The Dark Knight Rises The TDKR General Discussion Thread - - Part 151

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Yeah, if the main actor is not a good actor, and they're putting the emphasis on him then i can't find any believability in the character. If i don't believe the character when he says or feels something, then it's a waste of time for me.
 
It does get better in season 2 (though it still has a lot of dumb moments) until you get to the last few episodes, which really brings down the whole season as you get left wondering why certain things were there that are completely irrelevant or contradicted as well as just a number of bad moments. But there are still really good episodes in there and for that reason it's certainly better than season 1 (though season 1 comes together a lot better at the end).

But Laurel is by far the most annoying character in any show I watch. She's just horrible.
 
It does get better in season 2 (though it still has a lot of dumb moments) until you get to the last few episodes, which really brings down the whole season as you get left wondering why certain things were there that are completely irrelevant or contradicted as well as just a number of bad moments. But there are still really good episodes in there and for that reason it's certainly better than season 1 (though season 1 comes together a lot better at the end).

But Laurel is by far the most annoying character in any show I watch. She's just horrible.
Good to know.

That's the thing with me though, i have to complete things. If there's only "some" good episodes, then i won't even bother. And im over the network 20 something episodes a season thing. No writer can keep the quality up for that long, you're going to get quite a few filler episodes, and i just don't have the patience for that. Luckily i got into LOST years ago when it was airing, and it was the first tv series i ever got into as a drama series. Because right now i wouldn 't even bother with LOST if i saw how many episodes there were per season.

And i find on networks like CW, and well..all the others pretty much, there tends to be too many bad actors circling these shows. That's why i hang my hat on HBO, AMC, etc because i find they put more focus on quality over quantity. And better talent circle those projects because it's of film quality most of the time.
 
Not surprising, but Vince Gilligan made the same comment about the 20 episode thing. Makes sense given that he's worked both in network and cable television, but yeah...it's got to be incredibly hard to do without stretching it out and putting some filler in there.

I'm the same way with music, give me a tight 10-11 song album with no filler over a 17 song album where I'm skipping half the tracks, even if the good songs are great. But with TV you feel like you can't skip.
 
A former professional rugby player... Meh.

I guess Nolan told them to **** off. :o
 
I'm sure Neeson's asking price told them to f*** off first, heh.
 
I'm glad Nolan decided to end his Batman story in way that Nobody could come in and screw up his story. It had to end with the league of shadows because it began with them. Yeah maybe we could of had a few more movies with other villlians in between but I look at this trilogy/story as Bruce Wayne vs the League of shadows and the Joker enters their battle for Gotham city and nearly destroys Bruce's chances of saving Gotham but its actually the League that help Bruce save Gotham in the end.
 
LOL what the heck. Nolan isn't Hitchcock. I'm sure he doesn't want to "own" his actors. And he's only worked with Ra's like barely twice. If Neeson had wanted to ****e his ass for Arrow, ain't nothing that Nolan could've done. With that said, it would have been just stupid to use Neeson for Arrow.
 
That's just not true man. Sorry, but i disagree. If Neeson wanted to, and Arrow/DC were up for linking the two worlds, they would ask Nolan. If it was any other director at this time besides Nolan or Affleck, they would just go ahead and do it. But that wasn't the case.

Anyways let's move on since obviously the producers weren't going to link it anyway, and now they have their new actor.
 
shauner111 said:
Anyways let's move on...

Haha nothing.

U mad, bro? :hehe:

You're wrong with this. If you dont think so, you need to do some research into what Nolan and Affleck mean as directors to the studio.

I doubt he cares about Neeson making an appearance on a CW show :funny: Again, Liam Neeson is free to do what he wants, and he apparently wanted to play Ra's again. Now, he might be confused about what "Arrow" is, and he maybe thought they were talking about another Batman movie where he would play Ra's again. But anway, (this may come as a shock to you), Nolan didn't invent Ra's Al Ghul. Ultimately, WB can do what they want with the characters they own, which is why MOS is the start of the DCCU, instead of it's own separate thing, which is what Nolan wanted.
 
