I'd put Jackman and Evans in that list too
I wish it was edited slightly differently without all the jumps in time. It was so clear that it was shot on film too, unlike Ironman 3 where it was clearly shot on video. It looked so much better because it was not shot on video.
Some of it didm but some didn't. Like a lot of singles/medium seemed very rudimentary and TV...like that exchange with the priest in particular. It's like 'what is this, Dawson's Creek?' And really too much hand-held where simple locked or smooth would have been much nicer.
t:You could make the color palette pretty much anything you want on either format. I always love film, but this felt rathe flat in a lot of areas....almost like too many telephoto lenses. All the greenscreen/effects stuff probably didn't help.The way Zack Snyder shoots, with one camera I didn't have a problem with. Most of the action scenes were really well done and you could see for the most part what was happening. Shooting on film as opposed to video just the whole color palette looks completely different.
I don't think it had 'too much' action, it was just sort of 'meh' by the time it all piled on. Kinda' like the rest of the film, before was just a formality to get there...like complementary bread instead of a real appetizer. And then the main dish while big in portion was sort of plain in flavor.Arrived back from the midnight showing a few minutes ago.
I'll reflect on what I saw for a while, and view it a second time before writing a full review. My rating as of right now is 7/10.
Also... I'm confounded that anyone could complain it had too much action, without enough character and story.
There's a distinction to be drawn between story and plot. The story was fine. The plot was choppy.
Important Note: Makes sure the large heavy alien-probe mantle is rotated into the 12 o'clock position to insert USB key, or world-saving plan will not proceed.
And be sure to insert the key all the way down to avoid dangerous attacks and moral lectures.
t:

I'm with you on that oneI thought Hamilton would show why Superman works with him in the future. I thought he would decipher some kind of writing and turn some knobs or something. Nope. Rotate.
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I don't think it had 'too much' action, it was just sort of 'meh' by the time it all piled on. Kinda' like the rest of the film, before was just a formality to get there...like complementary bread instead of a real appetizer. And then the main dish while big in portion was sort of plain in flavor.
I respect your opinion.
One of the reasons may be that the terraforming angle was scarcely alluded to (if at all?) before it appeared. Up until then the Kryptonian aspect revolved around the codex, and then suddenly the mass/gravity generators. Felt almost out of left field. There are gaps in our understanding of even the basics of Zod's plan.
t:I didn't find that at all. It is definitely up there for me.It felt veery A-B-C-etc, but leaving out some vowels, if you will. Again, very much like a TV episode that they had to wrap up within the hour. That's the thing, we didn't 'miss' anything, but there always felt like a lot was missing. It was pretty flat.
Again, clearly not better than most other Superhero movies out now....sadly sort of re-affirming the idea of Superman being surpassed as a character.
Is it out of left field? I think it plays right alongside of the Jor-El and Zod about essentially feeling the same about all of these things, while going about them in vastly different ways.I respect your opinion.
One of the reasons may be that the terraforming angle was scarcely alluded to (if at all?) before it appeared. Up until then the Kryptonian aspect revolved around the codex, and then suddenly the mass/gravity generators. Felt almost out of left field. There are gaps in our understanding of even the basics of Zod's plan.
That isn't what happened.A few turns and adjustment to the prison ship's air conditioner and voila'....space warp. Cool, huh?t: