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This is a continuation thread, the old thread is [split]472575[/split]
It's funny, because that's how I feel about TASM2.
To get back on topic, even though I have always loved BB; watching TASM again made me realize how great of an origin story and first chapter of a trilogy BB really is.
Begins is the setup and it's a great setup. For my money the best origin story yet to be done. In some ways it is the most traditional superhero adventure film of the three. The sequels take that character groundwork with Bruce/Batman and turn it on its head, effectively dismantling what it had established while logically progressing the thematic ideas. Batman is deconstructed in Knight with the Joker turning the symbol against Gotham while Bruce himself is deconstructed in Rises, stripping away nearly every support structure of his life to leave the essential core.
To get back on topic, even though I have always loved BB; watching TASM again made me realize how great of an origin story and first chapter of a trilogy BB really is.
To me, what makes Begins special are the following:
- Great, epic casting (sans Katie Holmes)
- Nonlinear origin that pulls you into Bruce Wayne's lost soul from the opening minutes
- Tactile, practical effects-driven aesthetic that harkens back to 70s blockbusters
- A very fresh musical approach (at the time) to a superhero movie
- A fresh take on an old story, generally speaking
Those are the big ones for me. In many ways it's a by-the-numbers origin script with a lot of similar beats that you see in all the other ones. But it's exactly what it needed to be, and Nolan's fresh approach to the genre made it something really special.
I've also grown to love BB more in the last few years... I think we kind of took it for granted, but with movies like The Amazing Spider-Man, it makes you realise just how good it is.
BB was basically Nolan unleashing the type of blockbuster movie that he would've enjoyed growing up in the 70s. Up until that moment he was just known as the guy who made cerebral, puzzle films. I think with BB he revealed the side of himself that has grown to define who he is as a filmmaker more...a guy who wants to make grand scale entertainment with some thought and a pulse behind the spectacle. And a sense of tactile reality.
BB was basically Nolan unleashing the type of blockbuster movie that he would've enjoyed growing up in the 70s. Up until that moment he was just known as the guy who made cerebral, puzzle films. I think with BB he revealed the side of himself that has grown to define who he is as a filmmaker more...a guy who wants to make grand scale entertainment with some thought and a pulse behind the spectacle. And a sense of tactile reality.
Batman Begins is a near perfect origin tale. It might be exposition heavy, but it takes you on this character's journey to the point where his becoming Batman feels narratively organic and satisfying, as opposed to expected and obligated. And it just a lot of fun.
Not to join the "bash TASM" bandwagon...but, yes. That not only felt redundant of the first Raimi movie, it spun its wheels making things like Uncle Ben's death and his becoming Spider-Man feel almost random in their obligatory nature, as opposed to a logical progression of the character. And the less said about the Lizard, the better. And I say this as a big fan of the Lizard character as a kid.