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Ultimately, WB can do what they want with the characters they own, which is why MOS is the start of the DCCU, instead of it's own separate thing, which is what Nolan wanted.

Yeah, but they also would've tied it with TDKT's multibillion dollar continuity if they could've too. TDKR and MoS were in development at the same time, it could've easily been planned out that way- in fact, at any other studio that probably would've been the no-brainer business decision. The fact that TDKT is the only major superhero film series to have a definitive conclusive ending says a lot.

I'm sure Nolan was aware of the possibility of his cast being lured by the studio to reprise their roles in future projects. Hence the interview with Gary Oldman where he mentions Nolan jokingm "This is it...unless you want to wh*re your ass out for Batman 4" before they wrapped Gary's last scene as Gordon.

It all depends on whether they would've (hypothetically) tried to actually retcon his continuity and present it as the same character of the movies, rather than the same actor playing a different version of the character. Which would've been a poor creative decision anyway. There is a difference. And it probably would've been hard to fight the perception of it being the same character no matter what they did.

This is just bitter bickering though, cause it's clear that pointing out the level of clout and respect Nolan has at Warner Bros. is rubbing some the wrong way, even though nobody is, of course, saying that he invented or owns the Batman characters (no really?). However, up to this point WB has been very accommodating when it comes to allowing him to retain authorship over HIS VERSION of the Bat-mythos and it's hard to see that suddenly changing overnight. Then again, without Nolan's buddy Jeff Robinov there, who knows, maybe the dynamics of the relationship are starting to change?

Even then though, as a general rule WB continues to be pretty adamant about keeping their DC film properties separate from their DC TV properties. Which is just another one of many reasons this had about as much chance of happening as Danny DeVito reprising the role of Oswald Cobblepot for Gotham.
 
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Yeah, but they also would've tied it with TDKT's multibillion dollar continuity if they could've too. TDKR and MoS were in development at the same time, it could've easily been planned out that way- in fact, at any other studio that probably would've been the no-brainer business decision. The fact that TDKT is the only major superhero film series to have a definitive conclusive ending says a lot.

I much prefer your Shauner :cwink:

Yeah, but since Nolan was the one developing the thing, that wouldn't have made any sense. He has been clear that he wanted separate universes for Batman and Superman. Then all of a sudden he seemed to distance himself from MOS in a very subtle way, and then all of a sudden MOS is the start of the DCCU and a new Batman is being played by WB's new woman, Ben Affleck :cwink: They will humor him as long as he plays ball with them, but a proper DCCU will make the studio way more money than Interstellar 2: The Reckoning ever will. They will follow the money.

I'm sure Nolan was aware of the possibility of his cast being lured by the studio to reprise their roles in future projects. Hence the interview with Gary Oldman where he mentions Nolan jokingm "This is it...unless you want to wh*re your ass out for Batman 4" before they wrapped Gary's last scene as Gordon.

It all depends on whether they would've (hypothetically) tried to actually retcon his continuity and present it as the same character of the movies, rather than the same actor playing a different version of the character. Which would've been a poor creative decision anyway. There is a difference. And it probably would've been hard to fight the perception of it being the same character no matter what they did.

Which is why the whole thing was stupid to begin with, but if they really wanted it to happen...

This is just bitter bickering though, cause it's clear that pointing out the level of clout and respect Nolan has at Warner Bros. is rubbing some the wrong way, even though nobody is, of course, saying that he invented or owns the Batman characters (no really?). However, up to this point WB has been very accommodating when it comes to allowing him to retain authorship over HIS VERSION of the Bat-mythos and it's hard to see that suddenly changing overnight. Then again, without Nolan's buddy Jeff Robinov there, who knows, maybe the dynamics of the relationship are starting to change?

