And beautiful philanthropist Miranda Tate (the remarkable Marion Cotillard) and idealistic young cop John Blake (a sensationally good Joseph Gordon- Levitt) spring surprises no one sees coming.
http://www.rollingstone.com/movies/reviews/the-dark-knight-rises-20120716#ixzz20q7sGG3L
Hardy, Gordon-Levitt and Cotillard, recruited for duty after their stints in "Inception," are all on their game here, blending easily in a supporting cast anchored by old pros Caine, Oldman and Freeman.
http://www.variety.com/review/VE1117947904/
Hathaway invests her catlike woman with verve and impudence, while Cotillard is a warm and welcome addition to this often forbidding world.
http://www.hollywoodreporter.com/review/dark-knight-rises-movie-review-batman-349354
Cotillard makes Miranda a seductive plutocrat generous enough to fund a bold new society;
http://entertainment.time.com/2012/...rk-knight-rises-to-the-depths-to-the-heights/
Marion Cotillard is also a new addition to the cast as Miranda Tate, and she seems to represent a new opportunity for Bruce to connect to someone, a chance for him to build a life outside of Gotham. She does strong work with a tough role, and she has several moments that are impressively nuanced. Gotham has always been a major character in the Nolan films, and that's true here as well.
http://www.hitfix.com/motion-captur...es-out-nolans-trilogy-with-brains-and-bombast
Marion Cotillard feels shoe-horned into the film most of the way, though she is lovely and interesting to watch.
http://moviecitynews.com/2012/07/review-ish-the-dark-knight-rises-spoiler-free/
Wayne feels he can stay hidden in his mansion, a truculent Beast resisting being transformed by Marion Cotillards Beauty.
http://www.empireonline.com/reviews/reviewcomplete.asp?FID=137000
As the demure Miranda Tate, Marion Cotillard exudes a sweet warmth, while Hathaway as the conniving, acidic Selina Kyle is a dangerous seductress. There's potential for an interesting dynamic between the three characters, but Nolan and co-writer Jonathan Nolan don't offer enough emotional beats to either woman's story to allow them to become compelling romantic figures. Though both actresses deliver assured performances, their characters stay symbols, never quite becoming people.
http://www.screendaily.com/reviews/...9.article?blocktitle=The-Latest&contentID=592