Zev
Superhero
- Joined
- Oct 21, 2003
- Messages
- 7,337
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- 31
Just to make things fair, I say that whenever a writer wants to retcon a rape into a female character's past, he also has to retcon sexual abuse into a male character's past. That oughta keep things even. Rape does not magically make a two-dimensional character complex, it just makes them a two-dimensional character that's been raped. And it often destroys (literally, in Sue Dibny's case) what made the character compelling in the first place by replacing it with teh angst
Black Cat works best as the Other Woman. She used to be an immature bubblehead, she grew up and realized her crush is never going to be in love with her and if she presses the point she'll lose Peter's friendship, so she's moved on. Which, of course, leads to lots of sexual tension which can be refreshing when your two romantic leads are characters who are married and thus usually have no "I WANT to... but I can't... but I want TO." But when written poorly, she's just the Biyatch. And she's been written poorly a lot.
Oh, here's another one for the list.
Rahne Wolfsbane - Sexually abused by priest/father, retcon.
Black Cat works best as the Other Woman. She used to be an immature bubblehead, she grew up and realized her crush is never going to be in love with her and if she presses the point she'll lose Peter's friendship, so she's moved on. Which, of course, leads to lots of sexual tension which can be refreshing when your two romantic leads are characters who are married and thus usually have no "I WANT to... but I can't... but I want TO." But when written poorly, she's just the Biyatch. And she's been written poorly a lot.
Oh, here's another one for the list.
Rahne Wolfsbane - Sexually abused by priest/father, retcon.