
Logan is the perfect Laura/Logan story ever told
http://www.geekgirlauthority.com/ep-48-craig-kyle-x-23-creator-thor-ragnarok-writer/