Interstellar - Part 9

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...Frankly, I never gave a hoot about Cobb or his kids in the entirety of Inception. Every time the film would cut to Cobb's issues the film came to a screeching halt, because it did not feel like an organic part of the film. It felt superfluous and artificial.

The more intimate scenes between Cobb and Mal were sad and, I thought, quite moving. But the children weren’t set up to elicit that same sort of emotionalism; they were essentially a “MacGuffin” - a motivating goal for the hero.
 
So Christopher Priest thinks superheroes should be superficial mindless fun? And any effort to elevate them above that is pretentious?

:whatever:
 
I honestly think Priest has a point there. I mean, it's great that we got Nolan's trilogy, and it's obviously a phenomenal piece of cinema and a series for the ages... but, that's not what superheroes or the genre should be. We were spoiled there. I'm glad we got it, but I don't want it all the time. I feel the same way about Watchmen.

This stuff is for kids, guys. And we take it way too seriously. Kid gets bitten by a spider, becomes a spider-man, and we're angry and appalled by the third movie because it's too silly. Guy gets a ring and a lantern from an alien soldier, and becomes his replacement in an army of space cops, and we're angry because the writing wasn't good enough. I'm sorry, but the only people being pretentious here are the fans.

"It didn't respect the source material!" - Oh, well the source material is cheap paper with cartoon people who wear capes. I think we need to calm down a little bit. Writers like Alan Moore and Grant Morrison are the rare ones who are going to come along and challenge that notion every now and then, but film adaptations will never follow that. When they do, it ends up being Watchmen and it bombs at the box office.

Comic books are cheap, quick, meaningless, fast food entertainment, and that's why Marvel is succeeding unbelievably at an unprecedented level - they're following their source material precisely, and that's what people want.
 
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I couldn't dislike this post more.

I honestly think Priest has a point there. I mean, it's great that we got Nolan's trilogy, and it's obviously a phenomenal piece of cinema and a series for the ages... but, that's not what superheroes or the genre should be. We were spoiled there. I'm glad we got it, but I don't want it all the time. I feel the same way about Watchmen.

Who says? I think that's a really out of date way of looking at things. It started out excusively for kids, yes. Then the audience got older and comics went with them. Most comic book buyers these days are adults and teens. Kids mostly get into it through the movies/tv shows and find their way to the comics eventually. Even then, kids don't want to be condescended to. I sure didn't when I was a kid. Anything that was aiming aiming low because it was "for kids" I rejected. I preferred the creepiness of BR and the violence and adult tone of Robocop, the serious (even "majestic") aspects of S:TM.

Conversely, doesn't mean everything has to be dark or complex, or even adult. STM, TA and IM1 are still fan favourites. They were light and fun without being condescending, and they were well made.

It shouldn't be one way or another. There's room for variety.

This stuff is for kids, guys. And we take it way too seriously. Kid gets bitten by a spider, becomes a spider-man, and we're angry and appalled by the third movie because it's too silly. Guy gets a ring and a lantern from an alien soldier, and becomes his replacement in an army of space cops, and we're angry because the writing wasn't good enough. I'm sorry, but the only people being pretentious here are the fans.
Bull. People were angry about the third Spidey movie because it was poorly written and made bad, silly choices. What's wrong with that? People were angry at Green Lantern because it was poorly written, directed, shot, edited and had bad effects. Absolutely fair. Nobody said it should have been more adult. They said it should have been better.

"It didn't respect the source material!" - Oh, well the source material is cheap paper with cartoon people who wear capes. I think we need to calm down a little bit. Writers like Alan Moore and Grant Morrison are the rare ones who are going to come along and challenge that notion every now and then, but film adaptations will never follow that. When they do, it ends up being Watchmen and it bombs at the box office.
Watchmen didn't bomb because of what it was trying to do, but because it failed at what it was trying to do. Conversely, another DC Comics property a year earlier also aimed to transcend the genre, and became one of the biggest movies... ever. Because they executed it right.

Comic books are cheap, quick, meaningless, fast food entertainment, and that's why Marvel is succeeding unbelievably at an unprecedented level - they're following their source material precisely, and that's what people want.
Comic books are a format for story telling, using words and pictures. Just as novels are a format for storytelling using words, cinema using images and sound. Whether they're cheap, quick, meaningless or whatever nonsense depends on the individual story, the spirit with which it was made and its execution - Not the format. There are plenty of comics that are that... and there are plenty that are way more, and plenty somewhere in between. Just the same as with novels and movies.

To paint the whole format with one brush is out-of-date, reductive and condescending.
 
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^ But Rises tried to do something more than just being a comic book story which would normally ends in "the hero lives to fight another day"... and look at the reactions to it that it got.
 
I will say though, that Priest is wrong in terms of the character Nolan used for that trilogy. You couldn't do that with anyone else but Batman. The Punisher would be the other one. You can't do that approach with Spider-Man or Green Lantern or The Flash. If that were the case, Priest would be 100% right. Nolan would've made a mistake.

