I almost feel bad for future CBMs that will come and try to tout their “character driven” or “dramatic” or “human” films, because it will almost certainly fall short of what we have seen in Logan. This is a film with tremendous ambition and an uncompromising vision from James Mangold and Hugh Jackman – with blood chilling violence and arguably even more painful emotional violence. These characters, for all of their comic book-y powers, have never been portrayed before with such emotional truth and humanity. The minor character beats that we see - Laura and the horses, Charles and his garden, Logan and his reading glasses, are all great, and when we get to moments such as Logan whispering, “It wasn’t me” after X-24’s attack or the conversation with the Munson’s – gut-wrenching. The violence is great, it is very apparent that Hugh and Jim are thinking of the fans, but what makes it even more special is that it has stakes and consequences. Logan, for all of his bitterness and cynicism, is still an X-Man deep down, costume and healing factor be damned - and he will do his best to protect those around him.
One of the most astounding things about the film is the acting – Hugh and Patrick dig down so deep that it makes me wonder what other filmmakers were even doing in the other films with the material they gave them. Hell, I almost feel bad for James McAvoy. How do you top that? You give three stellar performances as Charles, and then Sir Pat comes back with that?
Hugh also reaches perfection as the old Logan. This is just a transformative performance. It’s like those actors who have to portray older characters with prosthetics and stuff, only in Hugh’s case, he’s still gotta be jacked and in great physical condition. But the strain of his age is palpable.
Boyd Holdbrook and Richard E. Grant did both great in their supporting roles. I almost wished Zander got more screentime, if only because I enjoy Richard E. Grant so much. But he fulfilled his role. The Reavers being nameless grunts didn’t bother me one bit, that’s exactly what they’re supposed to be. The only difference now is that the grunts are menacing because they’re cyborgs and people actually die in this film.
Then there’s the one we’ve all been waiting for – Dafne Keen. There’s so many great actors cast in CBMs these days that I feel like it’s hard to distinguish between the good performances and the great ones. (There are a few bad ones here and there, but for the most part, every CBM has good casting and performances). But Dafne is a revelation. Not only is she able to fulfill Jim’s physical criteria such as being bilingual and having tumbling skills, but also is wonderfully emotive with her silent scenes. And when she does speak, every line matters. A year after Ryan Reynolds fulfilled his destiny with Deadpool, I believe we may have watched Dafne fulfill her god**** destiny to be this character. Dafne completes the circle that Hugh began and the Wolverine lives on.
There’s so much more to talk about, but I’ll just leave it at this. This film is transcendent in that it exceeds its comic book brethren and doesn’t have to be judged on some sort of comic book curve. Maybe it’s not a gamechanger, because other films won’t ever go down this path probably. But Logan, like The Dark Knight, melds decades of the source material and distills it into something definitive and meaningful. Logan, in its own bold, brutal and beautiful way, tells us that love and family can and will find a way, and isn’t that what the X-Men were always about? I’m inclined to think so.
10/10