Excerpt from:
http://phonogram.us/comics/panther/intro.htm
Which explains the panther before getting into it's issues with cancellation:
" Also, Panther was a black super-hero and,
the most basic economic lesson this business can teach you is, minorities and female super-heroes do not sell (but, kudos to Marvel for trying to do both with the black female version of CAPTAIN MARVEL).
But, Joe and his partner, inker Jimmy Palmiotti, were adamant: the book can work, they insisted. If we have a fresh approach, perhaps along the lines of Eddie Murphy's Coming To America, where the crown prince of an African nation comes to America in search of a bride. Given that kind of energy, taking Wakanda and the Panther seriously, and concentrating on how people react to him- that approach might have a chance in the market. Get him out of the jungle. Bring him to Brooklyn. Make him a night creature, a fearsome African warrior, a manner of black man most blacks in Brooklyn have never seen.
Nah. I was still unconvinced, "
Look, guys, we're talking about a king. A black king of not just an African nation but a powerful nation with advanced technology capable of posing a threat to U.S. National security. A king who is prone to occasionally leap out of windows dressed in a kitty cat suit. If this guy, and his nation, actually existed, there's just no way the U.S. State Department would let this guy wander around unescorted, and the CIA would be constantly trying to figure out what's going on in Wakanda. There'd be all manner of global and domestic and racial politics involved."
For me to flesh out Joe and Jimmy's PANTHER premise, I'd need to go to the wells of snarkdom, for the snarkiest snark I was capable of. Social politics as interpreted by Richard Belzer, Dennis Leary or Dennis Miller. It would be truly sardonic and truly snarky, and Marvel hasn't been the home of true snark since they sent Steve Gerber and his duck packing. I was trying to chase Joe and Jimmy away, but this stuff just excited them.
Again and again,
I whined, there's no way Marvel would let me write this. It's a violation of the Fantasy Land Nice-Nice Accords, signed by both DC and Marvel, that says the US government is always good all the time, everyone accepts Panther, there is no racial divide in America, and the Avengers hold hands and sing and what have you. Mainstream comics were demented places where heroes actually referred to themselves as "heroes," and villains as "villains." These were places run by people who have run comic book companies far, far, far too long and have completely lost touch with popular culture or with what young people today are actually about. I have had my hand slapped more times than I can count for simply pointing out the absurdity of what we do- of these colorful men and women who fly around wearing their underwear on the outside of their clothes.
I believe Chris Claremont was the first writer I experienced who made sense out of all of this for me when he humanized the deadly Magneto. Claremont's brilliant writing had some of his heroes acting in completely unheroic ways, and presented many of his villains as conflicted, desperate souls who never, ever, referred to themselves as "villains," and certainly never thought of Xavier and his ilk as "heroes."
Frank Miller and others followed suit, bringing more dimension and plurality to the Marvel Universe (while, for the most part, DC continues fairly entrenched in a kind of white-washed estrangement from the real world; nearly all their heroes being beloved, respected and trusted by the average citizen, to whom flying men and women are a mundane and accepted practice)."