But we got the TDK Trilogy not because Nolan decided to take something silly and impossible and turn it into something real, we got it because Batman is unique and you can easily set him in the real world with total realism, because it is possible for the fact that he's a human being. When people make fun of this and criticize "realism", and "dark and gritty", they're really making fools of themselves because it's SPECIFICALLY Batman you can do that with, no one else.

The criticism is completely warranted when those phrases are thrown around for Fantastic Four and Spider-Man, which they were.

So, for the record, Priest has a point, but I really do NOT agree with him overall.
 
^ But Rises tried to do something more than just being a comic book story which would normally ends in "the hero lives to fight another day"... and look at the reactions to it that it got.

Exactly.

Marvel is dominating for a reason, and rightly so. They know what these movies are supposed to be, and that's why Guardians of the Galaxy and The Avengers are phenomenal successes. They're not going to be anything bigger or deeper than the medium they came from.

People criticize Man of Steel, they criticize The Dark Knight Rises, they criticize Watchmen. Why? Because they're trying to be REAL. They're trying to be deeper and more meaningful than they need to be. People don't want that.

And to bring it back to the thread, they're criticizing Interstellar too. Why? Because it's making points, it's challenging, it's thought-provoking, it's saying something about the human condition, it's real, it's based on REAL science, and nobody in the world has ANY problem with Guardians of the Galaxy. Does anybody hate it? Honestly? Because I don't.

People are going to hate BvSDoJ, and it's going to be considered a failure - this I guarantee you.
 
^ But Rises tried to do something more than just being a comic book story which would normally ends in "the hero lives to fight another day"... and look at the reactions to it that it got.

88% on RT, $1.1B worldwide. It was a massive success. It's extremely well-liked by the masses, and criticised by a vocal minority of forum users, some of whom don't like it because of its pacing, some for the execution of the themes, and many simply for the fact that Batman retired and that the Batman in their heads wouldn't do that.

Also, it's predecessor also did something more than "just being a comic book story". But it's loved much more. There are some who don't like them for their tone, but it's hardly some sweeping epidemic.

Exactly.

Marvel is dominating for a reason, and rightly so. They know what these movies are supposed to be, and that's why Guardians of the Galaxy and The Avengers are phenomenal successes. They're not going to be anything bigger or deeper than the medium they came from.

Again, reductive. Some people do want fun. Some people do want serious. Most people want both. Everyone wants them to be well made. For the most part, the audience likes the way those movies are made, and looking at the creators, they're all in engaged with their characters and are trying their best to represent them in a good way. As opposed to GL (which was light and meaningless, all that ****) but was summarily rejected by everyone because it wasn't well made. If it were just a case of "people want light and meaningless" it would have been a hit.

People criticize Man of Steel, they criticize The Dark Knight Rises, they criticize Watchmen. Why? Because they're trying to be REAL. They're trying to be deeper and more meaningful than they need to be. People don't want that.
People criticize MoS* and Watchmen because Snyder isn't the strongest storyteller. There's that. There are also people who have a bias against Snyder and automatically look for faults. There's a lot of reasons. If people didn't want that, then how do you explain the success of TDKT? Or... any other serious movie/story?

*Yes, there are some who don't like it for it's tone. I'm one of them. BUT - I'm sure the tone would have gone over better (for me) had the pacing, action and messy way the themes of the movie were put together weren't so laborious aka if it were better made. Tone is only one factor.

And to bring it back to the thread, they're criticizing Interstellar too. Why? Because it's making points, it's challenging, it's thought-provoking, it's saying something about the human condition, it's real, it's based on REAL science, and nobody in the world has ANY problem with Guardians of the Galaxy. Does anybody hate it? Honestly? Because I don't.
On Interstellar, some don't like it because they feel it didn't execute it's themes (failed to mix science and philosophy) correctly. Some because of it's dialogue, some because it thinks the more overt emotion is outside of Nolan's wheelhouse, and some because of an anti-Nolan bias. And, even some for whom the science and philosophy simply went over their heads and hence consider the movie to be "dumb".

But - 73% on RT (last I heard) which is a majority, and well over $400M worldwide in it's third week of release alone. That accounts for the critics and audience. For a film that does ask it's audience to put their thinking caps on, it's cleaning up. Hell, read through this thread and look at the poll on top of it. On the poll, I see the majority of the forum loving the movie, many liking it and some feeling mixed.
Now, explain to me why any serious or smart movie, or anything that asks more of it's audience emotionally or mentally is a success.

I really, really didn't like GotG. I thought it was a boring, void waste of time that tried way too hard. Of the MCU movies, I loved TA and really, really liked TWS. IM1 was okay. The rest...? No thanks. But, I'm really anticipating AoU, CW and IW1&2 (and am curious about CM).

People are going to hate BvSDoJ, and it's going to be considered a failure - this I guarantee you.
If it does, it will assuredly be because of all the other reasons I've stated. Not because the world somehow rejects the tone as one.
 