Oh please. We are all fans of Nolan. Well I am. I simply disagree with how much power he has (and would even care to have, since he is done with DC superheroes as far as we can tell) and you're pissy about that, I guess? This isn't about TDKR, so you don't need to get touchy :oldrazz:

Read above. It's funny to me how MOS evolved into something quite different than what Nolan probably intended. WB will follow the money.
 
Of course they will. It's not Nolans brainchild. It's Goyers and Snyders. But you're a fool if you thought for once that WB wouldn't ask Nolan permission to use a character/actor from his universe. That goes for the future if they wanted to use Hathaway's Catwoman, Bale's Batman or Ben Mendolhson's Daggett.

I would suggest watching the making of TDK trilogy if you haven't. You can see the respect they have for Nolan over there, and like i said, they wouldn't just use his s**t without asking when the director always finishes under budget and on time. Even earlier than the deadline. And makes them billions of dollars. It doesn't matter if Robinov is gone or not.
 
They will humor him as long as he plays ball with them, but a proper DCCU will make the studio way more money than Interstellar 2: The Reckoning ever will. They will follow the money.

Well, Inception grossed a fair amount more than Man of Steel worldwide, so there's that. :cwink:

Oh please. We are all fans of Nolan. Well I am. I simply disagree with how much power he has (and would even care to have, since he is done with DC superheroes as far as we can tell) and you're pissy about that, I guess? This isn't about TDKR, so you don't need to get touchy :oldrazz:

Look, I know that. This isn't about being fans of Nolan vs. not being fans, it's just about appreciating the full dynamics of a situation that's a little more nuanced than people are acknowledging. I do think it could've happened under the right set of circumstances (the main one being Neeson really wanting to do it). Nolan is done with DC, but it's a faulty assumption to say he doesn't care at all about the legacy of his films and doesn't prefer for them to be left alone, or that there are execs at WB who aren't the least bit aware and sensitive to that.

I've never had a problem with you IATK, and I agree with the gist of what you're saying. The reason I replied to you is, you invoked the "Nolan doesn't own Batman" thing, which is unfortunately a big pet peeve of mine because it's always felt like a strawman argument to me. I've never seen anybody seriously suggest or even imply such a thing, and it's just a lazy argument to use.

Sorry for dragging this one on but honestly, all shauner did in the first place was express his disinterest in Liam Neeson appearing on Arrow, probably because he's not a fan of Arrow. No mention of Nolan or anything like that. It was Kane (no offense Kane, I love ya bro) who opened that can of worms in the first place. Just felt like a "let's gang up on shauner" session, so I threw my .02 into the mix.

Read above. It's funny to me how MOS evolved into something quite different than what Nolan probably intended. WB will follow the money.

Of course they will, you're right of course. The thing is, saying "Nolan's concerns are a factor at the studio" is not at all the same as saying "Nolan is the tail that wags the dog at WB and they will cater to his every wish, no matter how petty."

The reboot of Batman was obviously inevitable, Nolan even said he was excited to see the next reinvention of Batman circa-2012. Heck, the whole ending of TDKR is kind of a nod to the idea of Batman continuing on and on in different forms, etc. Did he want that reboot to be a universe shared with MoS? Nope. Did things take a 180 from what he had originally intended? Absolutely they did. But he already had more distance from it to begin with in the producer role- MoS had naturally became more of Snyder's baby when it was all said and done. So moving on from that working relationship was probably more amicable and smoother than it would've been if WB had pulled the same thing during his run on Batman (and they did try as we already dicussed). This is still a studio that went out of their way to get a piece of the action on Interstellar when it was supposed to just be a Paramount project. Why? Because there is a certain culture there, they have a prestigious image as a studio that they like to maintain, and want to continue to be the "home" studio for the Afflecks, Nolans and Eastwoods of the world.

Make sense?
 
