read Secret Origin... i really liked it

also read Birthright... not impressed at all. the story was blah, and the artwork was just terrible.
When I first read it, the art looked refreshingly different to me and quite surprising, though it did take some time getting used to, mostly due to the thin outlines and "the blockiness" of the characters' frames in some panels, but I thought the character designs were really nice, as was the usage of empty space.
For instance, both Jor-El's and Clark's piercing blue eyes looked stunning and I appreciated how much Leinil Yu focused on them. Perhaps it was the writer who suggested it? There's plenty of others who only focus on Superman's physique, the costume, the flying, and so forth, but the face itself is lacking of emotion or, rather, the artist can draw only so many different expressions. They're not particularly... subtle. It's disappointing when the palette of emotions is kind of narrow and repetitive, especially when the story itself is great!
But in
Birthright, I liked how expressive the eyes were and how they made the characters more real. The facial expressions overall I thought were better than some of the other artists' portrayals of Superman. That dreadful "dead look" in his eyes or when every character, particularly women, look interchangable save for hairstyle and haircolor, can be a big turn-off. And, ok, the eyes may be a small thing to give this much attention to in my post, sure, but they really stood out to me here.

They've always been very important to me when it comes to Superman. They're just as important as his other physical traits.
I hope we get some close-ups of Henry's fierce eyes in MOS because, hey, Batman's not the only hero who can bring a bad guy to his knees with a single glare! 'Sides, a lot of acting can be done through the eyes alone. If Henry's emotions can flicker in his eyes from one to another as fast as, say, Tom Hiddleston's in
Thor, I'll be one happy bunny! In the scene with Odin when it's revealed who Loki really is, Tom's emotions shifted from surprise to pain to disbelief to anger in a matter of seconds, and they all showed in his eyes.
This
Birthright page of Clark's first job interview at the Daily Planet is one of my fave because of all the tight close-ups of his eyes. They say so much even without dialogue:
I'd like something like this in MOS. The third panel in the third row is the reason I own the original artwork page by Leinil Yu.

I just love it. The shifting between the "insecure" and "intimidated" look, and the almost resigned look when he makes his decision ("Sigh, now I have to start the Clutzy Clark shtick"), is amazing. That last eye close-up is my fave because he looks determined. "No, I can do this, " he thinks. He's determined to make a lasting impression on Perry, hehe, and he sure did! *catches falling pens and makes a spectacle of himself* LOL at "
Leave the pens." Didn't take much for Perry to fall for the false persona! Clark's just that natural of an actor.
And I also absolutely loved Dave McCaig's coloring from the get-go; colorists are underappreciated in general, aren't they?
Sorry for being kind of off-topic, eep.