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I really, really didn't like GotG. I thought it was a boring, void waste of time that tried way to hard. Of the MCU movies, I loved TA really, really liked TWS. IM1 was okay. The rest...? No thanks.

I'm utterly shocked by this.
 
The thing about superheroes is they're not suppose to be anything. They're whatever the creator wants it to be. It's like saying animation is for kids. That's crap. The genre or medium doesn't bind you to any one set of laws.
 
Should stories of Gods be cheap and superficial?

Tell the Hebrews, the Greeks, or even William Shakespeare.

Superheroes are basically a form of modern myth.

ETA: Mary Shelley's Frankenstein was considered garbage for the masses when it emerged.

Now it's considered literature .
 
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Mass audiences like the comfort of the familiar. We all do. It's why we often order the same meal in a restaurant rather than try something new.

Nolan is challenging to people if only because he innovates. He mucks around with narrative structure. He makes serious and grounded comic book movies. He focuses on plot when the consensus is to focus on characters at the expense of plot and to have infinite plot holes. He includes massive rotating black holes in his space operas rather than dragons and ray guns.

That's different from what people are used to, so of course people won't like it.
 
The criticism is completely warranted when those phrases are thrown around for Fantastic Four and Spider-Man, which they were.

So, for the record, Priest has a point, but I really do NOT agree with him overall.

Priest wasn't talking about anyone else but Batman in that interview. What he said was really condescending to anyone that watches superhero movies generalizing all of us as young teens. I don't know how anyone can agree with him. He said when he went to watch The Dark Knight, he saw nothing but young teens who were texting, making out, disinterested in the movie until Batman jumped off a building because that's what the audience wants to see. If that were the case, there would be a lot more billion dollar movies out there.
 
Comic books are cheap, quick, meaningless, fast food entertainment, and that's why Marvel is succeeding unbelievably at an unprecedented level - they're following their source material precisely, and that's what people want.

Pigeon-holing any medium is rather silly I think. Now, do I think that sometimes we (as in the posters on this forum) get too bent out of shape about these flicks? Of course we do, we're the Uber-nerds. But that's hardly representative of the majority.

However, to try and say comics are just "fast food entertainment" is simply wrong. Some comics are like that, and then some comics are Sandman, which won a world fantasy award and was on the NY-times best seller list, or Watchmen, which was listed as one of the 100 best novels ever written in Time Magazine.

Comics are a wide genre, that can cater to small children and adults. They're a storytelling medium, and trying to say they are one thing or another is foolish. The reason Marvel is doing so well is because they're telling a certain style of comics very well, and keeping to solid storytelling principles. And it's awesome. The reason TDK and Nolan's Bat-trilogy was so well received and made HUGE amounts of money was because they also had great storytelling and did what they were trying to do extremely well.

What's the common factor? People like a well told story, and that holds true if it's a fun action flick or a dark thriller.
 
I find that intersting new article /interview with the writer Christopher PRIEST, famour author of The Prestige.

The interview is very mych focuses on Nolan's filmography. And the fact is, Priest DOES NOT LIKE AT ALL The Dark Knight Trilogy and Nolan's blockbuster

Take a look : http://skript.fr/cinema/interview/1505-christopher-priest-auteur-du-prestige-nous-parle-de-christopher-nolan

The article is in french, but the interview in English

As someone who has actually listened to (audio book) The Prestige, the movie was WAY better and that hardly ever happens with books v movies.
 
Nolan is in a unique position in that he can make any movie he wants with absolute autonomy and be given hundreds of millions to make it happen. How many directors have the same Autonomy? 2? 3?
 
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As someone who has actually listened to (audio book) The Prestige, the movie was WAY better and that hardly ever happens with books v movies.

Priest liked the Prestige. He said Prestige and Memento are Nolan's two best movies.

He said Nolan is trying to be Kubrick but he should be trying to be Hitchcock -- I don't know what that means.
 
I respect that guys opinion.. but his experience watching BB and TDK isnt nearly the same i had...
the audience was mostly adults and everyone was very engaged in the movie.. i dont even think twitter was a big thing back in 2008.

Also I dont care how ridiculous a setup for a movie is, as long as there is some thought behind plot/character etc.. saying "well its a bodybuilder jumping of building" is a true statement (while i would add billionaire), but its very imprudent..

Its like saying "well the prestige is about two guys with some ego issues" - Not wrong but its missing the bigger picture.
 
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I agree with Vanson. You can definitely make a weird setup work if you take it seriously, or at least, know how to work with it to fit your vision. which is why a dude who dress as a bat to fight crime can be both Adam West and Christian Bale.
 
The concept can be as 'out there' as you want to but explain the rules (as visually as possible rather than tons of exposition) and don't break those rules once established. With that said, no matter how 'out there' the concept never lose sight of the characters, the movie should be character driven not plot driven. Nolan (IMHO) gets too bogged down with the plot and doesn't devote enough time with the characters. I absolutely felt this watching Inception.
 
he definitely never forgot the characters in interstellar.
 
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