An absolutely spectacular arrangement of action and character development. The movie isn't paced like most others, opting for a more unique approach. It divides itself into massive scale action sequences and lengths of character exploration. Most reviewers have been put off by the massive scale, hour long action sequence near the end, but they seem to forget the thematic exploration of Clark's character that came before it.
Superman as the depiction of the perfect immigrant? You have Clark coming in and doing various oddjobs to try and make a living before he finally finds his calling, and even then he is submit to scrutiny.
Superman as a paradoxical character with a strength that is also a weakness? You have some pivotal scenes where Superman is forced to make a decision for the greater good despite his morals. Indeed at several points in the film, the villains themselves outright state this theme- that Clark's morals make him weaker.
In addition to that, you have Clark's brilliant social predicament as a whole once again laid out perfectly. This absolutely incorruptible, truly good person manages to still somehow be put through a sad and lonely life.
In addition to the thematic exploration being done masterfully by writer David S. Goyer, you have the incredibly character performances. Henry Cavill portrays a humble (if humorless) Kal El/Clark Kent who is always willing to do the right thing on his own terms. His facial expressions and overall body language enrich the film's quality immensely. The look of apprehension the first time he dons the cape and faces the threat. The look of weakness when he realizes that the enemy who has just slammed him into a wall possesses the same powers as him. The look of stern coldness as Superman taunts the main villain. The white hot intensity when Superman turns aggressive. It's all done superbly by Cavill.
The aforementioned main villain is also an absolute powerhouse. General Zod is played by Michael Shannon (famous for his ability to simulate anger). General Zod's character as a whole is one of the most surprisingly good parts about the film. Sharply contrasting with Terence Stamp's cold blooded "kneel inducing" Zod, Shannon plays a megalomaniac bent on trying to restore life to his long dead race. You truly feel sympathy for Zod, but are no less satisfied when his character arc reaches its payoff. Shannon's portrayal is raw, threatening, and downright scary. He really has a way with eyes, being able to intimidate pretty much anyone he wants to.
Superman's father, Jor-El, happens to be one of those people. He is played by Russel Crowe. There's really not much else to say here but the fact that he absolutely kills the role.
The supporting cast all do their jobs very well, but are given rather little to work with. This should be more or less expected, considering the movie's marketing as Superman's origin story. Standout performances include Antje as the menacing-yet-sexy supporting villain Faora, Amy Adams as the adorable-yet-tough love interest Lois Lane, and Kevin Costner as the moral guidance of Jonathan Kent (Clark's father).
There are some issues with the movie. The action scenes do indeed feel too drawn out at some points. This can be seen in the middle 20 minutes of the last action scene where the movie ends up feeling like a Michale Bay-esque building dropper. Fortunately, the action builds up even more, and ends up with a climax so exhilarating that it would take three Avengers movies to top it.
As said before, the pacing is unique, but still strangely polarizing. The film is content with simply dividing the action and story development scenes into sections, instead of integrating them with each other and creating a coherent flow throughout the movie.
And, above all, the film truly is devoid of humor. While this is a new Superman film, some of the humility (and humanity) of the original Clark Kent in the Richard Donner films came from trivial things that would happen to Clark. Fortunately, the ending of the film leads into something that may indicate a return to this style of humor in the future.
The movie does contain some absolutely massive, drawn out action sequences. It is also paced in a strangely polarizing way, and the film is devoid of a lot of the humor that characterized the Richard Donner films. But one must not ignore the thematic explorations of the characters that came with those things and dismiss the film as a "generic blockbuster." Truly, with the teeming sci fi world of Krypton, strong character performances, and thematic respect to Superman's character, it is anything but.
This movie scores a 9.5/10. Since Metacritic does not allow for 9.5s, and the critical response seems to be rather mixed, the score was rounded to a 10.
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This is my girlfriend's cousin's review. I'm just relaying it here. I haven't watched the film yet myself, but as a longtime Superman fan, the talk of thematic exploration excites me to no end.