Flint Marko
Bring me Thanos 🦉
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ApophènX;33796189 said:On XMA you have at least theme like memory-home-family-nature tied up together. The repress memory theme drive you to the unlishing power theme, the respinsabilty of creative/destructive power, it is a journey, accepting your dark side (Charle's mainly), letting go of control over woman and the fear of your dormant super power.
Now most of it is pretty straight forward in the surface but it is inherent to the characters and how they act, they form a whole. Wich is another point of the movie. Charles will blurr the frontiere beetwen his head, heart and home/family/mansion.
You have symbolizm with the tree/forest and the birds. It is also the reason of Alkali Lake. Logan represent the animal side, with no control. When Jean heal him by giving him some happy memory it is pretty deep.
First because it is what Charles will get to do in the end, if he had not hide Moira memory Apocalypse woulf never have come. (Plus Moira and Jean both interract with Apoc with fire).
Second because in every movie Logan end up stabbing woman in the stomach, and there he put out needles of his heart and stomach. No stabbing, improvement on different timeline.
Tere is analogy beetwen Erik and Charles, the first told everything to his wife where Charles kept everything hidden from Moira, Erik daughter can summon birds and Jean his a bird figure. In Jean's room when she has a nightmare we can see a picture above her bed of a tree burning (link this to scott and represent memory), mens with arrows and bird of papers. Next scene you have the daughter of erik summoning bird in the forest (treeeees!) and being killed by an arrow.
In Auschwitz to reveal Magneto power Apocalypse will speak of a forest he will birn to the ground. This work with Erik because the forest is a place of tragic memory and as usual he wippe out the bzd memories. In the opposite Charles accept the bad memory he do not get mzd when Scott destroy he family tree. He is compassionate and end up like a buddha. Bald and connected to the world around him.
Connectivness the super ego of Apocalypse wanted, despite him believing being a god he lack connectivity to others. Pretty human.
I don't find any of this to be particularly deep, complex, or revelatory, at least in the manner it was presented in the film. Just because these themes are present in the story doesn't mean they were effectively dramatized or executed. I could point to poems I wrote in middle school that are chock-full of well-intentioned ideas, but that doesn't automatically make it a good poem.
That analogy sounds more reductive than I mean it to, honestly. For the record I don't think Apocalypse is an awful movie, but I don't think it's a very good one either. Definitely better than my middle school poetry, that's for sure.
See. I don't get this. All these people complain about it being "too boring" and "not enough action" then you guys say it's some big, dumb action fest.
I'm sorry, this just isn't true. You can have your opinions about the quality of the story, action, etc... but there were plenty of dramatic plot points, lots of intense character development, plenty of quiet moments that weren't based on action. Singer just can't seem to do anything right in certain people's eyes.
Except I never complained about the film not having enough action. You can't lump me in with that group as that does not describe me.
And I'm sorry, you can't tell me that my "opinion" is wrong, my opinion being that this was a very generic movie that didn't contain half the dramatic heft of it's predecessors. I'll give Singer credit where credit is due, but he doesn't get much this time around.
It was nothing of the sort people are being silly and carried away with hyperbole.