Of course that's my opinion of it, but as a student of film, I can recognize a poorly made film when I see one.
I'm a student of film, with connections to one of the top film companies out there as my main mentor. And because of them I'll have sold my first screenplay to a major studio by latest when I am 26 years old. So with all of this "I'm a film student, I know better than everyone" crap that film students prep themselves up on -- leave that all behind. I don't know if you are that way, but many film students do leave that way.
Here's a word from the master Joss Whedon himself:
It’s very important to know when to stick to your guns, but it’s also very important to listen to absolutely everybody. The stupidest person in the room might have the best idea.
Just saying because the 'student of film' seriously rubs me the wrong way. In order actually be someone, you have to know enough to know that even the counter clerk might know something that you don't. And anyone working in Hollywood can tell you the same thing. Being a film student just means you've watched many films. But, nothing prepares you for what's truly out there other than being able to listen to even the stupidest person in the room -- because they might know something your film degree
didn't teach you. So if you truly want to make it? Drop the whole elitist 'I'm a student of film' thing that some film students have after graduation. It's just going to make you overlook the most important people in the room -- everyone else around you who doesn't have a film degree. Okay, enough of that rant.
It was a film that knew what it was. Hell, more than half of the time it was tongue and cheek. Why? The setting itself and what was happening was so dark that if you approached it seriously or not tongue in cheek you'll probably eliminate the enjoyment factor in it. There are many "Die Hard" ins and people walking in knew that's what it was -- thing is, that film did it a lot better than this one.
White House Down only offers extremely over the top action, obvious PG-13 violence, and a lot more humor. There is no actual intensity because it seems PG-13, the saving grace of this film -- like in 'Independence Day' and 'Day After Tomorrow' are the quieter character moments (which do feel out of place due to being within a siege on the white house -- the characters wouldn't have time to joke around). There is no level of sadness once so ever, it's all happy and jokey.
You have three versions. The realistic, nail-biting, overly depressing yet realistic take on it -- which studios would stay away from because it might be too bleak for some audience members. The tongue-and-cheek yet still dark at portions view on things. And then the classic Hollywood staple everything is happy blockbuster (as said, the script is entertaining but it just feels odd given the circumstances surrounding them).