I’m the opposite. I’ve seen ZSJL a few times. But never the Whedon cut.Okay, confession time - I have never been able to make it through ZSJL. I have tried 3 times, and each time got so bored I fell asleep. In the end, I just gave up.
Josstice League is therefore by default my preferred version. I've watched it multiple times without falling asleep![]()
That is what it seemed ZS was trying to do but he failed miserably. Everything ZS did always felt forced because he never let it happen organically. That is why his Lois and Clark relationship sucked, why the buildup to the conflict between Batman and Superman sucked, why the Death was stupid and why his version of Justice League made no sense. He tried to cram 6 movies worth of story (at least) into 3. IT doesn't take much to come up with a better overarching storyline...but that wasn't his style.I’m the opposite. I’ve seen ZSJL a few times. But never the Whedon cut.
In my (limited) experience, Superman often seems to get short shrift in team/ensemble stories. Perhaps because he’s so powerful, writers feel compelled to somehow level the playing field. And that typically means diminishing Supes’ standing/ability to some degree so that other characters appear more useful and relevant.
What I found interesting about ZSJL was that Superman’s status and importance as the premier superhero was never in question — even though he was largely absent from the narrative. Indeed, one might argue that his exalted status was easier to depict, easier to idealize because of absence.
I’m the opposite. I’ve seen ZSJL a few times. But never the Whedon cut.
In my (limited) experience, Superman often seems to get short shrift in team/ensemble stories. Perhaps because he’s so powerful, writers feel compelled to somehow level the playing field. And that typically means diminishing Supes’ standing/ability to some degree so that other characters appear more useful and relevant.
What I found interesting about ZSJL was that Superman’s status and importance as the premier superhero was never in question — even though he was largely absent from the narrative. Indeed, one might argue that his exalted status was easier to depict, easier to idealize because of absence.
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Get to work, scoopers!
I mean, we do see video of Thomas Wayne in the film though dont we? Or am I remembering that wrong?I dont think we need flashbacks or anything. Clark can mention them in a scene and have it achieve the same effect if that's something they want to do. Look at The Batman. We never get flashbacks of the Waynes. Not when Bruce talks to Falcone or childhood memories. Everything we know about then that's relevant for us to know is conveyed by other people and how they react when they mention them. Frankly, I wish movies did this more. Cause really what's important to us, the audience, is how the Kent family effected Clark as a person, and that's something we can gather by seeing Clark react to talking about them and such.
That's not a flashbacks, though. That's archival footage. So sure Clark can have family photos or something, that's fine. I am fine with flashbacks when they add something we cannot get any other way. Looking at the Guardians films, Gunn doesn't use them a lot. We have the brief scenes at the beginning of GOTG and GOTG2 before we hit the present day timeline to start those movies. Gamora talking about Thanos doesn't prompt flashbacks or Drax and his family, or even Ego talking about Merideth Quill. We understand all these characters and how those experiences effected them without seeing it. Now, GOTG3 we get many of them. But I think the context of Rocket's relationship and history with the High Evolutionary was relevant to the plot. So we needed it. I think we can humanize Superman and emphasize his upbringing without seeing the Kent family physically.I mean, we do see video of Thomas Wayne in the film though dont we? Or am I remembering that wrong?
I think it's different with the Kents though because its hard to really create a sense of the Smallville upbringing, the small town morals, the simple aporeciation for and respect for life that they instill, by including a few lines of description.
I know the Wayne's aren't devoid of personality/actual influence on Bruce, but he lost them so young that their death was sort of more influential on his development than their lives/who they were. In fact, as happened in The Batman, its often revealed he didn't really know them well at all.
I mean, that's exactly my point though. I don't think language alone can convey the impact The Kents/Smallville had on the development of Clark's personality.Let me show my point this way:
GOTG2, Drax tells Mantis he reminds him of his daughter. She asks if it's cause she is ugly, and he replies with innocent. She then touches him while he silently stares with sad eyes and she cries.
You could have inserted a shot of Drax laughing with a woman watching and he pick up a laughing child and he laughs with her then they hug or something. You COuULD have done that....but what does it add? The idea is conveyed more than effectively without the flashback. In fact, I love this scene more cause it DOESN'T do that. Both Mantis and Drax tell us the story with their reactions.
Flashbacks need to add something visual language won't covey or plot points we need or some kind of vital info we only get with the flashback. That's my point
I dont agree with that sentiment. I don't think we need to see it anymore than we need to see a scene of Thanos forcing Nebula and Gamora to fight as kids and then he replaces her or eye or something. Especially if it's a Superman who isn't new. In Superman: The Movie, it makes more sense cause that's a movie about a young man trying to find his place in the world and where he starts as a person is relevant to who he becomes. It is the same hero's journey they used for Luke in Star Wars. But if Superman is already Superman and he is saving people and doing his thing, then I don't think it's as necessary to see thatI mean, that's exactly my point though. I don't think language alone can convey the impact The Kents/Smallville had on the developm
Agree to disagree there then.I dont agree with that sentiment. I don't think we need to see it anymore than we need to see a scene of Thanos forcing Nebula and Gamora to fight as kids and then he replaces her or eye or something. Especially if it's a Superman who isn't new. In Superman: The Movie, it makes more sense cause that's a movie about a young man trying to find his place in the world and where he starts as a person is relevant to who he becomes. It is the same hero's journey they used for Luke in Star Wars. But if Superman is already Superman and he is saving people and doing his thing, then I don't think it's as necessary to see that