TripleJ
Sidekick
- Joined
- Jul 18, 2015
- Messages
- 1,270
- Reaction score
- 94
- Points
- 73
The core aspects of Barry/Flash are still there. It's nothing like what Snyder did to Batman and Superman.
Not really. They sort of made Barry into Wally.
The core aspects of Barry/Flash are still there. It's nothing like what Snyder did to Batman and Superman.
The core aspects of Barry/Flash are still there. It's nothing like what Snyder did to Batman and Superman.
Not really. They sort of made Barry into Wally.
I blaim more Guggenheim on good ol' Hipster Robin Hood's treatment on TV.Ok, in terms of personality. But again, the core aspects of the Flash mythology and character are still there. Snyder did to Bats/Supes what Berlanti and co. did to Green Arrow. But Berlanti made Flash and Supergirl, so I'm willing to forgive him for what he did to Green Arrow.
Ok, in terms of personality. But again, the core aspects of the Flash mythology and character are still there. Snyder did to Bats/Supes what Berlanti and co. did to Green Arrow. But Berlanti made Flash and Supergirl, so I'm willing to forgive him for what he did to Green Arrow.
I blaim more Guggenheim on good ol' Hipster Robin Hood's treatment on TV.
He's the one who rewrote most of the humor in Green Lantern too.
Berlanti is the Flash but Guggenheim is to him like the Reverse Flash.He's the one who rewrote most of the humor in Green Lantern too.
Ok, in terms of personality. But again, the core aspects of the Flash mythology and character are still there. Snyder did to Bats/Supes what Berlanti and co. did to Green Arrow. But Berlanti made Flash and Supergirl, so I'm willing to forgive him for what he did to Green Arrow.
And what might that be?
They changed the villains too (taking elements from multiple villains and combining them; Thawne Reverse Flash for instance).
Completely ignored Speed Forced for a while (although they are playing it up now).
Made Barry dumb (for most episodes, he's completely reliant on the team for defeating villains; Flash works alone in the comics, he doesn't have a team to support him).
I am not implying any of these are bad; but Berlanti has taken as many, if not more liberties with TV show (for those who are implying Berlanti would be better for the movies).
Only difference is the tone. Arrowverse is much lighter in tone than Snyderverse (granted, Arrow was dark, it was Flash who lightened up the tone).
I expect the same with Snyderverse, where the coming movies lightening up the tone a bit.
when Lois asked Perry for a helicopter and approved it when Lois said it's not for a story, does it really confirm that those people from the Daily Planet (at least those seen in the ending of MOS) knows who Clark really is?
I get what they're going for with their take, but it sort of doesn't make sense.
They portray him as this being that can't relate to humans, but it's not like Clark lived in total isolation his entire life. He grew up around other kids, he worked with other people while traveling the world. Him being so distant from humanity (outside of Lois and his mother) doesn't make a whole lot of sense.
I also don't understand how EVERYONE doesn't know that Clark Kent is Superman. He told the U.S. government that he was from Kansas. Everybody knows Zod and his soldiers tore went to the Kent farm and tore up Smallville. Pete Ross clearly knew. Clark outright told a Priest from his home town who he was. Lois was able to learn his identity. [BLACKOUT]Lex obviously figured it out.[/BLACKOUT]
[BLACKOUT]But apparently the worlds greatest detective and the U.S. government never put two and two together.[/BLACKOUT]
It's like one one had they keep saying they want to handle Superman as if he existed in the real world, but then they do things that clearly fly in the face of that. Given how reckless Clark was with his identity there's no way in hell he wouldn't have been outted LONG before Batman v Superman.
I said the same relation to Comic Books while reviewing the movie, it's pased like it was a comic, then it goes to tie-ien, then back to comic now with a back up story then to tie in and then they end the overarc.You know I just noticed something. You know how many defenders for this film say "it's edited like a comic book" and "it's too deep"?
These are actually defenses one should defend Ang Lee's Hulk. Lee's Hulk was actually a pretty deep and dark film. Had it come out after Nolan's Batman films, I think audiences would like it more. Plus scenes are literally edited like a comic book.
And what might that be?
They changed the villains too (taking elements from multiple villains and combining them; Thawne Reverse Flash for instance).
Completely ignored Speed Forced for a while (although they are playing it up now).
Made Barry dumb (for most episodes, he's completely reliant on the team for defeating villains; Flash works alone in the comics, he doesn't have a team to support him).
I am not implying any of these are bad; but Berlanti has taken as many, if not more liberties with TV show (for those who are implying Berlanti would be better for the movies).
Only difference is the tone. Arrowverse is much lighter in tone than Snyderverse (granted, Arrow was dark, it was Flash who lightened up the tone).
I expect the same with Snyderverse, where the coming movies lightening up the tone a bit.
You know I just noticed something. You know how many defenders for this film say "it's edited like a comic book" and "it's too deep"?
These are actually defenses one should defend Ang Lee's Hulk. Lee's Hulk was actually a pretty deep and dark film. Had it come out after Nolan's Batman films, I think audiences would like it more. Plus scenes are literally edited like a comic book.
Aw man, that image of Batman punching Doomsday in the face. Good thing that got taken out.
Then you need to find a better hobby. These are fictional characters - no need to be heartbroken about anything.
He's the one who rewrote most of the humor in Green Lantern too.