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This is a continuation thread, the old thread is [split]364481[/split]
Honestly guys, this thinly veiled sexual tension can only be solved via three-way.
DoomsdayApex said:I wholeheartedly agree.
While he IS the greatest villain in the Batman Universe (at this point), I tend to believe that other villains, such as Bane and Ra's al Ghul, provide a much more legitimate threat to Batman and Gotham.
I've read my share of comics, and although I am not an expert on the subject (compared to other members here), I've read enough to notice DC's 'direction' with some it's characters and plots. It's unfair but DC and Marvel prefer to stick with the characters that bring in the attention... even though the act has gotten stale, ancient and unbelievably repetitive.
Are you now saying artists are the same as writers? That's a cover, not written story.....I know. Writers will do anything the fans want, even for shock value only. They constantly cover their asses with little off-continuity experiments, anyway. Look:
Are you now saying artists are the same as writers? That's a cover, not written story.....
Quite a funny interview at the premire for tinker tailor, some reporter goes
"Now your in...The Dark Knight Rises? Havent heard of that is sounds like a vampire film."
Hardy just bursts out laughing
What do you think cover art is for? It's almost always different than what you get in the actual strips. It's to create shock value, so you notice the book, which has nothing to do with writers, although, that was your point.I'm saying DC likes to toy with the idea. The story became an excuse for a sensationalist front cover. To back it up, No Man's Land had the Joker at the mercy of Bane, completely defenseless, only to have Mercy making Bane leave at the last second.
Bat-lore is too frequently contradicting and looking for quick shock value. It sacrifices characters potential too often. I wholeheartedly believe that Batman's rogue gallery is the one with most potential in any superhero universe. I just wish they exploited it better.
What do you think cover art is for? It's almost always different than what you get in the actual strips. It's to create shock value, so you notice the book, which has nothing to do with writers, although, that was your point.
In other words, your point is moot when your only reference to writers, is cover art.
Exactly.
Shockingly The Joker didn't grow into a hundred foot giant and pin Batman to a giant playing card in this story, despite what the cover shows:
http://www.youtube.com/watch?v=tMmxHKote28&feature=player_detailpage#t=134sthere a video for this? lol
Was the reporter being serious?
But this did happen.
You do honor your signature.
What do you think cover art is for? It's almost always different than what you get in the actual strips. It's to create shock value, so you notice the book, which has nothing to do with writers, although, that was your point.
In other words, your point is moot when your only reference to writers, is cover art.
Yes, it did. Bane punched Joker around a couple of times.
Bane breaking Joker's back over his knee, like on that cover you posted, did not happen. That was just a visual homage to this:
How?
I had already answered. Look at my replies to Travesty. The cover was to illustrate and reference my point. Why it was understood literally, I have no idea.
P.S. Most people who see a 'giant Joker holding a Batman card' cover understand it metaphorically. Bane breaking Joker's back was a cheap sales stunt.
So you're saying that No Man's Land is a story with no preparation, no real execution, and is merely just "lazy", as you're trying to write it off?My point is not moot. I don't have a problem with the cover art. I have a problem with the general direction of looking for new exciting stuff that readers can drool about, and the best way the writers can back that up is writing brief and sweeping passages that under-use great characters (i.e. Bane) and solve almost everything with deus ex machinas (a.k.a. Joker's primary writing device, apparently).
The cover was to illustrate my point, which is not moot. I'd rather have Bane break Joker's back (no matter how repetitive that is) if it's backed up with a real story, with real preparation, real execution, and real exploration of consequences. What I don't like is sad cop-outs of cheap and cheating storytelling. And that is on DC's and its writer's shoulders.
Because you were talking about how sensationalized DC writers are, and then said, "well look at this crazy pic", which has no basis to a very good Batman story. In other words, it makes no sense to even make that comparison, especially when attributing it to writers.I had already answered. Look at my replies to Travesty. The cover was to illustrate and reference my point. Why it was understood literally, I have no idea.
No offense, but perhaps it's because you did a poor job of clarifying your point.
Not that I agree with the points you made either. No Man's Land is one of the greatest Batman stories ever told.
Horse radish. That is a classic comic book cover trait. DC and Marvel do it all the time and have done for decades. The covers frequently have images that don't happen in the story.
So you're saying that No Man's Land is a story with no preparation, no real execution, and is merely just "lazy", as you're trying to write it off?
Because you were talking about how sensationalized DC writers are, and then said, "well look at this crazy pic", which has no basis to a very good Batman story. In other words, it makes no sense to even make that comparison, especially when attributing it to writers.