Green Goblin 1964
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What Comic scenes would you like to see in the upcoming Hulk movie from the classic comics or the more modern comics....Post Away!
Happy Halloween, Guest!
lol... thats some funny s**tHere's one I'd like to see:
Here's what I want to see in a trailer (can't make new threads yet, this is closest topic to ideal trailers)
Sorta like the first Spiderman 1 trailer where you didn't know it was a superhero flick till the end. I'm talking about the one for like a minute where it's a big bank heist and at the end the helicopter gets stuck in webs, cue Spidey's face. Just a teaser, like "Oh, this exists"
My idea: Like a minute of Norton hiding/running from soldiers in either city or forest, can't decide. Looks like something out of The Fugitive. Make it obvious that it's Norton, get people excited. Have soldiers see Norton, he runs. He runs around the side of a building/boulder (depends on whether he's in a city or forest). The soldiers start to run around and right before they run off camera you just see the Hulk QUICKLY jump out, raise his fist, and be about to punch a soldier into next week. Cut to black, say "The Incredible Hulk - 2008"
end.
quick, nice "Holy s**t!" moment.
I like a lot of your ideas so far. Having said that, I posted the following in a different thread in May, but for clarification, I too would like the TIH trailer to have the same feel as the Spider-Man one... where you don't know it's a superhero flick till the end... and I've modified it slightly:
With Abomination (or whatever he's called in the movie) threatening all of existence, the situation on earth is dire. We desperately need someone or some thing to save us, and only the Hulk is qualified for the task (but no one knows this or whether he's even alive). Bruce Banner, being on the run, is pulled away from his attempts to find a cure and Hulk is drawn back into the ring, so to speak. The key is the trailer HAS to convey that Bruce's desire to get the Hulk involved comes from within, so as to provide contrast to the enormous battles Bruce is facing inside - to rid himself of the monster or to save himself along with humanity and give up his search for a cure (make himself vulnerable).
His decision, and ultimately the hope of mankind, is revealed only at the end of the trailer with a dark, misty scene of the Hulk facing off against Abomination. We first see all of the ghastliness and impressiveness that is the Abomination, before the camera steadily pans off of the Abomination and gives us an angle of an even MORE impressive Hulk glaring at the object across from him, brimming with anger. This camera shot should start with a closeup of Abomination's face and retreat backward until we have a full view of the Abomination, roughly from behind the Hulk at knee level (at left). Hulk is primed and ready and, because of the camera angle, appears larger than the Abomination but perhaps is considerably smaller, so to continue to emphasize the huge task facing the Hulk/Banner. With the camera positioned behind the Hulk, we never see his face -- just a magnificent display of his musculature (neck, back, biceps, triceps, thighs, calf muscles, oversized hands, and of course those tree trunks of feet). After a couple seconds of this shot, to allow tensions to climax with us and them, the trailer cuts to a shot of Hulk's furrowed eyes/eyebrows and a low rumble that shakes the whole theater. Signal a monumental roar just as Hulk goes to pounce upon Abomination, then cut to the title screen:
"All Fury Is Unleashed - The Incredible Hulk - In theaters June 13, 2008"