Cuaron was actually one of my preferred choices to direct a future Star Wars movie. However, seeing him on a DC project could be really cool as well.
Erik Amaya said:Since it was announced on Friday that Justice League star Ben Affleck will also serve as an executive producer on the film, a lot of the discussion has centered on the possibility the tone of the film will change from the dark and gritty feel of Batman v Superman: Dawn of Justice to the more pop-infused feel of Marvels Cinematic Universe. And, indeed, if one tone is superior to the other.
But the notion that Justice League will more closely resemble its cross-town team counterpart presumes Warner Bros. has lost its faith in the tone established by director Zack Snyder, writers David S. Goyer, Chris Terrio and Dark Knight trilogy mastermind Christopher Nolan. Which, at least from a numbers standpoint seems unlikely. The darker, grounded tone of the recent Batman cycle was a consistent money maker for the studio. In fact, it was impressive enough for former studio chief Jeff Robinov to announce the studio would make the DC Comics characters go dark to the extent that the characters allow it.
Though Robinov is long gone, that vision is realized in Batman v Superman and while its $864 million worldwide box office would seem solid proof the approach works, the court of public opinion suggests the film is not quite so successful.
Which brings us back to the tone problem. With Marvel and its mutant cousin Deadpool produced by 20th Century Fox setting box office records on fire with its seemingly less serious films, theres definitely a perception that Warner Bros. is chasing the tone and hoping it will translate into bigger grosses. But isnt that the same problem as trying to take the characters dark to emulate Batman?
A Flash film in which Barry curses his ability to run would be as odd as Batman movie directly inspired by the pop sensibilities of the 1960s Batman TV series in fact, we know exactly what that would look like thanks to 1997s Batman & Robin. An R-rated Superman movie in which the Man of Steel was free to curse and talk to the audience would be a misread of the characters as well. Each character has a tone that works best, but in a film which they all appear, one must dominate.
For Justice League, it would seem to be the more apocalyptic tone would be correct. The group faces alien invasions, the incomprehensible menace of New Gods and reality-shattering red skies with regularity and its not exactly the best place for yuck-fests.
Thats even assuming this is Afflecks concern. Considering his own work as a filmmaker, he wouldnt necessarily be intent on turning the Justice League films into Ant-Man though rumors persist the recent Suicide Squad reshoots were intended to add humor to the film. If Afflecks contributions as an executive producer do lean that way, he may be focused on finding those character moments that naturally generate humor. In Argo, he demonstrated an ability to maintain a serious tone with a number of funny or light moments.
It is doubtful the first Justice League film, already in production, will change all that much, but it would seem the DC film universe may be changing from its initial Nolan-inspired groundings. And certainly that will be good for some of the characters as darker Flashes, Blue Beetles and Ambush Bugs would be an odd choice to make.
As if Captain America: Civil Wars near record-setting success wasnt bad enough for Warner Bros., there was also the loss of The Flash director Seth Grahame-Smith over creative differences. With at least 10 more DC movies coming out in the next three-and-a-half-years, its worth asking: is the DCCU doomed?
They do offer a different flavor for those of the audience that can't get into the greater MCU for whatever reason, so I wouldn't call it fatigue. If they were mimicking Marvel and doing it badly, I'd say you have a better case for them contributing to superhero fatigue.
Improvements? I would suggest better editing, a longer movie if needs be, more establishing shots, and less reliance on CGI for the bad guys; or go for broke and do Gollum-tier CGI when it comes to major baddies like this Steppenwolf and Darkseid whenever.

He is the third director to quit.Seriously?
Civil War's success is GOOD for Warner Brothers. When any CBM is successful, it's good for all the companies, not just the one that made it. And people are still trying to make a problem out of that crappy director leaving Flash?
Justin Kroll said:The studio is declining to elaborate on the cliched creative differences joint statement that was issued when the two parted ways. But, according to multiple sources close to the project, the directors vision for the movie was vastly different from the studios view. MacLaren envisioned the DC Comics-based Wonder Woman movie as an epic origin tale in the vein of Braveheart, whereas Warner wanted a more character-driven story that was less heavy on action.
Adam Holmes said:Actor D.J. Cotrona, who was set to play Superman in Justice League: Mortal, told Slash Film that fans missed out on seeing director George Millers gigantic interpretation, citing this years Mad Max: Fury Road as proof of what he could have accomplished with the DC heroes. Cotrona said:]
The best way I can describe it is: George Millers mind is so operatic and big and expansive, its a shame that the world didnt get to see what he would do with superheroes. It was allegorical, like a story of Greek Gods almost. He was doing things with the Superman character and Batman character, and all the iconic favorites, thats never been done before. Watch Fury Road and you can only imagine what he would do with those iconic characters.
He is the third director to quit.
Variety APRIL 17, 2015:
Wonder Woman: The Story Behind Michelle MacLarens Exit
Variety MARCH 5, 2016:
Joseph Gordon-Levitt Drops Out of The Sandman
Joseph Gordon-Levitt has ditched his Sandman project at New Line due to disagreement with the studio.
What We Missed When George Miller's Justice League Movie Was Cancelled
Sandman wasn't part of the DCEU. And MacLaren leaving was never forseen as an issue until now, when everyone is desperately looking for "proof" of failure.
It's also important to point out that Miller and MacLaren didn't nesecarily quit. They could have gotten the boot. After all, if the rumors are true, MacLaren had some pretty crappy ideas. Both of these movies are better off without the original directors.