When I look at the list of fan favorite actresses: Bridget Reagan, Lynda Collins, Yvonne Strahovski, and others, I see a list of women that can't headline a major blockbuster in their best dreams. It seems like a very sound generalization to me. And again, criticism of these female characters' apperances is is widespread, reaching far beyond comic boards, unlike any hate for Ledger or Evans or Ruffalo. It's not equal.
What do you think makes them unable to headline a blockbuster? If you think they lack the talent then I would maintain that it's an odd generalisation. That said, I'm not aware of much of the above actresses' work so I won't really press the issue. Going for an unknown though may be the best option, Hemsworth was able to star in Thor and make an acceptable profit.
The appearance of characters, in terms of costumes, can be worked around by altering them so they are more conservative, which would only raise the ire of comic fans who will always complain about something. The alternative is to take a costume, adapt it faithfully and let the criticism come on the assumption that the product silences the claims of sexism. This essentially happened with Avengers and TDKR this year. It comes down to one success, I think, and if one female fronted comic film were a success then others would follow. I think critics and the general audience do recognise when a character is done well, even if the costume, out of context, seems overly exploitative.
He addresses this much better than I. This is part of the reason that superheroine CBMs have sucked, it's hard to faithfully adapt a bad story into a good one. You can't 'eliminate gender as a concern' while adapting stories from the comics that are so gender-biased. It's like quoting Rush Limbaugh without being racist. Nice idea, not really practical. By the way, femininity is "a set of attributes, behaviors, and roles generally associated with girls and women." I'm not sure why my personal opinion on the matter is relevant to the discussion.
I'm sure that there are some stories that are good that could be adapted, I refuse to believe that there are no suitable stories in all of comicsdom. In terms of these stories being gender biased, I've read stories with female characters that are not gender biased at all. I'd argue many modern stories are driven by factors that aren't related to gender, or could very easily be tweaked so they weren't. The new 52 Wonder Woman, again, has a clear narrative that allows gender to be eliminated as a concern. It's one of siblings fighting over a throne and family.
I asked about the feminine issues because you occasionally see female characters criticised for not being feminine for whatever reason which is a complaint I can't understand. There are obviously traits associated with femininity but they certainly don't define what it is to be a woman. From an egalitarian perspective, the experience you want to capture with a film is a human one, gender is a largely an arbitrary barrier in my eyes. If you were to swap the genders of all the best comic films, you wouldn't have a problem, hence my attitude that gender should not be considered.
Well, I'm not overly impressed with the RE movies, I just know that they keep making them, so they must be doing something right. It also shows, imho, that starting with a low budget, leads to more of the same, not a jump in budget if the first few low budget films do well.
The Resident Evil films don't make huge amounts of money do they? I was under the impression that the reason the budgets remain fairly small is because they can't recoup larger numbers. If such a film were to make an impressive profit from a lower budget, I'm sure the budget for future films would increase.
While Black Widow (and Alice) aren't absolutely emotionless, I was referring to her being the Stoic personality type. Compared to her male co-stars, she was the most about-business and the least emotive. All emotions stay buried deep under the surface, incapable of being expressed verbally. Writing these kinds of 'broken' women is relatively easy in comparison with writing a more emotive woman who is still strong and likeable. Alice, any of Summer Glau's characters, Ripley, to an extent. Even Wondy's current run in comics has a bit of this. She shows her emotions entirely by the actions she chooses to undertake, but she doesn't have a whole lot to say, as far as I've read. Often, other characters are filling us in on what she's feeling and thinking. Compare this with the idea of a woman who is normal until superpowers enter her life. Not my favorite interpretation either but I agree with you that it is the most likely to be made into a film.
The stoic character type only really comes across as the least emotive in the context of an ensemble. Bruce Wayne is very much the same type of character and films can be made about him very easily in which he expresses emotions and is strong and likeable. This probably wouldn't be the best course for Wonder Woman specifically, true, but something like a Black Widow film could be very well done.
The 'every man' archetype is rarer for female characters, admittedly, but that's not the approach for Wonder Woman either, a film with similarities to Thor though (no real origin, just adventure within a fantasy land, maybe incorporating modern society) could be fairly easily done. I think it would come down to having a strong central character arc, with Thor it was about learning humility but for Wonder Woman it could be a Superman-esque idea about when to interfere in normal affairs or something.