George, if you develop an emotional rapport with the actors, does that affecting your writing or your plans for those characters?
MARTIN: I think it has the potential to do that, and I dont know if that would be a good thing. Fortunately, Im so far ahead of the series. At the premiere, I found myself talking to three very nice actors, at one point, who were very pleasant, and I was having a great time talking with them and drinking with them, and then I suddenly realized that I had killed all three of them, at various points in the series, and that they would all shortly be unemployed actors. And I had a moment of horrible guilt, but its already done. It was particularly sad when one of them said, Please dont kill my character, and shes already dead. Its probably just as well that I dont actually know these people when Im doing it. When I meet the actors and actresses, theyre such tremendously nice people, and its then hard to kill them. David and Dan dont seem to have that problem, though. Ive noticed that, as bloodthirsty as I am, in killing all of these characters, David and Dan are killing some characters who are still alive in the books. Their body count is actually ahead of mine. When they say no one is safe in the series, thats literally true. There are characters who are in book 5 and who are going to be in book 6, who are dead on the TV show.