If WB wants it, they'll do it. That's how it works, if the Nostalgia trend continues next years.
Yeah, but even without Nolan, if someone at WB comes witht the idea, they throw some millions at Bale's hand and there it is: Bat-bale returns.Never mind Batman... Nolan doesn't even want anything to do with WB right now. He threw a fit and got everything he wanted over at Universal. As long as they keep him happy, WB can keep wanting.
Though after all the Ezra Miller controversy I am betting Keaton is regretting his decision.
He still has Batgirl... so hopefully that has a smoother path to release.
Miller's situation won't reflect on Keaton's likeability or performance. If anything, he might just be the saving grace of this thing and WB will throw even more money at him to stick around.
In regards to Bale, I still think he would be the hardest to convince no matter how much money they throw at him.
I trust Bale when he says he would only come back for Nolan, and I trust Nolan enough as an artist that he would only come back for the right particular reasons. In other words, I don't think either of these guys would do it again for a paycheck or to appeal to some nostalgic fanboy demand. So if it happened I would be onboard on principle, even if my position now is that I'd rather it didn't happen. But I'd be truly shocked should it come to pass. With Keaton's Batman, and Tobey and Andrew's Spider-men, there was a sense of unfinished business to varying degrees. That's not the case with Bale and Nolan.

I could potentially see a scenario where even if Nolan doesn't direct, he gives his blessing to Bale. It's still extremely unlikely though.
Considering how much Batman we get on a regular basis, and how franchises are being milked dry to satisfy the constant need for content, I would very much appreciate it if the Dark Knight trilogy could be just that, a trilogy. No more. No special appearances by Bale, no "this is what Batman was doing during those eight years" story, no prequel or sequel. There is no need. Nolan told a complete story across multiple decades (for the main character). Fans need to let their imagination fill in the gaps again and just allow for stories to end.
I completely agree in principle. As fun as it is to ponder, it's hard for me to disagree with that. It may help keep it more special over time to just let it be.
If you think about it...how many trilogies have been allowed to just stay trilogies at this point without getting revisited somehow?
Indiana Jones...nope
Matrix.. nope
Lord of the Rings...nope
Star Wars...LOL
I guess there's still Back to the Future.
But yeah, I personally have no desire to revisit Nolan's Batworld as I feel that story has ended. I have problems with TDKR but it's ultimately a perfectly fine ending to a story.Well, LOTR I don't mind since there is material to adapt in the books, though I wish Jackson's "Prequels" hadn't turned out the way they didBut yeah, I personally have no desire to revisit Nolan's Batworld as I feel that story has ended. I have problems with TDKR but it's ultimately a perfectly fine ending to a story.
Of course, maybe I'm being too precious about this. Blade Runner has one of the greatest endings of all time and the sequel kind of spoiled that, and yet I loved BR2049. So I don't know...I struggle with "do we need this" and "well that turned out fine" quite a bit.
If that were to happen multiple times in a row, he would probably leave blockbusters for a while and return to small scale films with relatively low budgets, like in the beginning of his career. He's not one to play it safe and cling to past properties. And if he ever were to return to a preexisting universe and characters, I'm sure it would be for a commercial hit he himself created, like Inception, rather than go and invest on a major film franchise with long history and a huge fanbase, once again. I'm not saying it can never happen, but it's very unlikely.The better question is if Nolan would ever come back. What if Oppenheimer bombs? And the film after that too?
Directors often return to their past hit films when in a career downturn to try to rejuvenate their careers.