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Oh Lawd... :o

Look, I was being a dick with the "Nolan didn't invent Batman" thing :hehe: What I'm saying is, Nolan's grip on WB's superheroes is slowly loosening, and will eventually be a thing of the past, if it isn't already. WB wants to exploit their DC characters, and ultimately has every right to do so. Movies like Inception are important (and make money) but the kind of revenue that they can get from a fully stablished DCCU trumps that. You can't make too many toy variants out of Cobb, can you? That Justice League money is important. This you know, of course. That's all I'm saying.
 
Hey, what can I say...I'm a fan of clarity. I'm nothing if not thorough. :oldrazz:

I agree with your points. Because you're talking strictly about moving forward and building the DC brand outward, which is different. The Neeson thing would've been moving backwards, and on top of that they'd risk ruffling feathers with of their top-earning directors that they want to continue being associated with for a number of reasons. There are plenty of other studios/exec that would love to swoop in and attempt to take advantage of exploit of any whispers around town that the Nolan/WB relationship was weakening, such as Disney/Alan Horn. That is all.

I'm done now, promise.
 
He doesn't have a grip on WB superheroes. It's not about that. It's not a grip on anything, they just respect his opinions that's all. To the point where they wouldn't go behind his back and use one of his characters from his specific universe. That's all im saying. DC will move on without him but it's still a WB thing, and they have their loyalty to certain people at the end of the day. Nolans not involved anymore so it's done. No grip.

But they would bring back Burton/Shumacher characters no problem, they however wouldn't do that with Nolan. Meaning if Keaton wanted to come back and WB wanted to do Batman Beyond or Dark Knight Returns with him after seeing how successful Birdman is going to be (Oscar-wise anyway) then they'll do that and there's nothing a damn thing Tim Burton can do about it. But they wouldn't bring Bale back in the future unless Nolan said yes (that's of course if he's still with WB at that time).
 
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Neeson isn't gonna do TV.
Eh. Lots of film actors are making the jump to television. It's where the quality mainstream American work is right now.

Neeson also
returned to portray Qui-Gonn Jinn on Cartoon Network's Star Wars: Clone Wars show.
Obviously different than a recurring live-action role, but still.
 
Hey guys, I am currently doing a thesis in response to this scene between Bane and Batman. I have composed a piece of music that was synced with the chosen scene. It would be excellent if I could gather some feedbacks from you so that I have more insights that would help me greatly in my research paper.

Attached are the links to the survey and the videos. Thanks!

Survey link: https://www.surveymonkey.com/s/JCRZDR8

Video 1: http://www.youtube.com/watch?v=rDuetklFtDQ

Video 2: http://www.youtube.com/watch?v=6Uj36YIqf9c
 
Dansifer - I did go ahead and respond to your survey.

Long story short - part of the brilliance of the first Batman/Bane fight is the absence of music. To add music is to miss the point entirely.

Kudos for doing something creative but I would strongly suggest you watch more films + start listening to some of the great composers -

John Williams - Jaws, Superman, The Empire Strikes Back, Raiders of the Lost Ark, Indiana Jones and the Last Crusade, Jurassic Park, to name a few.

Ennio Morricone - watch the Good, the Bad and the Ugly. Pay attention to the music.

Bernard Herrmann - Vertigo, watch + listen.

John Barry - On Her Majesty's Secret Service, The Living Daylights

Hans Zimmer - Inception, Crimson Tide, The Dark Knight Trilogy

Howard Shore - the Lord of the Rings - particularly the Breaking of the Fellowship (track 17). But you can't go wrong with just about any of the music.

Maurice Jarre - Lawrence of Arabia

Danny Elfman - Edwards Scissorhands, Batman 89', Batman Returns, Spiderman 2 (the title track with the Alan Moore drawings intro is top notch)

Dimitri Tiomkin - High Noon

James Horner - Krull, Searching for Bobby Fischer

Eric Korngold - The Sea Hawk

Jerry Goldsmith - Rudy, Hoosiers

Max Steiner - Casablanca
 
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