My guess is it annoys Kane and Phantasm because they think it should be the other way around.
I can't obviously speak for everyone, but Bruce Wayne/Batman has a lot more depth in Nolan's trilogy than all the other film interpretations of the character.
Yes. You are right in some sense about Batman only being as good as the creators who give him life, but the keyword is creators plural. The mythos is far reaching and doesn't belong to any one person - they simply give their interpretation of the mythos and the character. And Nolan gave a darn good one, but his isn't the ultimate end-all interpretation.
.I can't obviously speak for everyone, but Bruce Wayne/Batman has a lot more depth in Nolan's trilogy than all the other film interpretations of the character.
Yes. You are right in some sense about Batman only being as good as the creators who give him life, but the keyword is creators plural. The mythos is far reaching and doesn't belong to any one person - they simply give their interpretation of the mythos and the character. And Nolan gave a darn good one, but his isn't the ultimate end-all interpretation.
The message of that picture is not that Nolan is the end-all-be-all of Batman. The whole joke is that Nolan was the one who saved Batman in live-action after the disaster that was Batman & Robin.
I'm not sure how accurate it is that Nolan saved Batman. We had BTAS and a whole generation that grew up on it; we had dark stories in the comics; we had a number of "darker" Batman live-action projects that just never took off between Schumacher and Nolan. I think Nolan hit a sweet spot that a lot of people had been waiting for. I don't think Schumacher's films really hurt Batman's rep that bad in the eyes of the GA... it wasn't so much Nolan saving Batman as putting him back out there again and saying "Hey, remember this guy? He's back."
There's this sort of myth that's grown up that Schumacher single-handedly destroyed Batman and Nolan saved him. I don't think Batman needed saving, his mythos could handle its rep just fine - Nolan simply brought that mythos back out there again, and the public was hungry for it.
I didn't mean to start a long discussion about it. I usually ignore the graphic - the only reason I spoke up at all was because Kane said what I was thinking.I didn't mean to start a long discussion about it. I usually ignore the graphic - the only reason I spoke up at all was because Kane said what I was thinking.
I just opened a can of worms, didn't I? lol
but everything you've said so far, I agree completely.



I think the character and its fans owe a lot to Nolan's trilogy. That pic is a fun nod to Nolan for reinventing the character in the publics eye after 8 years without live-action films.
I mean before Begins when was the last appealing film? Was it 10 years because of Forever? Was that even THAT appealing? I mean..it was commercially successful but more people disliked it than liked it. It was a time but not in a way where you felt like all kinds of audiences were respecting Batman and his universe. Im gonna say it had been 13 years since people respected Batman and the characters. Sure Batman Returns disappointed a lot of people with its new direction and how it went against the comics (like how some people view bits in TDKR) but I believe people respected the actors involved and the artistic visuals. People felt like they could take Keaton seriously and those Burton films brought credibility to the general audience and made the real Batman embrace the fact that Bats was dark on film and with some dramatic performances.
Im going to say the G.A may not have seen Batman Beyond or the Animated Series. If they did, there's a good chance they only saw them as cartoons and nothing more. They sure as hell weren't reading comics during the 90s and 2000's. The films are all they had.
So all 3 Nolan films have brought the character back to the mainstream movie going audience, in a respectable manner for the first time since Burton. And then brought it to an even higher level of respectability. They weren't the reason for the creation of the successful Arkham games but the trilogy made a large number of people interested in Batman again, enough for them to go out and buy Arkham City.
Dark Knight even sparked an interest in batman comics/graphic novels in a bigger way when they were promoting Killing Joke, Arkham Asylum and Long Halloween as inspirations behind Heath's Joker, and the rest of the story. I remember they were being sold everywhere in 2008.
The fans owe everything to Nolan. Even the closing chapter of Rises. It's allowed a reboot, where new filmmakers can keep it gritty and serious at times and be influenced to cast credible actors all across the board. But then they can branch off into new territory with the series and do things Nolan ignored.
Even if you hated Blake. Nolan's nod to Robin has gotten the mainstream talking about Robin for the first time since the 90s. And talking about him like with speculation and wonder for the future, even if theyre never getting a spin-off. That will do wonders for Robin (Grayson) once he's brought into the reboot. People will be far more accepting of his entrance, more than he was even before 2012.
Batman always endures, but Nolan has given a gift to the character and set him and his supporting characters up nicely for the future.

Yes. I enjoy the thematic material in BB and TDKR especially. Training, understanding criminals and becoming established in BB. Being depressed, emerging a new man and retiring with Selina in TDKR.I can't obviously speak for everyone, but Bruce Wayne/Batman has a lot more depth in Nolan's trilogy than all the other film interpretations of the character.
I still have one huge problem that's been bugging me for 3 years...
Who is gillberg!?!?![]()