Arrow Arrow General Discussion Thread - - - - - - - - - - - Part 25

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I know it wasn't meant to be completely serious, but I viewed it more as both of your real views and opinions being expressed in a joking manner. Of course, me, being the miserable, humourless and joyless sod that I am, had to respond in a somewhat serious manner :cmad:. Whenever someone says they do not like something about the movie in question, one of the most common responses is that they must be love Marvel and want everything to be full of jokes. It is a common response, and a lazy one.

I actually agree with you on that one.
 
Something about S2. Anyone else felt that in episode 22 they were hinting at Sara helping train Laurel, while Laurel inspires Sara to be a hero. Just like they were hinting at Thea joining Malcolm as well. Laurel and Sara share a few scenes that were really well done. They never went back to that, it seemed like they were setting something up between the two of them.


Also, Slade states Thea is 19 years of age a couple episodes back. How does a 19 year old girl run a club serving alcohol. I don't know whats harder to believe, that she's running her own club or that after becoming a business owner at such a young age she's still such a whiny, spoiled brat that turns anything positive anyone says to her into a negative. And there's actually a fan base for this chick?
I honestly believe their plans vis-a-vie the Lance sisters and Canary identity were in a massive state of flux throughout season two. Laurel's Demon in a Bottle story-line was botched in execution, then her integration to the team wound up being an extremely sloppy reveal by Slade (was it supposed to cause issues like everything else Slade was doing that episode? Because it only got Team Arrow an ally with absolutely no problem at all) and Sara's initial character development and interaction with the League of Assassins was completely inverted to have the girl who's once tried to commit suicide rather than join the LoA walk smilingly onto a boat with them.

And there's very little about Laurel's ascension to Black Canary that would have worked if Katie Cassidy weren't good enough to pull it off. Sara's death was badly conceived and badly executed...coincidentally words I would use to describe Black Canary's death.
 
..... Detective Lance trying to cry at Laurel's funeral is the funniest thing I have ever seen.

Will Ferrell in Wedding Crashers did better at that funeral.
 
So....Talia maybe? :cwink:

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Alright peeps I have An awesome video stream from the peeps of DCUO which has the birds of prey and the gotham siren mission along WITH A LEGENDS OF TOMORROW MISSION WITH RIP HUNTER VERSUS VANDAL SAVAGE (THE REAL ONE ) DETAILS BELOW AFTER THEY SHOW THE DARK SEED MISSION post: #245 page 10

source: DC Universe Online (
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ok so midnite put up the details about this coming to Xbox here's a stream from the dev's of DCUO themselves on you all battling dark side on Apokalypes


DCUO launches on Xbox One, previews the next three episodes

April 29, 2016 11 Comments





Surprise! After announcing at PAX East that DC Universe Online was coming to the Xbox One, Daybreak is launching the title on the console today.


DCUO will be available on the Xbox Store as of noon EDT today as a free 35 GB download for Xbox Live Gold members. The Xbox One version will have all of the content as seen on the PlayStation and PC, although there will be no cross-platform play and no character imports.


And no matter what platform you use to live out your superhero fantasies on, DCUO wants to appreciate you this weekend.


Starting today and running through May 2nd, the MMO will guarantee a rare loot drop for any and all players who complete instances. Seems like a good deal, no?
Finally, the DCUO team posted an epic trailer and stream this week in which it revealed not one, but the the next three episodes for the game. Check it out!
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source: Massivelyop.com/



 
ARROW - "Lost in the Flood"

OLIVER FIGHTS FOR THEA; DONNA SMOAK FACES OFF WITH NOAH KUTTLER – Following the shocking events in the previous episode, Oliver (Stephen Amell) and Diggle (David Ramsey) race to rescue Thea (Willa Holland), while Felicity (Emily Bett Rickards), Curtis (Echo Kellum) and Noah (guest star Tom Amandes) join together to stop Darhk (guest star Neal McDonough). Glen Winter directed the episode written by Brian Ford Sullivan & Oscar Balderrama.


You know, I actually hope that someone ends up having the guts to confront the producers during an interview and bring up on how they've pretty much turned this show into an Felicity/Olicity Show, with all of the crap that they've spewed on it.
 
You know, I actually hope that someone ends up having the guts to confront the producers during an interview and bring up on how they've pretty much turned this show into an Felicity/Olicity Show, with all of the crap that they've spewed on it.

This is the final episode right? I have a feeling they're positioning Calculator as the new Merlyn. He'll be a major player next season and probably will replicate the Thea/Malcolm relationship with Felicity in essence. In other words it's going to get worse and I hope, nah pray that woman is not Talia
 
This is the final episode right? I have a feeling they're positioning Calculator as the new Merlyn. He'll be a major player next season and probably will replicate the Thea/Malcolm relationship with Felicity in essence. In other words it's going to get worse and I hope, nah pray that woman is not Talia

It's not the final, there's one more after that.
 
Geez, they are wasting no time putting that KC salary to use.
 
Of course he has a tragic backstory involving a dead person close to him. These writers lean on that way too much. Everyone only does things because people they liked died.
 
Of course he has a tragic backstory involving a dead person close to him. These writers lean on that way too much. Everyone only does things because people they liked died.

I will give the writers a lot of **** but the tragic backstory is a staple in story telling. From the Greek stories of Hercules to modern heroes like Spider-Man and Luke Skywalker someone close must die to propell the hero on their journey. Very few stories have the hero do things just because they are capable and it's the right thing to do.
 
I will give the writers a lot of **** but the tragic backstory is a staple in story telling. From the Greek stories of Hercules to modern heroes like Spider-Man and Luke Skywalker someone close must die to propell the hero on their journey. Very few stories have the hero do things just because they are capable and it's the right thing to do.

It is, but they've used it so much at this point I feel it's almost more of a running joke. It's become a crutch. Barry's mom died to make him a hero, Oliver's dad died to push him to be a hero, Moira needed to die for him to really go after Slade, [BLACKOUT]Laurel needed to die to propel him to really go after Dhark[/BLACKOUT] (do I still need to spoiler tag this? I don't know), Malcolm is evil because dead wife, Ray only wants to be a hero because his wife (or was it fiancee?) died, Slade's evil because Shado died, Sara needed to die in a convoluted way to get Oliver to fight Ra's, Sara needed to die to get Laurel to be Black Canary, Rip is only doing what he's doing because his wife and son died. I feel like I'm forgetting more. None of these are necessarily bad on their own, nor does using it once mean you can never use it again, but I feel they need to stop leaning on it to get characters to do anything. It's just done too much.
 
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It is, but they've used it so much at this point I feel it's almost more of a running joke. It's become a crutch. Barry's mom died to make him a hero, Oliver's dad died to push him to be a hero, Moira needed to die for him to really go after Slade, [BLACKOUT]Laurel needed to die to propel him to really go after Dhark[/BLACKOUT] (do I still need to spoiler tag this? I don't know), Malcolm is evil because dead wife, Ray only wants to be a hero because his wife (or was it fiancee?) died, Slade's evil because Shado died, Sara needed to die in a convoluted way to get Oliver to fight Ra's, Sara needed to die to get Laurel to be Black Canary, Rip is only doing what he's doing because his wife and son died. I feel like I'm forgetting more. None of these are necessarily bad on their own, nor does using it once mean you can never use it again, but I feel they need to stop leaning on it to get characters to do anything. It's just done too much.

I don't think it's the trope I think it s the way the characters are written. We both frequent POI boards and all those characters have similar backgrounds but they are written much better.
 
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