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This is a continuation thread, the old thread is [split]538545[/split]
Everything with Michael Shannon's character along with the running themes of advertising are a giant commentary about how our idea of a nostalgic 50s/60s America is a fantasy construction that has been sold to us and behind it is a rotten core.
That movie has plenty on its mind.
Absolutely.Would you guys say "Three Billboards" is worth watching?
Happy for GDT, Deakins, Oldman- all the folks who were due. And I was very happy to see Jordan Peele pick up a win too.
I have to say though, I do kind of miss the days when acclaimed films that actually made money and resonated with a wide audience had a shot at best picture. We haven't really had that since ROTK. I really feel like the only films out of the BP batch that will still be watched and talked about 10 years from now by people other than cinephiles are Dunkirk and Get Out. Again, I'm really happy for GDT and also happy to see something genre-tinged get the big wins. I just feel like this was a year we had some "populist entertainment" nominated that also had a lot to say and were brilliantly executed-- it would've been nice to see one of those take the big prize. If only to help counter the feeling that the Oscars are stuffy, and they award movies nobody has seen, etc. On an OCD-level, it does sorta bug me that Nolan lost for what may end up being the most singular work of his career and GDT won for a...good film- but IMO not a film that only GDT could've made. Dunkirk, Get Out- those films live or die by their writer/directors and how they executed their vision.
But hey, what're you gonna do. Again, happy for GDT getting his moment here, just cause how can you not like the dude. Overall I was fine with how most of the winners shook out.
I second that.Absolutely.
Both Adam West and Tobe Hooper weren't in the memoriam.